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Movie Overview
Cast
Gerard Butler
Emmy Rossum
Minnie Driver
Director
Joel Schumacher
MPAA Rating
PG-13 - brief violent images
Andrew Lloyd Webber's The Phantom of the Opera (2004)
REVIEWS
NEWS
INTERVIEWS
OTHER
(1 - 43) of 43
OFCS Rating: 26% Rotten
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4/5
"El Fantasma, como dice la canción, está ahí, inside my mind..."
Cinenganos
Alex Ramirez
"Should appeal to people who like musicals but cannot afford them, though this is not a particularly inventive nor a particularly cinematic adaptation."
european-films.net
Boyd van Hoeij
C
"On paper, the teaming looks solid gold, yet the film is an experience that results in more yawns than goosebumps."
FilmJerk.com
Brian Orndorf
"THe diva's success is a not-so-subtle indictment of the bourgie masses who consume popular culture: their taste sucks."
PopMatters
Cynthia Fuchs
D+
"Damn you! Curse you! Lloyd Webber’s caustically commercialized but well-directed musical comes to the screen in a colorful, expensive, thoughtless and overacted translation."
EDGE Boston
David Foucher
3.5/4
"One of the most entertaining motion pictures of the year,
The Phantom of the Opera
is a cinematic gift for the ages that finds profundity in its thematic innocence."
TheMovieBoy.com
Dustin Putman
0/4
"Like overpriced costume jewelry, this tasteless, soulless contraption is sure to appeal to anyone who owns Celine Dion and Meatloaf albums."
Slant Magazine
Ed Gonzalez
C-
"A flamboyant failure, unwilling and/or unable to open itself up to anyone who wasn't totally in love with the show already."
FilmJerk.com
Edward Havens
2/5
"(Joel Schumacher) tenía ganas de hacer un musical y se sacó las ganas; sólo que no bastaba con poner gente cantando envuelta en trajes brillantes."
Uruguay Total
Enrique Buchichio
D+
"What passion and excitement there is in the work has been sucked out; it has become boring.... It is shallow, yes, but even shallow works need competent directors."
EricDSnider.com
Eric D. Snider
0.5/4
"One of the worst filmed musicals I’ve ever seen, and that includes Cop Rock"
eFilmCritic.com
Erik Childress
D+
"
Phantom of the Opera
does not look good, it does not sound good, and it is an astonishing bore."
Film Blather
Eugene Novikov
D
"On the boards
The Phantom of the Opera
was bloated kitsch; now, thanks to Schumacher, it's hysterically bloated kitsch."
One Guy's Opinion
Frank Swietek
2/5
"Many of the songs still enchant even though the film is a disappointment."
Spirituality and Practice
Frederic and Mary Ann Brussat
2/4
"It's questionable whether fans of the musical will be enamored with this adaptation. The energy that characterizes a live performance is absent, resulting in a production that often feels sluggish and slow-moving."
ReelViews
James Berardinelli
2/4
"no amount of stylistic playfulness could stop the film from bogging down into tedium by the last reel, as the romantic pathos begins to wear thin"
Q Network Film Desk
James Kendrick
1/5
"Broadway bore comes to the big screen in a movie-musical adaptation that's too little, too late and too terrible for words."
Netflix
James Rocchi
2/4
"Joel Schumacher crafts a musical hiccup with this feebly cast rendition of the infamous stage opera."
Palo Alto Weekly
Jeanne Aufmuth
7/10
"If you loved the show, you'll likely love the movie; if you detest the show, you'll hate the movie. Personally, I fall closer to the middle."
Window to the Movies
Jeffrey Chen
2.5/5
"Webber's musical fans will appreciate this version and champion its cause the same way that Americans promote apple pie, Chevrolet, and McDonalds"
ToxicUniverse.com
John A. Nesbit
5/10
"The movie is so overblown, so much is meant to dazzle the eye, that it overwhelms the characters and the music."
DVDTown.com
John J. Puccio
4/4
"'Pésele a quien le pese, es una de las mejores películas del 2004. Injustamente ignorada en Estados Unidos pero que el tiempo seguramente la convertirá en un clásico'"
Moviola
Jorge Avila Andrade
1/5
"."
3BlackChicks Review
Kamal 'The Diva' Larsuel
C+
"The songs generally suffer on the screen, with only the Phantom's organ-driven theme and the sexual frenzy of the climatic 'Past the Point of No Return' having any real energy"
Reeling Reviews
Laura Clifford
2.5/5
"Nuanced supporting performances by Simon Callow and Ciaran Hinds as the parvenus who've just bought the Opera and, especially, Richardson as the sly Giry, can't compensate for the vacuum at the top."
TV Guide's Movie Guide
Maitland McDonagh
2/4
"Welcome to the world of Andrew Lloyd Webber, where an entire libretto is derived from variations on five songs."
Mark Reviews Movies
Mark Dujsik
7/10
" It is not ideal, but it still is arguably the best dramatic adaptation of Gaston Leroux's novel."
rec.arts.movies.reviews
Mark R. Leeper
4/5
"Schumacher has indeed delivered the lavish, lushly romantic film that fans have envisioned for years."
Film Threat
Michael Dequina
3.5/4
"Conjures up this unexplainable spell that leaves audiences sad, sentimental, swooning, smiling--in some way transported and moved."
Mr. Brown's Movies
Michael Dequina
B
"It's the Branson, Missouri dinner theater edition, as decorated as a wedding cake and as tightly laced as Christine's corset."
Movie Mom at Yahoo! Movies
Nell Minow
"Deserves to be locked up in a dank, water-filled dungeon and left to molder."
Lessons of Darkness
Nick Schager
2/5
"Unless you're a die-hard devotee of the stage version, you'll probably find this film both excruciatingly overblown and annoyingly undercooked."
Shadows on the Wall
Rich Cline
D
"It compounds what to some of us are already fatal errors, while bringing nothing new to those who love the stage version so dearly."
Flipside Movie Emporium
Rob Vaux
C+
"Fantastic sets, costumes, great art direction and imaginative camera work make this a visually stunning film. The musical score, not so much."
Laramie Movie Scope
Robert Roten
C
"[
Phantom of the Opera
] is all shine and glitter but without substance."
Reeling Reviews
Robin Clifford
1.5/5
"...feels like little more than a 2+ hour promotional video for perfume, jewelry, corsets and curtains."
eFilmCritic.com
Scott Weinberg
2/5
"no passion, no thrill, no showmanship"
Filmcritic.com
Sean O'Connell
"Takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat."
Salon.com
Stephanie Zacharek
10/10
"Enthralling, intoxicating...a dazzling, spectacular Oscar contender."
Modamag.com
Susan Granger
1.5/4
"
Batman
meets Liberace."
Film Freak Central
Walter Chaw
2.5/4
"Fans of the musical "The Phantom of the Opera", however, will find plenty to like in this filmic adaptation but its faults could have easily sunk the entire production."
Oscar Guy
Wesley Lovell
"Click here to see review"
Wolf Entertainment Guide
William Wolf
Read review
Flick Filosopher
MaryAnn Johanson
(1 - 43) of 43
OFCS Rating: 26% Rotten
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