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(2008) |
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"Oliver's film manages to grapple with some knotty questions about justice, even if it is not nearly as bold or ironic as Lee Chang-dong's "Secret Sunshine""
[movie review] |
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indieWIRE |
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(2008) |
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"Canet has covered his bases with enough swooping camerawork, narrative smoke-and-mirrors, and quick-sketched supporting characters for a dozen thrillers"
[movie review] |
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indieWIRE |
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(2007) |
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"It is the war within him--and by extension, within the minds of many embittered, working class young men left behind in Thatcher's England--that Meadows's film most strikingly portrays."
[movie review] |
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(2007) |
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"Wang's new film suggests not only a return to form but also the revival of an old theme from his early Asian-American dramedies: the different ways that certain generations translate and adapt their cultural heritage"
[movie review] |
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indieWIRE |
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(2006) |
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"Assembles all of the major settings of the last 20 years of Hou's career into a single portmanteau of miscommunication and frustrated ardor."
[movie review] |
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(1993) |
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"If Sherman's March is McElwee's meditation on eros, then Time Indefinite is his thanatopsis."
[movie review] |
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Not Coming to a Theater Near You |
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(2009) |
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"Sandwiched between Gondry and Bong's variously euphoric entries, Carax's contribution seems either a work of deep cynicism from an inveterate party-pooper or a welcome satirical sour note from one of the great talents of 80s and 90s French cinema."
[movie review] |
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(1966) |
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"Hitchcock's fiftieth film retains Marnie's super-fake process shots and soundstage sets, but renders them in near-abstract minimalism, creating a world of utter sterility."
[movie review] |
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Not Coming to a Theater Near You |
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(2007) |
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"For all its emulation of American gangster films, Triad Election is first and foremost a portrait of Hong Kong, painted in great swaths of black and red."
[movie review] |
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Not Coming to a Theater Near You |
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(2008) |
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"With this harsh and beautiful backdrop so attentively rendered, at once otherworldly and palpable, the desires of Tulpan's characters become almost metaphysical imperatives."
[movie review] |
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(1990) |
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"Like the lonesome foghorn, there are many signs to be interpreted and heeded, and their meaning and provenance is not always clear."
[movie review] |
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Not Coming to a Theater Near You |
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(1990) |
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"The sixth episode does not offer any major new pieces of evidence, but it does reinforce some long-simmering suspicions."
[movie review] |
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Not Coming to a Theater Near You |
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(1990) |
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"Ep. 8: With Lynch's return to the director's chair, the delivery of the warm milk lasts for an implausible duration that is utterly anomalous in network television."
[movie review] |
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Not Coming to a Theater Near You |
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(1990) |
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"Co-creator Mark Frost directs this finale to the first season, packing it with the sort of operatic cliffhangers characteristic of all such episodes."
[movie review] |
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Not Coming to a Theater Near You |
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