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2.5/5 |
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(2005) |
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"blends modern-day politics with good old-fashioned derring-do to explore the grey areas (in a very grey-looking London) between freedom, justice, dissidence and retribution."
[movie review] |
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Eye for Film |
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3.5/5 |
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(2007) |
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"Vacancy enjoys a cracking pace, all thrills and no frills, leaving viewers barely enough time to catch their breath let alone to dwell on the odd hole in the plot."
[movie review] |
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Eye for Film |
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7/10 |
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(2004) |
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Click here to see the review!
[dvd review] |
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Movie Gazette |
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(1970) |
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"This confounding, carnivalesque coming-of-age fantasy is as beguiling as it is beautiful, as subversive as it is strange."
[movie review] |
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Channel 4 Film |
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(2009) |
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"Christianity collides with paganism, nature rubs up against culture, heaven is confused with hell, and everything in this sparse allegorical landscape takes on the metaphysical qualities of a symbol."
[movie review] |
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Eye for Film |
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(1931) |
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"In a triumph of the irrational, Dreyer's eerie memento mori never allows either protagonist or viewer fully to wake up from its surreal nightmare."
[movie review] |
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Channel 4 Film |
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(2008) |
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"Vantage Point prefers to stick with the familiar, so that it ends up, bizarrely enough, affirming rather than challenging the viewer's prejudices."
[movie review] |
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musicOMH.com |
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(1979) |
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"as messy as murder itself, Vengeance is Mine maps out the darker corners of a nation in transition and unwilling to confront its past directly."
[movie review] |
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Eye for Film |
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7/10 |
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(1982) |
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Click here to see the review!
[dvd review] |
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Movie Gazette |
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7/10 |
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(2004) |
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Click here to see the review!
[movie review] |
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Movie Gazette |
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7/10 |
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(2003) |
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Click here to see the review!
[movie review] |
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Movie Gazette |
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(2007) |
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"its undeniable sense of spectacle is best appreciated on a very big screen - even if, after a full-throttle build-up, the film's final sequences seem oddly anticlimactic."
[movie review] |
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musicOMH.com |
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5/5 |
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(2008) |
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"Without resorting to cheap frights or bogeymen, Vinyan locates its horror in the human heart of darkness."
[movie review] |
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Little White Lies |
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(2008) |
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"Without resorting to cheap frights or bogeymen, Vinyan locates its horror in the human heart of darkness."
[movie review] |
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Little White Lies |
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(1966) |
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"It might almost be a melodrama, save for all the political allegory, as Oshima asks how a seemingly civilised society can create and knowingly harbour a monster within."
[movie review] |
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Channel 4 Film |
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(1992) |
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"This breathtaking documentary sheds brilliant light (and subtle shading, too) on the history and practice of cinematography."
[movie review] |
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Channel 4 Film |
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(1992) |
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"a 1922 newsreel included as the only extra is amusing enough, but at a mere 30 seconds in duration, it is only likely to be of interest to keen archivists."
[dvd review] |
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Channel 4 Film |
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(2002) |
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"beneath all Miike's over-the-top absurdities lurk real feelings (inadequacy, alienation, repressed sexuality) that simmer away in most 'normal' families."
[movie review] |
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Movie Gazette |
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(2005) |
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"Vital sees Tsukamoto, a director who is never less than fascinating, in his finest form, tackling the mysteries of human identity with an elegiac calm. Vital viewing."
[movie review] |
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Eye for Film |
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(2008) |
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"Anna Biller's pastiche of '70s sexploitation flicks finds its G-spot somewhere between misogyny and feminism. It's a transgressive joy - if somewhat overlong."
[movie review] |
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Little White Lies |
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7/10 |
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Click here to see the review!
[dvd review] |
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Movie Gazette |
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