 |
|
|
|
|
|
|
|
|
 |
 |
 |
| |

|
|
(2005) |
|
"While the scope is ambitious and the tone refreshingly light on moralism, few of the innumerable characters and subplots elicit much sympathy."
[movie review] |
|
Not Coming to a Theater Near You |
|
 |
 |
 |
| |

|
|
(1996) |
|
"Fallen Angels lunges and chases after its rapidly receding subjects, looking to capture and preserve a trace of their presence before the sun rises and the shadows fade."
[movie review] |
|
Not Coming to a Theater Near You |
|
 |
 |
 |
| |
--
|
|
(1928) |
|
Click here to see the review!
[short review] |
|
Not Coming to a Theater Near You |
|
 |
 |
 |
| |

|
|
(1974) |
|
"Morrissey's grotesque, ravishing film situates the Frankenstein story squarely in the world of the Freudian uncanny."
[movie review] |
|
Not Coming to a Theater Near You |
|
 |
 |
 |
| |
--
|
|
(1955) |
|
Click here to see the review!
[short review] |
|
Not Coming to a Theater Near You |
|
 |
 |
 |
| |

|
|
(1957) |
|
"As brash, unsubtle, and pointed as Fuller’s best work."
[movie review] |
|
Not Coming to a Theater Near You |
|
 |
 |
 |
| |

|
|
(2008) |
|
"Grey and waterlogged, Jerzy Skolimowski's Four Nights with Anna is something like the Eastern European answer to Rear Window and Chungking Express, a deeply gothic, but no less romantic tale of voyeurism, breaking and entering, and secret love."
[movie review] |
|
Reverse Shot |
|
 |
 |
 |
| |

|
|
(1931) |
|
"The monster may seem campy today, but there are still occasional subtleties."
[movie review] |
|
Not Coming to a Theater Near You |
|
 |
 |
 |
| |

|
|
(2008) |
|
" Even an offhand debate between a few students late in the film about whether or not Bush is a "retard," while not exactly insightful, nonetheless portrays a student body for whom politics%u2014or at least arguing about it%u2014is essential."
[movie review] |
|
indieWIRE |
|
 |
 |
 |
| |

|
|
(2008) |
|
"Nostalgic, deeply felt, and refreshingly astute, "Fugitive Pieces" is something of a rare bird these days%u2014a big-budget, transnational historical drama that actually justifies its scope and subject matter with more than visual opulence."
[movie review] |
|
indieWIRE |
|
 |
 |
 |
| |

|
|
(2005) |
|
"The film proposes Carrey as an Everyman for the 21st century. But if you don't sympathize with the film's variations on the American Dream, that's a frightening thought."
[movie review] |
|
Reverse Shot |
|
 |