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Sources
• AboutFilm.com
Total Reviews: 343
Carlo Cavagna
Carlo Cavagna
Carlo Cavagna

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B-
     (1999)      "Recommended to people who have seen more than a few episodes of "Star Trek," and especially to those who have ever been to a Trek convention" [movie review]      AboutFilm.com   
  
A-
     (2001)      "Though heartbreaking, Ghost World has also a sublime sense of dark humor..." [movie review]      AboutFilm.com   
  
B-
     (2001)      "Proof that a talented cast and crew is sometimes enough to turn second-rate material into first-rate entertainment" [movie review]      AboutFilm.com   
  
B+
     (1999)      "The conclusions that cannot be drawn from The Girl Next Door are as thought-provoking as the ones that can–-and perhaps more so." [movie review]      AboutFilm.com   
  
A
     (2003)      "No artist biopic has succeeded as completely in capturing the magical, inexplicable artistic moment. [A commentary including an interview with director Peter Webber]" [movie review]      AboutFilm.com   
  
A
     (1998)      "A movie of infinite patience" [movie review]      AboutFilm.com   
  
D+
     (2004)      "It's not that cloning is bad; it's that cloning done by bad people is bad." [movie review]      AboutFilm.com   
  
C
     (2001)      "The bowl practically screams, "Look at me! I'm a metaphor!"" [movie review]      AboutFilm.com   
  
B+
     (2005)      "Strathairn is riveting." [movie review]      AboutFilm.com   
  
B-
     (2003)      "[Nolte] could not be cast more perfectly." [movie review]      AboutFilm.com   
  
A+
     (1990)      "An expert blend of narration, period music, and dynamic tableaux creating an energetic, darkly funny, and unforgettable portrait of life among the Mob's bottom feeders" [movie review]      AboutFilm.com   
  
A-
     (2001)      "CLUE! meets REMAINS OF THE DAY" [movie review]      AboutFilm.com   
  
C+
     (1979)      "It all seems a bit dated now" [movie review]      AboutFilm.com   
  
B-
     (1999)      "Though watchable and occasionally moving... it strains credibility and patience" [movie review]      AboutFilm.com   
  
B
     (2002)      "Unlike other Holocaust films, in which good and evil are always clearly delineated, Nelson has found a grey zone of ambiguous morality." [movie review]      AboutFilm.com   
  
C+
     (2005)      "Herzog comes across as the worst kind of cinematic jackass—the filmmaker who doesn't trust his own work to speak for itself." [movie review]      AboutFilm.com   
  
C+
     (2002)      "At times THE GUYS taps into some powerful emotions, but this kind of material is more effective on stage. It's not a motion picture; it's an utterly static picture." [movie review]      AboutFilm.com   
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