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(2006) |
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"He and Scarlet, in another movie, might have found a way to spin their one day's worth of intimacy into something more movie-like, but here, they keep it contained."
[movie review] |
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PopMatters |
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(1999) |
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"It includes some genuinely funny moments, solid performances from its too-old-to-be-in-high-school cast, and respect for its likely pre-teen audience."
[movie review] |
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Philadelphia City Paper |
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(2008) |
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"Surely it's only coincidence that the sign of D'Leh's accomplishment is a White Spear."
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PopMatters |
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3/5 |
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(2007) |
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"DiCaprio headlines talky global warming docu."
[dvd review] |
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Common Sense Media |
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(2007) |
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"Debates over policy, resources, and money are and will be shaped by campaigns, images, and celebrities. The 11th Hour understands that, and makes its case accordingly."
[movie review] |
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PopMatters |
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(2004) |
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"As Jenna, Garner embodies a joy that's all too rare on recent movie screens, in adults or kids.
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[movie review] |
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Nitrate Online |
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(1999) |
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"Much blood. Much mud. Not enough camp."
[movie review] |
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Philadelphia City Paper |
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3/5 |
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(2007) |
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"Hotel room horror is more mental than physical."
[dvd review] |
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Common Sense Media |
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(2007) |
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"Mike and Lily argue, he feels guilty, and now he's got to relive the whole thing -- not as memory but as reality-TV video, which does seem unduly harsh."
[movie review] |
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PopMatters |
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(2001) |
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"The whole idea is just so 15 minutes ago."
[movie review] |
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Philadelphia City Paper |
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2/5 |
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(2006) |
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"This Bruce Willis action drama is too intense for younger kids."
[dvd review] |
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Common Sense Media |
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(2006) |
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"Richard Donner's latest buddy-action flick is thick with wrong decisions."
[movie review] |
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PopMatters |
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(2009) |
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"As the action becomes less fabulous and more repetitive over 2012's 150 minutes, the philosophical debate ratchets up."
[movie review] |
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PopMatters |
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(2008) |
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"As Ben must learn a lesson, the movie must demonize Micky, whose slick meanness becomes increasingly visible."
[movie review] |
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PopMatters |
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(2003) |
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"As 21 Grams has it, the most difficult aspect of "going on" is the lie that must propel it."
[movie review] |
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PopMatters |
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(2002) |
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"This season's plot runs parallel to current headlines, except, as Sutherland offers, "Our show is about trying to stop a war; our country, unfortunately, is at war.""
[laserdisc review] |
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PopMatters |
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(2004) |
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"Rajskub sighs. "Something feels off to me, I wish I had one of those helmets on. Yes, right away: fires, shooting, blood.""
[dvd review] |
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PopPolitics.com |
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(2002) |
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"A rewarding redemption piece that echoes the cynicism of post 9/11 sensibilities."
[movie review] |
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Nitrate Online |
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(2008) |
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"Though Kevin shows early signs of bucking formula, he is, in fact, the precise embodiment of same."
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PopMatters |
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(2003) |
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"While the virus metaphor is obviously timely, the characters' seeming capacity to forget these nasty changes in themselves by film's end may be the film's most unsettling point."
[movie review] |
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Nitrate Online |
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(2007) |
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"While the theme of soldiers as lethal and relentless as the infecteds repeats Boyle's film, here the uniformed threat is specifically U.S."
[movie review] |
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PopMatters |
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(2006) |
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"Making serious points about serious issues, the film underscores repeatedly the need for personal and official vigilance concerning "the virus,""
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PopMatters |
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(2005) |
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"The oddly mystical, utterly material 3-Iron (Bin-jip) opens with a set of images and sounds almost too close to identify."
[movie review] |
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PopMatters |
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2/5 |
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(2007) |
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"Very-bloody vampire movie lacks bite. No kids."
[dvd review] |
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Common Sense Media |
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(2007) |
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"The most impressive effect in 30 Days of Night is Danny Huston's haircut."
[movie review] |
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PopMatters |
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(2007) |
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"The devotion to sameness means that a disappointing subplot involving Gorgo is set off awkwardly: she doesn't fit aesthetically the rest of the tableau."
