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(2008) |
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"Begins with a shot of Meryl Streep practicing tai chi, and therein lies a precise encapsulation of the film's attitude toward the intersection of Eastern and Western cultures"
[movie review] |
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indieWIRE |
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(1996) |
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"Characteristically meandering and sardonic, with Robby Muller's floating, shimmering camerawork, a catalog of witty cameos, and one of the most beautiful modern film-scores"
[movie review] |
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Not Coming to a Theater Near You |
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(2006) |
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"When the film's title is finally, quietly realized, it affords the viewer a hard-won, if mournful liberation."
[movie review] |
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Not Coming to a Theater Near You |
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(1970) |
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"Pasolini questions his own dream, his idealization of this beautiful, bucolic world he has created in which peasant and artist and the Virgin Mary coexist in divine harmony."
[movie review] |
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Not Coming to a Theater Near You |
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(1977) |
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"A combination of Kubrick's 2001 and Polanski's Rosemary's Baby, with a dash of Buster Keaton's Electric House thrown in"
[movie review] |
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Not Coming to a Theater Near You |
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(1967) |
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"A curiously self-serious film, almost a message picture about black magic, albeit with great puffs of smoke, a giant spider, and a man in a goat costume"
[movie review] |
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Not Coming to a Theater Near You |
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(2007) |
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"Even if Schnabel’s films utilize a rolodex as burgeoning as their film’s visual inventiveness, they still do so playfully and with a sense of the fun of moviemaking that so few films of similar lineage display."
[movie review] |
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Not Coming to a Theater Near You |
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(1928) |
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Click here to see the review!
[movie review] |
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Not Coming to a Theater Near You |
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(1974) |
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"The viewer is left with the question of which of John Baxter’s aphorisms to believe: “Seeing is believing” or “Nothing is what it seems.”"
[movie review] |
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Not Coming to a Theater Near You |
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(2006) |
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"What is undeniable is that this, even more than Barney's previous work, is a film of outrageous, startling ingenuity and beauty."
[movie review] |
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Not Coming to a Theater Near You |
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(2008) |
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"If there is a criticism to be lobbed at Nelson's judicious but otherwise highly entertaining tribute, it's that it too often plays the role of the fawning, autograph-hungry fanboy, willing to accept all of the abuse Ellison wishes to hurl at it."
[movie review] |
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indieWIRE |
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