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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE       3/4      Pistol Opera (2001)      "Though extraordinarily simplistic at its core, Suzuki's directorial style is so chock-full of vigor and passion for his craft that it spills into Pistol Opera, allowing the flick to carve out its own niche." [movie review]      Film and Felt       62/100      The Place Promised in Our Early Days (2004)      "I suspect that in 20 years, film buffs worldwide will be pointing to The Place Promised in Our Early Days as the introductory work from one of cinema's first-rate directors." [movie review]      Film and Felt       88/100      Playtime (1967)      "Tati mimics American idealism with the tour bus women's 'golly-gee, wow!' attitude, and isn't any easier on the French's to-do, prim-and-proper persona." [movie review]      Film and Felt       63/100      The Prestige (2006)      "Until an inexplicably awful revelation at the end, The Prestige is a taut, exciting portrait of obsession and the dark competitive spirit of professional magicians." [movie review]      Film and Felt       40/100      Primal Fear (1996)      "Unfortunately, Primal Fear hasn't aged well; there are wrinkles and pockmarks all over its face." [movie review]      Film and Felt       3/4      Primer (2004)      "So much of the picture is impenetrable that the intrigue always remains dangling-like a cat chasing a ball of string, it's always just out of our reach." [movie review]      Film and Felt       4/4      Princess Mononoke (1997)      "This web of mixed motives is one of Princess Mononoke's greatest strengths. Not once do we feel that the characters are cardboard cutout villains and their hardships are more powerful as a result." [movie review]      Film and Felt       99/100      Psycho (1960)      "With his toothpick build and childish voice, Bates appears to be little more than a shy coward, making the revelation of his psychotic nature shocking." [movie review]      Film and Felt

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