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(2004) |
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"Laura Linney almost carries this film across the goal line."
[movie review] |
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ReelTalk Movie Reviews |
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(2007) |
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"This quiet eighty-five-minute revenge suspenser dances to the essentials of music in cadence, pauses, tension balanced against relaxation."
[movie review] |
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ReelTalk Movie Reviews |
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(2006) |
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"Pan's Labyrinth does speak to the poetic and the brutal in man."
[movie review] |
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ReelTalk Movie Reviews |
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(2009) |
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"'Paris' works its spell in perceptions heightened for anyone suddenly made aware of mortality and on what was formerly taken for granted."
[movie review] |
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ReelTalk Movie Reviews |
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(1975) |
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"A slippery, provocative work."
[movie review] |
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ReelTalk Movie Reviews |
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(2004) |
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"Whatever demons fueled Mel Gibson's longtime passion to mount this work, no redemption is to be found in the one-dimensional result."
[movie review] |
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ReelTalk Movie Reviews |
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(2006) |
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"Is 'Piano Tuner of Earthquakes' a tease of an anti-movie or, for most, an exercise in empty technique?"
[movie review] |
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ReelTalk Movie Reviews |
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(2002) |
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"Aiming beyond political record of a time and place, 'Pinochet's Children' is really of all sons' and daughters' time and place."
[movie review] |
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ReelTalk Movie Reviews |
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(2001) |
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"Whether more is pompously suggested than actually here and merely meets the eye, Pistol Opera is fun in the grand style."
[movie review] |
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ReelTalk Movie Reviews |
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(1981) |
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"'Pixote' grandfathered other reality-based slum violence efforts heavier in their visual mayhem but not any more so in emotional impact."
[movie review] |
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ReelTalk Movie Reviews |
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(2000) |
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"Comatose is the operative word here."
[movie review] |
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ReelTalk Movie Reviews |
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(2008) |
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"Spreading its net too wide, this documentary lacks the smallest counterbalance, so one is not allowed a roundly informed decision. ."
[movie review] |
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ReelTalk Movie Reviews |
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(2009) |
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"'Pontypool' succeeds where many a less intelligent, purely visceral-visual movie leaves us cold."
[movie review] |
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ReelTalk Movie Reviews |
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(2007) |
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"A celebration of hope, humor and resilience among the humble and only secondarily a dig at media distortion and the disconnect between the Church and the poor."
[movie review] |
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ReelTalk Movie Reviews |
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(2006) |
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"This reminder to love life as if 'every show is the last show' sparkles like its opening night sky.
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[movie review] |
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ReelTalk Movie Reviews |
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(2005) |
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"Whether you take to this one or not will depend on your acceptance of looseness in the service of overall effect."
[movie review] |
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ReelTalk Movie Reviews |
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(2005) |
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"This new 'Pride & Prejudice' is faithful to the spirit of its observer-recorder of two-hundred years ago."
[movie review] |
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ReelTalk Movie Reviews |
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(2005) |
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"Too claustrophobic and writ small for my taste."
[movie review] |
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ReelTalk Movie Reviews |
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(2006) |
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"Even though a somewhat lesser work than his 'Mondays in the Sun,' Fernando León de Aranoa's 'Princesas' should impress a wider audience.
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[movie review] |
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ReelTalk Movie Reviews |
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(2007) |
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"The story is modern in treating the current malaise of loneliness in this era of collapsed traditional bonds of family, church and hierarchy."
[movie review] |
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ReelTalk Movie Reviews |
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(2006) |
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"Here is an unpretentious movie for those who are willing to take a film for its surfaces...and want to forget themselves for a while.
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[movie review] |
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ReelTalk Movie Reviews |
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(2007) |
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"Jessica Yu's 'Protagonist' is bravely conceived, but the subject is of itself static, or at least treated so."
[movie review] |
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ReelTalk Movie Reviews |
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(2003) |
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"Homophobia and hyprocisy, history and legend, racism and jealousy, cruelty and love all figure in -- and prove too much."
[movie review] |
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ReelTalk Movie Reviews |
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(2005) |
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"Fails to touch the intended nerve."
[movie review] |
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ReelTalk Movie Reviews |
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--
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(1988) |
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Click here to see the review!
[movie review] |
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ReelTalk Movie Reviews |
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(2005) |
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"There is little in 'Pulse' beyond running around the germ of an idea."
[movie review] |
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ReelTalk Movie Reviews |
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