 |
|
|
|
|
|
|
|
|
 |
 |
 |
| |
 C+ |
|
(2001) |
|
"Promises go unfulfilled in favor of providing stylish thrills"
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 C+ |
|
(2001) |
|
"a film of many virtues, but...it gets stuck in a tediously repetitive cycle"
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 B- |
|
(2005) |
|
"Worthwhile for the three leads (Kudrow, Gyllenhaal, and Coogan) and for Roos's unique perspectives as a storyteller, close captioned for cognitively impaired."
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 B+ |
|
(1992) |
|
"Woo clearly believes there is truth in archetypes"
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 C |
|
(2003) |
|
"There isn't much about the movie that "a more good-natured, Australian-flavored LOCK, STOCK & 2 SMOKING BARRELS" doesn't sum up."
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 B- |
|
(2001) |
|
"By not screwing up, Columbus has fulfilled his most important job requirement."
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 C- |
|
(1999) |
|
"Once the screaming begins, so will your laughing"
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 B+ |
|
(1998) |
|
"For a guy who seems so intransigent in television interviews, Spike Lee is remarkably adept at exploring all the facets of a difficult issue"
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 C+ |
|
(2001) |
|
"Darabont Lite"
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 C+ |
|
(2005) |
|
"While Glen Close dominates the screen with effortless assurance, Elizabeth Banks lacks personality and would probably dissipate in a strong ocean breeze."
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 D- |
|
(1999) |
|
"The title and the movie are a perfectly matched pair. Both are pretentious, and neither makes any sense."
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 B+ |
|
(1973) |
|
"the universal story in its most basic form"
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 F |
|
(2000) |
|
"The fourth sequel to a film designed to stand alone... In the end, there should have been only one."
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 D |
|
(2005) |
|
"Martel is determined to make an impressionistic film out of miniscule moments, fragmented sounds, and fleeting images—so miniscule, fragmented, and fleeting they never cohere."
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 A- |
|
(2004) |
|
"This is an important film to see, but its “importance” does not alone make it good. It only makes a powerful film even more worthy of your time.
"
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 C+ |
|
(2004) |
|
"Each successive revealed secret is less believable and yet somehow more obligatory than the last, because, after all, this is an old-school Asian melodrama."
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 A- |
|
(2000) |
|
"The last act is a hell of a payoff, rendering the preceding events more significant than they at first appear to be"
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 C |
|
(2003) |
|
"Kingsley's astonishing performance is wasted in this otherwise overlong, overwrought, and overcooked mess-o-drama."
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 F |
|
(1999) |
|
"If Geoffrey Rush has any sense, he's sitting in his kitchen right now with a stack of his press materials and a bottle of correction fluid"
[movie review] |
|
AboutFilm.com |
|
 |
 |
 |
| |
 C- |
|
(2003) |
|
"Basic ingredients are in under-supply: characterization and believability."
[movie review] |
|
AboutFilm.com |
|
 |