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Total Reviews: 2564
Cynthia Fuchs

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9/10
     (2009)      "Even as the camera follows Lorna, it never quite keeps up, though it's unclear whether she's eluding your interpretation or her own." [movie review]      PopMatters   
  
4/10
     (2009)      "Paper Heart is increasingly focused on the tension between Cera and Yi's supposedly real romance and the camera's imposition of structure and self-consciousness." [movie review]      PopMatters   
  
6/10
     (2009)      "The home video sets up A Perfect Getaway's frank understanding of itself as formula." [movie review]      PopMatters   
  
5/10
     (2009)      "Julia Child's letters home are vivacious, illustrating her generosity and wit, her resolve and sense of humor." [movie review]      PopMatters   
  
1/10
     (2009)      "The Goods' vulgarity is not new or clever or even comically shocking. It is, instead, prosaic and repetitive." [movie review]      PopMatters   
  
3/10
     (2009)      "The question of her own "free will" niggles at the edges of Clare's experience throughout the movie named for her." [movie review]      PopMatters   
  
6/10
     (2009)      "Knowing that you know the drill, Bandslam leaves out most too-explanatory details, and lets the kids be kidlike rather than movie-kidlike." [movie review]      PopMatters   
  
5/10
     (2009)      "In District 9, racism provides the white guy with a very special growth experience." [movie review]      PopMatters   
  
4/10
     (2009)      "As all of Shrink's seemingly disparate stories begin to fall too cleverly into each other, it's easy to be distracted by some fine performances." [movie review]      PopMatters   
  
     (2009)      "Concerns about truth and untruth can't mean much in a movie called The Ugly Truth." [movie review]      PopMatters   
  
     (2009)      "G-Force's dedication to egregious stereotypes is hackneyed and indefensible: this is how racism lives on." [movie review]      PopMatters   
  
5/10
     (2009)      "It's not a bad idea for a horror movie, that the seeming victims are not innocent and their complicated past weighs on their present." [movie review]      PopMatters   
  
4/10
     (2009)      "Even as it makes a show of complexity Fragments seems determined to pull together its various story strands." [movie review]      PopMatters   
  
7/10
     (2009)      "Russell Mulcahy and other artists look back fondly on Australian exploitation films for Not Quite Hollywood, sometimes wondering just how they were able to get away with it." [movie review]      PopMatters   
  
8/10
     (2009)      "In between the exciting sequences of the team setting up equipment and being nearly captured, The Cove includes interviews with persuasive sea life experts and not-so-convincing local Japanese authorities." [movie review]      PopMatters   
  
7/10
     (2008)      "Throughout this compelling film, the assassins want to believe they're doing righteous work: they're fighting Nazi occupation forces, after all." [movie review]      PopMatters   
  
6/10
     (2009)      "Full of ache and desire, Tae-ju seems the ultimate embodiment of the title of Park Chan-wook's new film, Thirst (Bakjwi)." [movie review]      PopMatters   
  
8/10
     (2009)      "If it's rare to see sisters at the center of a smart, mature, and artful movie, it's even more surprising to see them so keenly in tune." [movie review]      PopMatters   
  
6/10
     (2008)      "A complicated family dynamic is the point of departure for The Disappeared, part horror movie, part psychological study." [movie review]      PopMatters   
  
7/10
     (2009)      "The Way We Get By stays focused on the greeters' mix of loneliness and determination, the pleasure of feeling needed and the pain of growing old." [movie review]      PopMatters   
  
5/10
     (2009)      "In Off Jackson Avenue, Olivia is gutsy, shrewd, and fed up in a way that makes her look ripe for a Quentin Tarantino movie." [movie review]      PopMatters   
  
     (2009)      "In The Beaches of Agnès, the "game" of cinema is endlessly fascinating, as what was and what can be come together on screen." [movie review]      PopMatters   
  
     (2009)      "Chéri's saga of bad parenting ostensibly has to do with designs and rituals of love." [movie review]      PopMatters   
  
     (2009)      "The gallant, educated, and sensitive outsider, will do right by Soraya, unlike the loathsome, fearful, and petty neighbors who killed her." [movie review]      PopMatters   
  
