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(1953) |
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"Hitchcock’s sexiest cipher is put to the test in one of his most undervalued masterpieces."
[dvd review] |
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Slant Magazine |
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 4/4 |
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(1953) |
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"I Confess suggests Hitchcock’s experimental urge to incorporate less overt artificiality into his vision."
[movie review] |
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Slant Magazine |
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(1937) |
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"If it weren't for Alice Faye's spaghetti-legged can-can, In Old Chicago would be surprisingly devoid of heat."
[dvd review] |
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Slant Magazine |
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 2/4 |
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(1937) |
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"Like San Francisco, events sort of just happen and allegiances just sort of shift around to stall time before the grand finale."
[movie review] |
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Slant Magazine |
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(2001) |
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"Though some will see it as the ultimate litmus test of film pretentiousness, others are likely to surrender to Godard’s never-ending inner dialogue."
[dvd review] |
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Slant Magazine |
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 3.5/4 |
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(1976) |
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"To paraphrase a crack from Pauline Kael: light the incense, perverts."
[movie review] |
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Slant Magazine |
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(1976) |
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"I believe the children are the future, teach them well and let them lead the way. Or, conversely, you could violently yank a four-year-old boy's winkie and make him grow up begging to be choked unto orgasm. Your call."
[dvd review] |
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Slant Magazine |
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 1.5/4 |
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(2004) |
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"The corny animated sequences represent merely the most questionable formal tactic of a deeply cagey and secretive film."
[movie review] |
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Slant Magazine |
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(2008) |
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"I have to admit this is probably the smartest entry in the series."
[movie review] |
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When Canses Were Classeled |
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 3/4 |
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(1984) |
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"The reality is that this is the film that comes closest to reflecting the racism, sexism and jingoism that fuelled most of the serials that originally sparked Spielberg and George Lucas's impressionable young imaginations."
[movie review] |
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Slant Magazine |
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(1984) |
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"Just like the Thuggees took the magic rocks from a humble Indian village, the producers of this Temple of Doom DVD reissue made off with all the good extras."
[dvd review] |
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Slant Magazine |
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 3/4 |
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(2004) |
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"Is it fair to say that the language of philosophy is more or less writ in the manner of Final Jeopardy?"
[movie review] |
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Slant Magazine |
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 3/4 |
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(1993) |
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"It’s All True is an essential piece in the Welles puzzle."
[movie review] |
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Slant Magazine |
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(1993) |
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"Every fragment of Welles footage that surfaces is another dent in the tired argument that the man’s only claim to fame was Citizen Kane."
[dvd review] |
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Slant Magazine |
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(1969) |
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"G-rated movies rarely start out by suggesting multiple orgies. The ones that do are to be cherished."
[dvd review] |
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Slant Magazine |
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 3/4 |
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(1969) |
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"1969’s The Italian Job is a freewheeling, completely unpretentious chase comedy."
[movie review] |
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Slant Magazine |
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