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• AboutFilm.com
Total Reviews: 343
Carlo Cavagna
Carlo Cavagna
Carlo Cavagna

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D
     (2007)      "Dunne weighs down a light social satire with a ponderous anthropological analogy." [movie review]      AboutFilm.com   
  
B
     (2006)      "Besson's script may be formulaic crap, but he obviously still has an eye for fresh action talent, and an instinct for how to show it off." [movie review]      AboutFilm.com   
  
B
     (2006)      "Holofcener has a gift for wonderfully oblivious and in-denial characters, and the subtly ridiculous situations that such characters get themselves into." [movie review]      AboutFilm.com   
  
D
     (2006)      "The most self-important, heavy-handed film since...well, since DOGVILLE." [movie review]      AboutFilm.com   
  
B+
     (2006)      "Recreating the unusual spirit of the photos is what the film does best..." [movie review]      AboutFilm.com   
  
D-
     (2006)      "A thin slice of a not-very-interesting nothing... The book they said was unfilmable turns out to be a film that is unwatchable." [movie review]      AboutFilm.com   
  
C-
     (2006)      "The sort of film that's obviously deeply meaningful to the filmmaker, but he fails to make it particularly meaningful to you." [movie review]      AboutFilm.com   
  
B-
     (2005)      "delivers the action movie goods [thanks to] adroit pacing...[and] a cast of extremely capable actors." [movie review]      AboutFilm.com   
  
B
     (2005)      "Jack's realizations, particularly vis-ŕ-vis his daughter, offer rich dramatic possibilities." [movie review]      AboutFilm.com   
  
B+
     (2005)      "An introspective film, but not, thankfully, an inert film. " [movie review]      AboutFilm.com   
  
B-
     (2005)      "Meirelles isn't interested in either character or suspense. He's interested in political issues and the scenery." [movie review]      AboutFilm.com   
  
B+
     (2005)      "a gritty story about a reporter who gets carried away by his ego while he believes he is pursuing the greater good" [movie review]      AboutFilm.com   
  
B
     (2005)      "In the genre of low-budget hillbilly slasher movies, it's a masterpiece." [movie review]      AboutFilm.com   
  
A
     (2005)      "You feel privy to mysterious secrets and a monumental unraveling... It's impossible to look away." [movie review]      AboutFilm.com   
  
B-
     (2005)      "While the material wears thin, every minute of this film is a tour-de-force performance." [movie review]      AboutFilm.com   
  
B+
     (2005)      "Strathairn is riveting." [movie review]      AboutFilm.com   
  
C+
     (2005)      "Herzog comes across as the worst kind of cinematic jackass—the filmmaker who doesn't trust his own work to speak for itself." [movie review]      AboutFilm.com   
  
B-
     (2005)      "Worthwhile for the three leads (Kudrow, Gyllenhaal, and Coogan) and for Roos's unique perspectives as a storyteller, close captioned for cognitively impaired." [movie review]      AboutFilm.com   
  
C+
     (2005)      "While Glen Close dominates the screen with effortless assurance, Elizabeth Banks lacks personality and would probably dissipate in a strong ocean breeze." [movie review]      AboutFilm.com   
  
D
     (2005)      "Martel is determined to make an impressionistic film out of miniscule moments, fragmented sounds, and fleeting images—so miniscule, fragmented, and fleeting they never cohere." [movie review]      AboutFilm.com   
  
C-
     (2005)      "Memo to John Cusack: There's a thin line between humorous unflappability in the face of strange events, and sleepwalking. " [movie review]      AboutFilm.com   
  
B-
     (2005)      "An initially hilarious mockumentary whose sense of humor goes deaf as it wears on. " [movie review]      AboutFilm.com   
  
B+
     (2005)      "The [crap] may be out of control, but director Matthew Vaughn is firmly in it." [movie review]      AboutFilm.com   
  
B-
     (2005)      "insubstantial, but fun" [movie review]      AboutFilm.com   
  
A-
     (2005)      "Thank goodness Allen has left New York and left himself out of the script." [movie review]      AboutFilm.com   
  
C+
     (2005)      "Just because the film starts taking itself seriously doesn't mean you have to." [movie review]      AboutFilm.com   
  
A-
     (2005)      "Despite the predictable collision course between Tasmin and Phil, this is a remarkable film." [movie review]      AboutFilm.com   
  
B+
     (2005)      "Nine Lives does contains a few tedious acting-school-exercise moments. Yet the accumulated power of the vignettes packs a wallop." [movie review]      AboutFilm.com   
  
B
     (2005)      "Who needs a budget when you can do what Tony Jaa can do?" [movie review]      AboutFilm.com   
  
B-
     (2005)      "a dark teen comedy that tries way too hard to be a dark teen comedy" [movie review]      AboutFilm.com   
  
C+
     (2005)      "CliffsNotes version" [movie review]      AboutFilm.com   
  
B-
     (2005)      "A decent film that...remains married to its words and bound to its limited sets." [movie review]      AboutFilm.com   
  
B-
     (2005)      "PURE offers a fascinating contrast between acting talent (Molly Parker) and star quality (Kiera Knightley)." [movie review]      AboutFilm.com   
  
C
     (2005)      "Director Don Argott works with muddy, low-quality digital video, not compellingly edited, and doesn't dig as deep as he should." [movie review]      AboutFilm.com   
  
B
     (2005)      "Morgan Freeman can always peer into people's souls without needing to ask too many questions." [movie review]      AboutFilm.com   
  
D+
     (2005)      "A film for those people who think My Big Fat Greek Wedding is the greatest comedy of the past ten years" [movie review]      AboutFilm.com   
  
C+
     (2005)      "The *ahem* engines take far to long to rev up." [movie review]      AboutFilm.com   
  
C+
     (2004)      "Around the Bend has outstanding acting and a short running time, and still the story runs thin." [movie review]      AboutFilm.com   
  
A-
     (2004)      "Few things are as exciting as watching a great actor successfully turn off the star wattage and don the skin of an utterly weak, insignificant person." [movie review]      AboutFilm.com   
  
A
     (2004)      "THE AVIATOR is almost impossibly fertile and rich, but always Scorsese marshals his resources to get inside Hughes' head." [movie review]      AboutFilm.com   
  
B
     (2004)      "Almodóvar films don't unfold so much as they unpeel." [movie review]      AboutFilm.com   
  
C
     (2004)      "The film winds up being more a celebration of Spacey than Darin." [movie review]      AboutFilm.com   
  
C
     (2004)      "Instead of laughing with Bridget, The Edge of Reason laughs at her." [movie review]      AboutFilm.com   
  
D+
     (2004)      "An unfocused film that fails, at least for this uninitiated viewer, to open a door into any kind of reality, ordinary or otherwise." [movie review]      AboutFilm.com   
  
B
     (2004)      "The story is gripping and the stakes are high... until the ridiculous coincidence. " [movie review]      AboutFilm.com   
  
B+
     (2004)      "Bridges, a consistently under-appreciated actor, does arguably the best work of his career..." [movie review]      AboutFilm.com   
  
A+
     (2004)      "Kaufman's previous screenplays have always been intellectually rigorous, but you wouldn't necessary say they have a lot of passion. This one is different." [movie review]      AboutFilm.com   
  
B-
     (2004)      "Face is a film of considerable charm and warmth, even if the material sometimes feels well worn." [movie review]      AboutFilm.com   
  
B-
     (2004)      "Finding Neverland flirts with complexity but never goes all the way." [movie review]      AboutFilm.com   
  
D+
     (2004)      "It's not that cloning is bad; it's that cloning done by bad people is bad." [movie review]      AboutFilm.com   
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