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 3/4 |
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(1996) |
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"a visually extravagant, exhilarating explosion of animation that makes absolutely no sense"
[movie review] |
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Q Network Film Desk |
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 |
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 3/4 |
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(1998) |
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"The paradox of both the show and the movie is that, like its investigative protagonists, it is both hysterically paranoid and rigorously rational."
[movie review] |
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Q Network Film Desk |
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 |
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 2/4 |
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(2000) |
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" the obvious result of endless script rewrites from a parade of big-shot Hollywood writers who were never in sync with each other"
[movie review] |
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Q Network Film Desk |
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 2/4 |
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(2000) |
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Click here to see the review!
[dvd review] |
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Q Network Film Desk |
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 2.5/4 |
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(2009) |
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"never quite good or original enough to justify itself beyond an obvious extension of a money-making franchise that won't quit as long as the cash registers keep clanging"
[movie review] |
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Q Network Film Desk |
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 3/5 |
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(2006) |
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"When X-Men: The Last Stand works, it is primarily because it doesn't lose sight of the emotions that fuel the fire."
[movie review] |
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Q Network Film Desk |
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 3/4 |
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(2003) |
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"Where X-Men was often restrained, X2 soars, and it's a much better film for it."
[movie review] |
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Q Network Film Desk |
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 3/4 |
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(1963) |
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"works better than many of Corman's other low-budget efforts both cinematically and intellectually"
[movie review] |
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Q Network Film Desk |
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 3/4 |
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(1963) |
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Click here to see the review!
[dvd review] |
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Q Network Film Desk |
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 3/4 |
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(2002) |
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"embraces tattoos, leather pants, body-piercing, and GTOs in the same way the James Bond series embraces tuxedos, martinis, and Aston Martins"
[movie review] |
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Q Network Film Desk |
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