Online Film Critics Society
Home     About OFCS     Member Profiles     Schedule     Forum     Awards     OFCS Blog
    O.F.C.S. Members: Sign In    

Other Info
Sources
• AboutFilm.com
Total Reviews: 343
Carlo Cavagna
Carlo Cavagna
Carlo Cavagna

Article type:      Default Sorting (most recent)
A  B  C  D  E  F  G  ( H )  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
  (1 - 20) of 20  
Sort by
RATING
    
Sort by
TITLE/YEAR
    
Sort by
QUOTE
    
Sort by
SOURCE
  
  
C+
     (2001)      "Promises go unfulfilled in favor of providing stylish thrills" [movie review]      AboutFilm.com   
  
C+
     (2001)      "a film of many virtues, but...it gets stuck in a tediously repetitive cycle" [movie review]      AboutFilm.com   
  
B-
     (2005)      "Worthwhile for the three leads (Kudrow, Gyllenhaal, and Coogan) and for Roos's unique perspectives as a storyteller, close captioned for cognitively impaired." [movie review]      AboutFilm.com   
  
B+
     (1992)      "Woo clearly believes there is truth in archetypes" [movie review]      AboutFilm.com   
  
C
     (2003)      "There isn't much about the movie that "a more good-natured, Australian-flavored LOCK, STOCK & 2 SMOKING BARRELS" doesn't sum up." [movie review]      AboutFilm.com   
  
B-
     (2001)      "By not screwing up, Columbus has fulfilled his most important job requirement." [movie review]      AboutFilm.com   
  
C-
     (1999)      "Once the screaming begins, so will your laughing" [movie review]      AboutFilm.com   
  
B+
     (1998)      "For a guy who seems so intransigent in television interviews, Spike Lee is remarkably adept at exploring all the facets of a difficult issue" [movie review]      AboutFilm.com   
  
C+
     (2001)      "Darabont Lite" [movie review]      AboutFilm.com   
  
C+
     (2005)      "While Glen Close dominates the screen with effortless assurance, Elizabeth Banks lacks personality and would probably dissipate in a strong ocean breeze." [movie review]      AboutFilm.com   
  
D-
     (1999)      "The title and the movie are a perfectly matched pair. Both are pretentious, and neither makes any sense." [movie review]      AboutFilm.com   
  
B+
     (1973)      "the universal story in its most basic form" [movie review]      AboutFilm.com   
  
F
     (2000)      "The fourth sequel to a film designed to stand alone... In the end, there should have been only one." [movie review]      AboutFilm.com   
  
D
     (2005)      "Martel is determined to make an impressionistic film out of miniscule moments, fragmented sounds, and fleeting images—so miniscule, fragmented, and fleeting they never cohere." [movie review]      AboutFilm.com   
  
A-
     (2004)      "This is an important film to see, but its “importance” does not alone make it good. It only makes a powerful film even more worthy of your time. " [movie review]      AboutFilm.com   
  
C+
     (2004)      "Each successive revealed secret is less believable and yet somehow more obligatory than the last, because, after all, this is an old-school Asian melodrama." [movie review]      AboutFilm.com   
  
A-
     (2000)      "The last act is a hell of a payoff, rendering the preceding events more significant than they at first appear to be" [movie review]      AboutFilm.com   
  
C
     (2003)      "Kingsley's astonishing performance is wasted in this otherwise overlong, overwrought, and overcooked mess-o-drama." [movie review]      AboutFilm.com   
  
F
     (1999)      "If Geoffrey Rush has any sense, he's sitting in his kitchen right now with a stack of his press materials and a bottle of correction fluid" [movie review]      AboutFilm.com   
  
C-
     (2003)      "Basic ingredients are in under-supply: characterization and believability." [movie review]      AboutFilm.com   
A  B  C  D  E  F  G  ( H )  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  Other  
  (1 - 20) of 20  

powered by ROTTEN TOMATOES
All articles and reviews on this website © the respective authors.
All other content © The Online Film Critics Society (4.25)