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(2004) |
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"Nowhere near so frightening as it pretends to be."
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(2003) |
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"The film's non-dramatic but exhilarating finale is what clings most memorably.
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(2006) |
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"Singers, instrumentalists, bands and composers are poorly identified by ornate brief printed titles, only two or three familiar names resonating for a general public."
[movie review] |
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(2005) |
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"The music does not come alive in 'Maestro.'"
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(2003) |
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"The sort of stand-up, one-liner, canned laughter sitcom that, unaccountably, the public finds irresistible."
[movie review] |
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(1966) |
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"Political, religious and personal niceties of the period are streamlined, and the movie concentrates on the impressive steadfastness of Sir Thomas More."
[movie review] |
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ReelTalk Movie Reviews |
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(2008) |
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"Pearl himself is impeccable, but however merited, the film's encomiums cloy, like the short-lived TV program that reported only "good" news items."
[movie review] |
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ReelTalk Movie Reviews |
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(2004) |
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"Fine action-intrigue."
[movie review] |
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ReelTalk Movie Reviews |
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(2008) |
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"Admirable in not pandering to World Trade Center gut sentiment, the James Marsh 'Man on Wire' details Philippe Petit's 1974 wirewalk between the 110-storey structures."
[movie review] |
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ReelTalk Movie Reviews |
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(2007) |
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"The concerns of 'Manda Bala' are admirable, but its selective reality is so far from almost any viewer's conceivable experience as to verge on caricature."
[movie review] |
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ReelTalk Movie Reviews |
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(2007) |
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"Some images in 'Manufactured Landscapes' fascinate like the snake, a color beauty mark surrounded by at times unidentifiable ugliness."
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ReelTalk Movie Reviews |
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(2005) |
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"The story is quiet, but the process and mere fact of species survival is majestic."
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(1978) |
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"Enormous if sobering fun -- and one of the notable accomplishments of modern German cinema."
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ReelTalk Movie Reviews |
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"'The Man in the Shadows' is an admirable and uniquely organized documentary about Val Lewton and his brooding works of darkness."
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ReelTalk Movie Reviews |
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(2003) |
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"That, even in time of war, routine at sea is like this -- infrequent intense action, but mostly boring drudgery -- still does not make it cinematic entertainment."
[movie review] |
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ReelTalk Movie Reviews |
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(2004) |
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"Intelligently combines rarely shown film, TV news, home footage, stills and interviews in a complete package."
[movie review] |
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ReelTalk Movie Reviews |
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(2008) |
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"Much takes place offstage in 'Meat Loaf,' so there are few seconds wasted on the de rigueur ecstasy of audiences older than rockumentary adolescents."
[movie review] |
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ReelTalk Movie Reviews |
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(2007) |
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"Angelina Jolie gives her strongest performance as defiant Mariane van Neyenhoff Pearl in 'A Mighty Heart.'"
[movie review] |
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(2007) |
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"Here is austere classic drama tinged with early Kurosawa, a filmmaker among director Neten Chokling's favorites."
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(2008) |
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"With neither subtlety nor depth, 'Milk' does no service to its group cause or individual subject."
[movie review] |
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ReelTalk Movie Reviews |
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(2009) |
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"This Peruvian tale is about the superstitious but psychologically valid effects of terror."
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(2006) |
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"The social situation at the heart of 'Mirage/Iluzija' is so fraught with political implication that the film hits on both levels."
[movie review] |
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(1958) |
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"The viewer's reward lies in the film's sprinkles of comic genius."
[movie review] |
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ReelTalk Movie Reviews |
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(2003) |
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"'Mondays in the Sun' captures the small drama of the individual buffeted against larger impersonal events of local, national and world politics and economics."
[movie review] |
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ReelTalk Movie Reviews |
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(2005) |
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"'Monsieur N.' is fine old-time cinema."
[movie review] |
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ReelTalk Movie Reviews |
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(2003) |
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"A finely done film that engages an audience despite its despicable protagonist."
[movie review] |
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ReelTalk Movie Reviews |
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(2004) |
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"Backed by indigenous-tinted music and earthy colors, this no-frills film projects the humor of comraderie and of the people."
[movie review] |
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ReelTalk Movie Reviews |
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(2006) |
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"About willfully homeless street youth and their programmed need for community and belonging, but the film's unintentional ramifications dig deeper."
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(1964) |
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"The three fights covered in this documentary are not pictured at all beyond a very few grainy stills."
[movie review] |
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ReelTalk Movie Reviews |
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(2005) |
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"In an excellent lesson for documentarians and fabulists alike, filmmakers here show, rather than narrate, their tale in 86 minutes, make the point and know when to get out.
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[movie review] |
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ReelTalk Movie Reviews |
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(1963) |
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"The web of opened, ultimately unfollowed trails in 'Muriel' leads, not to the coherence of art, but to mere mirrors within mirrors."
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(2008) |
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"Honed to a gem, 'My Father, My Lord' is a miniature without an ounce of fat among its vignettes of laconic dialogue. A glance or few words carry optimal weight."
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(2008) |
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"The latter part of 'My Winnipeg' turns too easily to rant against the selling of the cherished past to a rush to modernity."
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ReelTalk Movie Reviews |
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(2003) |
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"Mesmerizing filmmaking."
[movie review] |
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ReelTalk Movie Reviews |
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