6/10
     (2009)      "Sensational and turbulent, the relationship between John Dillinger and Melvin Purvis sold newspapers and attracted newsreel audiences. It was good for business." [movie review]      PopMatters   
  
6/10
     (2009)      "Burma VJ articulates a circular, daunting, and inevitable logic: visibility = life." [movie review]      PopMatters   
  
8/10
     (2009)      "In brief, stark moments, Duncan Jones' movie makes plain how awful it is to be so solitary, how utterly impossible it is to consider this existence a "living."" [movie review]      PopMatters   
  
5/10
     (2009)      "Yoo-Hoo, Mrs. Goldberg is amiable and formally conventional, a portrait that doesn't mean to provoke, but to revere." [movie review]      PopMatters   
  
8/10
     (2009)      "In Humpday, Andrew can't help but compete with Anna, who has stolen his bro, or more precisely, his slowly receding notion of himself." [movie review]      PopMatters   
  
     (2009)      "Unable to parse what he sees, James finds meaning, at last, in his misreading." [movie review]      PopMatters   
  
     (2009)      "Why anyone imagines children want to see Eddie Murphy's internal struggle may be the first question posed by Imagine That, but it's hardly the last" [movie review]      PopMatters   
  
     (2009)      "As Food, Inc. shows, these pretty, red, genetically engineered tomatoes are signs of a dodgy future already here." [movie review]      PopMatters   
  
     (2009)      "Nothing if not self-aware, this update of Joseph Sargent's 1974 thriller begins by rearranging the class dynamics." [movie review]      PopMatters   
  
     (2009)      "This strategy -- cutting away before a likely punchline -- is Year One's preferred mode." [movie review]      PopMatters   
  
     (2009)      "Whatever Works, a reported reworking of a 30-year-old script, is overtly old." [movie review]      PopMatters   
  
     (2009)      "Dead Snow knows exactly what it is... a horror film with Nazi zombies as stars." [movie review]      PopMatters   
  
     (2009)      "It's only the start of Abu Laila's long, long day in Laila's Birthday (Eid milad Laila), and already, he's impatient." [movie review]      PopMatters   
  
     (2009)      "Christine's monstrosity is hardly so daunting as that of the evil spirit stalking her, but it's of a piece with Drag Me to Hell's mostly vague cultural critique." [movie review]      PopMatters   
  
     (2009)      "In Bruce McDonald's suitably weird zombie movie, the coin of the shock jock's own realm -- language -- is the source of all the trouble." [movie review]      PopMatters   
  
     (2009)      "Kirby Dick's documentary argues that it's long past time that the many stories that shape closeted gay politicians' lives and careers be sorted out." [movie review]      PopMatters   
  
     (2009)      "Only a few minutes into Rudo y Cursi, the brothers are discovered playing grand and gloriously boyish fútbol." [movie review]      PopMatters   
  
     (2008)      "Julia is a mix of fantasy and tragedy, with the violence amped up and the background noisy and lurid." [movie review]      PopMatters   
  
     (2009)      "The goldfish flopping in the sun is an image typical of Majid Majidi's films, fable-like and seemingly simple even as it is also complex." [movie review]      PopMatters   
  
     (2009)      "Overrated as truth may be, in The Brothers Bloom, Penelope (Rachel Weisz) is supposed to signify it." [movie review]      PopMatters   
  
     (2009)      "It's late in Terminator Salvation when Arnold Schwarzenegger makes his much-hyped non-appearance." [movie review]      PopMatters   
  
     (2009)      "Taken together, the three movies in Tôkyô! create a frightful, smart, and lingering impression." [movie review]      PopMatters   
  
     (2009)      "So Yong Kim's remarkable film never spells out exactly what Jin or Bin is thinking, the camera implies how they see." [movie review]      PopMatters   
  
     (2009)      "For all its attention to local "color", Fighting focuses on the white boy's progress." [movie review]      PopMatters   
  
     (2009)      "Tyson is about the processes that make Mike Tyson." [movie review]      PopMatters   
  
5/10
     (2009)      "The Soloist illustrates Nathaniel's internal life -- his music and his madness -- in reductive, sensational imagery." [movie review]      PopMatters   
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