[movie review] |
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PopMatters |
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(2001) |
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"Goes through all the usual motions of a heist film -- heist, betrayal, chase, showdown -- and then, in case you missed them the first time, it goes through them again."
[movie review] |
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Philadelphia City Paper |
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(2007) |
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"3:10 submits that the American West is a function of capitalism, expedience and exploitation of resources. That's not to say morality isn't a useful measure, it's just relative."
[movie review] |
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PopMatters |
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(2002) |
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"The penis jokes become increasingly tedious."
[movie review] |
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Nitrate Online |
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(2005) |
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"THE 40-YEAR-OLD VIRGIN follows the tedious pattern of other recent boy-man movies: crude comedy leads to quaint romantic resolution."
[movie review] |
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Common Sense Media |
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(2004) |
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"It's nearly a profound concept, but only nearly. Remember that 50 First Dates is an Adam Sandler movie: there are limits."
[movie review] |
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PopMatters |
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(2002) |
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""Soul's escaping, through this hole that is gaping. / This world is mine for the taking.""
[movie review] |
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Nitrate Online |
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1/5 |
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(2008) |
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"Serial killer thriller runs out of time, momentum."
[dvd review] |
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Common Sense Media |
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(2008) |
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"The boys' throwdown reveals nothing. Neither man comprehends the lunacy of the plot, however, leaving that tiresome deciphering to you."
[movie review] |
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PopMatters |
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4/5 |
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(2006) |
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"Provocative animated sci-fi. Not for kids."
[dvd review] |
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Common Sense Media |
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(2006) |
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"Simultaneously strange and familiar, not himself, Bob lives inside an ooky, unsolvable world that mirrors our own ongoing fears, of surveillance, loss, and forgetting.
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[movie review] |
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PopMatters |
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3/5 |
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(2005) |
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"Privileged girl runs with bank-robber boyfriend."
[dvd review] |
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Common Sense Media |
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(2005) |
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"Whether focused on Lili's face or standing back to take in her long limbs, Caroline Champetier's enthralling black-and-white camerawork is at once nimble and evocative."
[movie review] |
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PopMatters |
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(2001) |
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"The film's interests are becoming exponentially Spielbergian, that is to say, sentimental and soggy."
[movie review] |
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PopMatters |
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(2002) |
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"More often than not, the film lapses into basic thriller tricks."
[movie review] |
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Nitrate Online |
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(2004) |
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"Haroun's second film is lilting and profound at once, precise and sinuous."
[dvd review] |
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PopMatters |
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(2002) |
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"[The boy is] thankfully, not so preternaturally 'mature' or 'cute' as the ones who have helped save Tom Cruise or Bruce Willis' souls, and more appealing because of it."
[movie review] |
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PopMatters |
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(2002) |
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"Schmidt is suddenly feeling overwhelmed by the lack of activity in his life, where before, this seemed a right, to do nothing."
[movie review] |
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PopMatters |
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(1997) |
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"Clint Eastwood...produced, directed and stars in this generally lunatic, occasionally pathetic and more often comically inept endeavor."
[movie review] |
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Philadelphia City Paper |
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(2006) |
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"Borrowing from every other college-located comedy, Steve Pink's movie is also low on originality, even though it appears to celebrate "creativity" in its low-achieving heroes.
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[movie review] |
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Common Sense Media |
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(2007) |
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"The romance will be painful and tumultuous, and the film will find a way to tie together all external events to this seemingly personal connection."
[movie review] |
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PopMatters |
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(2002) |
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"Careens between fiction and confession, repetition and revelation."
[movie review] |
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PopMatters |
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(2002) |
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"The Adventures of Pluto Nash is a whole lot of nada."
[movie review] |
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PopMatters |
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(2000) |
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"The film, however, remains boggled in a demo-neverland, appealing only to the very zombie audience it thinks it's satirizing."
[movie review] |
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PopMatters |
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2/5 |
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(2005) |
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"Based on MTV animated series. Violent -- not for younger kids."
[dvd review] |
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Common Sense Media |
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