|
 |
Leo Goldsmith
 |
|
 |
|
|
|
|
|
|
|
|
 |
 |
 |
| |

|
|
(1980) |
|
"Here, as in all of Kurosawa’s late films, this sense of hopeless fixity renders unconvincing any hope for human agency."
[movie review] |
|
Not Coming to a Theater Near You |
|
 |
 |
 |
| |

|
|
(2004) |
|
"The horribly overused device of the handheld camera makes Keane not simply grating and heavy-handed, but also nauseating."
[movie review] |
|
Not Coming to a Theater Near You |
|
 |
 |
 |
| |
--
|
|
(1977) |
|
Click here to see the review!
[movie review] |
|
Not Coming to a Theater Near You |
|
 |
 |
 |
| |

|
|
(1968) |
|
"Melodrama, slapstick, romance, exploitation, and psychological horror all vie for dominance throughout the film, giving it an air of fickle, feminine hysteria, which the graphic sex scene at the end of the film makes still more difficult to pin down."
[movie review] |
|
Reverse Shot |
|
 |
 |
 |
| |

|
|
(2007) |
|
"A good deal more Transformers than Syriana, a movie that drapes a crisp, lightly browsed copy of The Economist over an enormous pubescent boner for grinding metal, busted glass, and crackling gunfire."
[movie review] |
|
Reverse Shot |
|
 |
 |
 |
| |

|
|
(2006) |
|
"It's a minor joy to see a film so ingenuous as this, plainly wearing its corporate sponsorship on its sleeve."
[movie review] |
|
Not Coming to a Theater Near You |
|
 |
|
|