 |
|
|
|
|
|
|
|
|
 |
 |
 |
| |
 B- |
|
(2005) |
|
"Romero finds creative ways to stage zombies feasting on flesh while tackling...gated communities, war profiteering, and entertainment as a weapon of mass distraction."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 D- |
|
(2007) |
|
"The subject matter in Georgia Rule--sexual abuse and alcoholism, for starters--lends itself to drama, but Garry Marshall's tone deaf direction and Mark Andrus' sloppy script play it as comedy."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 D+ |
|
(2007) |
|
"Ghost Rider is a comic fan's celluloid nightmare. Jokey to a fault and weighty as newsprint, it lives down to the negative attributes attached to the comic book film tag."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 A- |
|
(2005) |
|
"Good Night, and Good Luck. is a riveting newsroom entertainment that beckons [Murrow's] successors to follow his lead."
[movie review] |
|
TheFilmJournal.com (Ohio) |
|
 |
 |
 |
| |
 C+ |
|
(2008) |
|
"...too much of the film is filled with material better served for the behind-the-scenes section on the electronic press kit."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 B- |
|
(2007) |
|
"Making the team and playing in the big game grab the headlines, but the repaired relationship at the heart of Gracie shows that there are bigger prizes than kicking a ball around a field."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 C+ |
|
(2008) |
|
"Like a new driver learning to operate a manual transmission, director Eastwood's awkward shifting of tones makes the lurching Gran Torino a frustrating ride."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 F |
|
(2006) |
|
"Grandma's Boy is what would result if Adam Sandler and his high profile co-stars bailed on a movie and the understudies took over."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 D- |
|
(2007) |
|
"Decked out in its fondness for old Hollywood films and American songbook standards, Gray Matters borrows the wallpaper from a Nancy Meyers movie to decorate its empty room."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 C- |
|
(2005) |
|
"John Dahl’s solemn staging of the rescue mission will likely earn him points from military aficionados, but The Great Raid is terminally dull."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 B |
|
(2006) |
|
"The philosophy espoused in Gridiron Gang places the team above the individual, but the film is carried on the broad shoulders of the charismatic Johnson."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 B |
|
(2004) |
|
"Eschewing plot and a linear timeline for a stylish exercise in mood, Shimizu sets the scenes with long silences and chilling images."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 D- |
|
(2006) |
|
"For all intents and purposes, The Grudge 2 is a parody of itself and the most recent wave of Japanese horror."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 C+ |
|
(2005) |
|
"While Guess Who gets some mileage out of its black and white issues, it’s more focused on being the interracial romantic comedy answer to Meet the Parents."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |
 |
 |
| |
 C |
|
(2005) |
|
"Although this embedded view is revealing, watching the unformed footage becomes tedious."
[movie review] |
|
Reel Times: Reflections on Cinema |
|
 |