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Other Info
Sources
• DVDMon.com
• NightsAndWeekends.com
• Reel Times: Reflections on Cinema
• TheFilmJournal.com (Ohio)
Total Reviews: 352
Mark Pfeiffer

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B
     (2007)      "Told with compassion and delicacy, The Namesake provides a stirring view of cultural assimilation and personal discovery." [movie review]      Reel Times: Reflections on Cinema   
  
C+
     (2007)      "Practically a duplicate of the breezy (and bloated) original, National Treasure: Book of Secrets is not without charm, but it lacks the thrill seeker's joy of discovery." [movie review]      Reel Times: Reflections on Cinema   
  
B+
     (2005)      "[Kilcher's] transformation from an innocent in Eden to a stranger in a strange land and back again is a remarkable bit of largely nonverbal acting." [movie review]      Reel Times: Reflections on Cinema   
  
D+
     (2007)      "Next plays like the most boring episode ever of 24, with a little extrasensory flavor tossed in for good measure." [movie review]      Reel Times: Reflections on Cinema   
  
B-
     (2006)      "Night at the Museum is more amusement park ride than a walk through the halls of history, but sometimes a slap fight with a monkey is preferable to a lesson on Sacajawea." [movie review]      Reel Times: Reflections on Cinema   
  
C+
     (2009)      "Night at the Museum: Battle of the Smithsonian can be too cluttered and hyperactive to appreciate its broad pleasures." [movie review]      Reel Times: Reflections on Cinema   
  
A
     (2005)      "Hirokazu dwells on the resiliency of children, a theme that also resonated in Small Change and which gives the film a lightness not inherent in the subject matter." [movie review]      Reel Times: Reflections on Cinema   
  
F
     (2007)      "If Norbit doesn't kill cinema, nothing will." [movie review]      Reel Times: Reflections on Cinema   
  
A
     (2006)      "The Notorious Bettie Page may be the sweetest movie ever made about pornography." [movie review]      Reel Times: Reflections on Cinema   
  
C-
     (2007)      "Carrey has difficulty playing inner torment without making it look funny, an issue magnified by...director Joel Schumacher's concessions to utilizing the actor's skills to get laughs." [movie review]      Reel Times: Reflections on Cinema   
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