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(1930) |
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"'L'Âge d'or' does exhibit its share of the incongruous or dangling, but nevertheless there is connective tissue."
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ReelTalk Movie Reviews |
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 2.5/5 |
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(2003) |
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"Like the Jewish Autonomous Region itself, it is stillborn and empty."
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Film Threat |
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(2003) |
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Click here to see the review!
[movie review] |
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ReelTalk Movie Reviews |
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(2007) |
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"Like most cinema chanteuse stories, Olivier Dahan's 'La Vie en Rose' pretties up the sordid, but this film is good for its breed."
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(2006) |
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"Alas...the lady comes across here as a simple-minded girl instead of an achingly vulnerable woman of possibilities."
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(2008) |
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"The filmmakers rely excessively on a repeated dreamlike flashback and on foliage, fields and sunsets to remind us 'we are all part of a greater universe.'"
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ReelTalk Movie Reviews |
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(2005) |
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"Adventurous filmmaking."
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(2008) |
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"This talky, heavy melodrama is pretty to look at, but behind it there is nothing of substance"
[movie review] |
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ReelTalk Movie Reviews |
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(2007) |
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"Sparse special effects are pretty hokey, and the plot is nothing new, rehashing as it does scores of sci-fi-slash-horror films over many years."
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(2006) |
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"Open-ended, this film closes tightly enough, but it invokes more than it can deal with."
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(1969) |
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"Forty years ago, pioneer Gordon Parks had to step with extra care filming 'The Learning Tree' lest the door shut behind him."
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ReelTalk Movie Reviews |
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(2003) |
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"At best confusing and urgently in need of tightening."
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(2006) |
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"Alas! It goes on too long, lamely brushing 'Willard' and dozens of vague look-alike and was-it-a-dream scenarios."
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(1973) |
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"Mellowed wine still leaves a richer taste than newer vinegary lemons, as is certainly the case with the rare, re-released 'Lemora, Lady Dracula.'"
[movie review] |
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ReelTalk Movie Reviews |
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(2006) |
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"Not an anti-war tract or a glorification but, rather, a fair consideration of humanity that exists within the inhumanity of armed conflict."
[movie review] |
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ReelTalk Movie Reviews |
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 2.5/5 |
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(2001) |
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"However attractive the axe to grind, the haphazard lacework of narration, filmed television screen, disconnected scenes and endless headshots do not make for cinema, documentary or otherwise."
[movie review] |
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Film Threat |
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(1998) |
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"Accurately and lovingly filmed, so one easily slides into this world."
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(2004) |
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"A superior documentary -- one that celebrates the joy of soulful musicians without resorting to distracting gimmicks."
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(2009) |
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"The tiring repetitiousness of 'Limits of Control' may prove too much for many viewers."
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(2004) |
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"Collectively, the Lady is a Champ -- but the general story is of too slight a treatment to merit an entire feature."
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ReelTalk Movie Reviews |
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(2006) |
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"'Little Children' sometimes trivializes what deserves serious treatment."
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(1955) |
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"Ophüls' style co-stars, paralleling and reinforcing stage artificiality with tracking and crane and pan shots, fluidly tilting to emphasize romance as opposed to "reality.""
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(2007) |
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"Starting out like goofy comedy tinged with a police show, 'Look' soon shows its capable colors. Implications are there to be read, frightening or reassuring."
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(2006) |
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"Notwithstanding several awards back home plus two abroad, 'Look Both Ways' does not bring together its disparate elements."
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(2003) |
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"Because it lacks focus, as well as confidence in its story and stars, 'Lost in Translation' squanders a good opportunity."
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(2004) |
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"The film cannot make up its mind. Is it B-movie or a spoof of B-movies?"
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(1980) |
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"Attractive leads and an unusual story approach outweigh the flm's defects."
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(2007) |
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"Setting and wardrobe are relatively simple but immaculate. Less complication would have benefited the film, but perhaps the (female) heart is unknowable."
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(2003) |
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"In 'Luther,' the reality of Martin Luther within sixteenth century temporal and spiritual complexity is dumbed down beyond recognition."
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