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1/4 |
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(1948) |
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"A trifle of a musical revue."
[movie review] |
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Slant Magazine |
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(1948) |
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"Jules Munshin's recipe for, ahem, tossing salad is about as compelling as Easter Parade gets."
[dvd review] |
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Slant Magazine |
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(1976) |
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"Despite the incongruously sexy presence of Buck, Eaten Alive doesn't f**k with your head like Hooper's Texas Chainsaw Massacre films."
[dvd review] |
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Slant Magazine |
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2/4 |
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(1976) |
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"With an enviable, well-stocked cast of character thespians and a carefully dilapidated motel set, Eaten Alive is all ingredients, no recipe."
[movie review] |
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Slant Magazine |
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3/4 |
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(1937) |
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"Michael Powell entered the golden age of his career with The Edge of the World."
[movie review] |
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Slant Magazine |
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(1937) |
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"The always respectful ethnographer in Michael Powell transforms the melodrama of his own scenario into an epic death knell for a forgotten island civilization."
[dvd review] |
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Slant Magazine |
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3.5/4 |
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(1976) |
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"Edvard Munch, in Watkin's subjective documentary setting, is one of the penultimate cultural crusaders, a relic of a dying era in which individualism could, apparently, still conceivably be intuitive and not reactionary."
[movie review] |
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Slant Magazine |
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(1976) |
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"Peter Watkins's Munch gives good face. New Yorker's uncharacteristically fine video transfer will have you deigning to lick his lips for him."
[dvd review] |
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Slant Magazine |
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"While supplemental pictures would've been nice, the only thing I really wish had been included with this DVD is the pornographic flyer Okuzaki made of Hirohito."
[dvd review] |
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Slant Magazine |
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3/4 |
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"It's no easy task when the subject of choice wills everyone around him to reevaluate their own existence by his warped standards."
[movie review] |
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Slant Magazine |
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2.5/4 |
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(1920) |
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"It is, like Charpentier's pale young niece, more tease than sleaze."
[movie review] |
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Slant Magazine |
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(1920) |
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"More evidence proving that the Swedish film industry had been chiseling away civilized man's chastity belt long before I Am Curious - Yellow."
[dvd review] |
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Slant Magazine |
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3.5/4 |
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(1961) |
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"The self-reflectivity of The Errand Boy is so pervasive it truly becomes the content of the film."
[movie review] |
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Slant Magazine |
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