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Sources
• Common Sense Media
• DVDJournal.com
• Hollywood.com
• Nitrate Online
• NPR.org
• Philadelphia City Paper
• PopMatters
• PopPolitics.com
Total Reviews: 2585
Cynthia Fuchs

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5/10
     (2008)      "The readymade caricature George Bush is as much a reflection of his moment as he is an occasion for Oliver Stone's latest stab at revisionist history." [movie review]      PopMatters   
  
3/10
     (2008)      "The Wackness is a too familiar nostalgic movie, with period soundtrack, hot summer nights, and boys coming of age." [movie review]      PopMatters   
  
3/5
     (2006)      "Fast-paced action drama is for adults only." [dvd review]      Common Sense Media   
  
     (2006)      "While the plot is overtly absurd (nearly every scene leads to a shoot-out, beating, or car chase), the film never lets up on those "Save Our Streets" demonstrations." [movie review]      PopMatters   
  
     (2007)      "Earl has to die. Or maybe not." [movie review]      PopMatters   
  
     (2001)      "The movie asks you to be awake as you watch it, so you are not consuming so much as you are processing, in a very self-conscious way." [movie review]      Philadelphia City Paper   
  
     (2000)      "Fractured and a bit eccentric." [movie review]      Philadelphia City Paper   
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     (1998)      Click here to see the review! [movie review]      Philadelphia City Paper   
  
4/5
     (2005)      "Fascinating biopic, but best for mature teens and up." [dvd review]      Common Sense Media   
  
     (2005)      "John R. Cash (Joaquin Phoenix) is a hard-drinking, drug-abusing, soul-searching, all-black-wearing, June-Carter-loving man." [movie review]      PopMatters   
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     (2002)      Click here to see the review! [movie review]      Nitrate Online   
  
     (2004)      "A savvy media star and self-incorporating product, The Rock embodies our own cynical moment, when the show is what matters." [movie review]      PopMatters   
  
7/10
     (2008)      "At last, an answer to the celebrity voicing in animated movies! No dialogue." [movie review]      PopMatters   
  
4/5
     (2005)      "Kids and parents will both enjoy this funny and charming movie." [dvd review]      Common Sense Media   
  
     (2005)      "And so the class war is on, which only enhances the monster-movie themes that Were-Rabbit explores." [movie review]      PopMatters   
  
6/10
     (2008)      "Angelina Jolie has evolved. As of Wanted, she is no longer merely mortal, but her own sublime creature." [movie review]      PopMatters   
  
2/5
     (2007)      "What is it good for? Bloody fighting, apparently." [dvd review]      Common Sense Media   
  
     (2007)      "War/Dance complicates documentary tradition, trying to express events that seem beyond expression." [movie review]      PopMatters   
  
     (2005)      "What comes next is a prolonged look at unthinkable devastation, structured as one family's troubled dynamics." [movie review]      PopMatters   
  
     (2006)      "If the in-country chaos has beginnings and endings, its effects are, as Steve Pink says, "lasting."" [dvd review]      PopMatters   
  
     (2008)      "While its plot aligns War, Inc. with other, higher-profile action-thrillers, its political critique is more explicit and its ad campaign more oblique." [movie review]      NPR.org   
  
     (2005)      "A mournful meditation on killing for a living, Asif Kapadia's film is by turns poetic and preachy. It's also unexpectedly gripping." [movie review]      PopMatters   
  
     (2001)      "The Wash appears not to have much at all on its mind." [movie review]      Philadelphia City Paper   
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     (1997)      Click here to see the review! [movie review]      Philadelphia City Paper   
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     (2000)      Click here to see the review! [movie review]      Philadelphia City Paper   
  
     (2006)      "as Chuyia sees this simple pleasure loom so crucially for Auntie, the girl's face shows that she comes of age in a way at once wrenching and inspiring, rendered in details of framing and glimpsing." [movie review]      PopMatters   
  
     (2000)      "Do the movie's generic roots -- its patent investments in action flicks, thrillers, gangster movies, Westerns, and films noirs -- make it just another genre picture or a thoughtful challenge to these familiar (not to say stale) configurations?" [movie review]      Philadelphia City Paper   
  
7/10
     (2009)      "The Way We Get By stays focused on the greeters' mix of loneliness and determination, the pleasure of feeling needed and the pain of growing old." [movie review]      PopMatters   
  
2/5
     (2006)      "Conventional football drama doesn't quite score." [dvd review]      Common Sense Media   
  
     (2006)      "You'd think with this set up that Annie's experience would be complex and sustained in We Are Marshall, but no. This is a men's story." [movie review]      PopMatters   
  
6/10
     (2008)      "Josh Koury's documentary about hardcore Harry Potter fans, meandering and amiable, reveals that resistance to consumer culture is pretty much futile." [movie review]      PopMatters   
  
     (2004)      "Annoying and familiar, the adults settle into sameness, as if too tired to imagine beyond it." [movie review]      PopMatters   
  
     (2007)      "Bobby's decision-making throughout is operatic (with grand gestures and tears and sensational lighting), but also crude and flatfooted." [movie review]      PopMatters   
  
     (2002)      "Does raise some dicey questions (even if it does mostly drop them)." [movie review]      Nitrate Online   
  
2/5
     (2005)      "Bleak comedy-drama for adults only." [dvd review]      Common Sense Media   
  
3/5
     (2005)      "This raucous, boisterous comedy is not for kids." [dvd review]      Common Sense Media   
  
     (2005)      "Raucous and happily obnoxious, WEDDING CRASHERS makes fun of liars and cheaters, ultimately celebrating a shlocky version of "true love."" [movie review]      PopMatters   
  
     (2005)      "Simple and tiresome, as well as unoriginal, borrowing bits from any number of like-minded movies." [movie review]      PopMatters   
  
     (2001)      "For all its attempts to call up old movies and also update them, it ends up being more dunderheaded than quick-witted." [movie review]      PopMatters   
  
     (1998)      "Adam Sandler's basic schtick is his lack of talent." [movie review]      Philadelphia City Paper   
  
     (2008)      "All this said, there's a not bad movie inside of Welcome Home, visible in the quiet center provided by Margaret Avery." [movie review]      PopMatters   
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     (1997)      Click here to see the review! [movie review]      Philadelphia City Paper   
  
     (2003)      "Think of all the images of girls in U.S. pop movies -- so halter-topped, so perfectly coiffed and appointed, so self-consciously cute, so Mary-Kate-and-Ashleyed. Pai is none of that but much more." [movie review]      Nitrate Online   
  
     (2008)      "Joy and Jack are fated to fall in lazy-movie-love." [movie review]      PopMatters   
  
4/10
     (2008)      "Less an expose than a recap of what even casual observers of the industry know or intuit, What Just Happened relies on clichés even as it deplores them." [movie review]      PopMatters   
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     (2000)      Click here to see the review! [movie review]      Philadelphia City Paper   
  
5/10
     (2008)      "The faux interview preserves Darby Crash's self-image, the reenactment in What We Do Is Secret remembers the preservation." [movie review]      PopMatters   
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     (2000)      Click here to see the review! [movie review]      Philadelphia City Paper   
  
     (2001)      "Doesn't have much to show at all, concept-, laugh-, or even logic-wise." [movie review]      Philadelphia City Paper   
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     (2000)      Click here to see the review! [movie review]      Philadelphia City Paper   
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