90. Living in Oblivion
Living in Oblivion will resonate with anyone who’s ever been on a film set,
particularly a low-budget film set. The film is a hilarious and insightful look
at the creative process and the impossible world of independent filmmaking. Few
filmmakers are more qualified to make a film about the frustrations of this
chaotic milieu than writer-director Tom DiCillo, who has made a career of
quirky, offbeat, underappreciated low-budget comedies. Living in Oblivion deserves a place alongside such films about
filmmaking as Day for Night and The Player.
DiCillo’s
talented cast (including indie stalwarts Steve Buscemi, Catherine Keener, James
LeGros, and Kevin Corrigan) also must have relished the opportunity to give
audiences an inside view of their process. The redoubtable Buscemi makes us
root for beleaguered filmmaker Nick Reve. Dermot Mulroney plays the pretentious
director of photography, Wolf, who responds to Nick’s plan to shoot a pivotal
dramatic scene all in one shot with, “It’s been done.” At one point, Wolf has Nick
look through the viewfinder at his shot of Nicole, the emotionally unstable
actress played by Keener. “It’s incredible; she’s coming right through the
lens,” he says, and it’s true. Keener is luminous in the role that finally got
her some attention. Keener portrays Nicole’s creative breakdown with tremendous
skill, as Nick is faced with one setback after another, and helplessly watches
all the energy drain from his lead actress’ performance.
The
film’s clever structure breaks the action up into three segments – two dreams
and a “real life” scene in which a dream sequence is being filmed. If Living in Oblivion has a villain, it’s
blow-dried blowhard Chad Palomino (LeGros), an up-and-coming Hollywood stud,
slumming on a low-budget project, and letting everyone on the set know that
it’s his world and they’re just living in it. Railing against the “Hostess
Twinkie shit” of Hollywood while personifying the worst aspects of same,
Palomino is a memorable character, and LeGros gives an indelible performance. Rumors
circulated that Palomino was modeled after Brad Pitt, who had starred in
DiCillo’s feature debut, Johnny Suede.
DiCillo denied the rumors, but regardless, Chad’s attempt to take over the set
in the second segment is a comedic highlight of the film.
Another
highlight comes courtesy of Tito, the angry dwarf actor portrayed by Peter
Dinklage (The Station Agent) in his
feature debut.
Living in Oblivion
holds a wealth of colorful character turns and satisfying little surprises for
viewers. In fact, I almost envy all you idiots who still haven’t seen it. (Josh
Ralske)