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• AboutFilm.com
Total Reviews: 343
Carlo Cavagna
Carlo Cavagna
Carlo Cavagna

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D
     (1991)      "The Rapture at first plays like a religious propaganda film and later a misconceived parable with bad special effects" [movie review]      AboutFilm.com   
  
C+
     (2001)      "It's not 'It's a Mad Mad Mad Mad World,' but it's mad enough." [movie review]      AboutFilm.com   
  
F
     (1985)      "Fleischer could have directed this movie from his living room via speaker phone and achieved the same result" [movie review]      AboutFilm.com   
  
C
     (2002)      "Smothered by its own solemnity." [movie review]      AboutFilm.com   
  
A-
     (2004)      "Remember Me, My Love is well acted all around, but Muccino is proving to be an especially wonderful director of women." [movie review]      AboutFilm.com   
  
C+
     (1998)      "One cannot accuse Killers of possessing a kernel of intelligence, but it's still a stylish action film." [movie review]      AboutFilm.com   
  
C-
     (2002)      "lacks a sense of fun" [movie review]      AboutFilm.com   
  
C+
     (1999)      "Approach it with really, really low expectations" [movie review]      AboutFilm.com   
  
D
     (2002)      "Yes, apparently Yamazaki takes breaks from his repeated viewings of E.T. by relaxing with THE MATRIX. Occasionally, just for a bit of variety, he might also pop INDEPENDENCE DAY into the DVD player." [movie review]      AboutFilm.com   
  
A
     (1995)      "Setting Richard III in a fictional fascist England of the 1930s is inspired..." [movie review]      AboutFilm.com   
  
C
     (2005)      "Director Don Argott works with muddy, low-quality digital video, not compellingly edited, and doesn't dig as deep as he should." [movie review]      AboutFilm.com   
  
B
     (2001)      "...does an outstanding job of capturing a particular time and place, with an instinct for both the sublime and the ridiculous about an exceedingly odd period in rock history." [movie review]      AboutFilm.com   
  
B
     (2002)      "Though Roger is hateful, he is consistently mesmeric. Scott's layered performance eventually allows glimpses through Roger's smoke and mirrors without being obvious." [movie review]      AboutFilm.com   
  
B
     (2002)      "It's a feel-good movie about which you can actually feel good." [movie review]      AboutFilm.com   
  
D+
     (2002)      "Characters still need to function according to some set of believable and comprehensible impulses, no matter how many drugs they do or how much artistic license Avary employs." [movie review]      AboutFilm.com   
  
C+
     (1998)      "Unsuccessfully walks the line between intellectual and physical comedy, but does have many genuinely funny moments" [movie review]      AboutFilm.com   
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