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Other Info
Sources
• City Pages, Minneapolis/St. Paul
• Slant Magazine
• When Canses Were Classeled
Total Reviews: 610
Eric Henderson

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          "This second batch of Metzger titles features the director’s riskiest statement on sexual ambivalence." [dvd review]      Slant Magazine   
  
3/4
     (1992)      "Rather than clarifying, De Palma's technique with Raising Cain effectively obliterates the audience's bearings." [movie review]      Slant Magazine   
  
2.5/4
     (1966)      "Lee’s riotous, low-throated interpretation of the back-stabbing mystic is something to behold." [movie review]      Slant Magazine   
  
3/4
     (2008)      "A penetrating contemplation of the American industrial-military complex's obstreperous legacy." [movie review]      Slant Magazine   
  
     (1994)      "For all its flirtation with the boundaries of bad taste, never once does Red to Kill come close to treating the mentally handicapped as worthy of ridicule." [movie review]      City Pages, Minneapolis/St. Paul   
  
3.5/4
     (2003)      "A haunting examination of another photographer's work." [movie review]      Slant Magazine   
  
     (2003)      "Perhaps Chris Marker is ageless because he compresses the past and present into one cosmic "now."" [dvd review]      Slant Magazine   
  
     (1991)      "Ren & Stimpy remain the sickest little monkeys in cartoons." [dvd review]      Slant Magazine   
  
     (1994)      "Plays like an early harbinger of the sort of moody, mournful films that have become commonplace with the success of M. Night Shyamalan." [movie review]      City Pages, Minneapolis/St. Paul   
  
     (1939)      "Walsh’s fast-paced film makes its own case." [dvd review]      Slant Magazine   
  
3.5/4
     (1939)      "An epochal rise-and-fall epic of the gangster cycle." [movie review]      Slant Magazine   
  
     (1973)      "Prince John and his thumb aren't the only things that suck about Robin Hood." [dvd review]      Slant Magazine   
  
1.5/4
     (1973)      "Robin Hood is one of the most lackadaisical Disney features of all." [movie review]      Slant Magazine   
  
     (1987)      "A mammoth collection of glittery extra features and a hard metal case protecting a questionable transfer, the new RoboCop is like the DVD version of Delta City." [dvd review]      Slant Magazine   
  
3.5/4
     (1987)      "RoboCop set the tone for much of Dutch auteur import Paul Verhoeven's career in America." [movie review]      Slant Magazine   
  
1/4
     (2006)      "Arrogantly conceived, pretentiously executed, and petulantly protracted." [movie review]      Slant Magazine   
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