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DVDMon.com
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Reel Times: Reflections on Cinema
TheFilmJournal.com (Ohio)
Total Reviews: 352
Mark Pfeiffer
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B
The Namesake
(2007)
"Told with compassion and delicacy,
The Namesake
provides a stirring view of cultural assimilation and personal discovery."
[movie review]
Reel Times: Reflections on Cinema
C+
National Treasure 2 : Book of Secrets
(2007)
"Practically a duplicate of the breezy (and bloated) original,
National Treasure: Book of Secrets
is not without charm, but it lacks the thrill seeker's joy of discovery."
[movie review]
Reel Times: Reflections on Cinema
B+
The New World
(2005)
"[Kilcher's] transformation from an innocent in Eden to a stranger in a strange land and back again is a remarkable bit of largely nonverbal acting."
[movie review]
Reel Times: Reflections on Cinema
D+
Next
(2007)
"
Next
plays like the most boring episode ever of
24
, with a little extrasensory flavor tossed in for good measure."
[movie review]
Reel Times: Reflections on Cinema
B-
Night at the Museum
(2006)
"
Night at the Museum
is more amusement park ride than a walk through the halls of history, but sometimes a slap fight with a monkey is preferable to a lesson on Sacajawea."
[movie review]
Reel Times: Reflections on Cinema
C+
Night at the Museum: Battle of the Smithsonian
(2009)
"
Night at the Museum: Battle of the Smithsonian
can be too cluttered and hyperactive to appreciate its broad pleasures."
[movie review]
Reel Times: Reflections on Cinema
A
Nobody Knows
(2005)
"Hirokazu dwells on the resiliency of children, a theme that also resonated in
Small Change
and which gives the film a lightness not inherent in the subject matter."
[movie review]
Reel Times: Reflections on Cinema
F
Norbit
(2007)
"If
Norbit
doesn't kill cinema, nothing will."
[movie review]
Reel Times: Reflections on Cinema
A
The Notorious Bettie Page
(2006)
"
The Notorious Bettie Page
may be the sweetest movie ever made about pornography."
[movie review]
Reel Times: Reflections on Cinema
C-
The Number 23
(2007)
"Carrey has difficulty playing inner torment without making it look funny, an issue magnified by...director Joel Schumacher's concessions to utilizing the actor's skills to get laughs."
[movie review]
Reel Times: Reflections on Cinema
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