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RATING |
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7/10 |
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(2003) |
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"It's about as lightweight as a cars-and-crime action movie should be."
[movie review] |
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Window to the Movies |
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9/10 |
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(2005) |
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"If there's truth to the theory that the most interesting art is borne from the troubled soul, then 2046 is part of the proof."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2003) |
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"Would likely be a chore to sit through were it not for the novelty of the storytelling technique. There's some top-notch acting here ... which is rewarding in and of itself."
[movie review] |
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Window to the Movies |
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8/10 |
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(2002) |
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"The value of a second chance emerges as a strong element in Lee's film."
[movie review] |
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Window to the Movies |
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9/10 |
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(2003) |
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"Posits the question: who's more dangerous, the flesh-eating zombies or 'civilized' people?"
[movie review] |
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Window to the Movies |
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8/10 |
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(2005) |
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"A lovely little movie that nonetheless feels slight even with its metaphysical subject."
[movie review] |
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Window to the Movies |
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7/10 |
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(2007) |
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"I had two thoughts: (1) this looks really cool -- it's visually composed very well; and (2) it makes me think of a chain-combo from the video game God of War."
[movie review] |
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Window to the Movies |
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9/10 |
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(2007) |
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"A rip-roarin' Western with thrilling gunfights to match its moral tug-of-war, and both Bale and Crowe are terrific."
[movie review] |
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Window to the Movies |
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8/10 |
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(2008) |
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"Better viewed as an illustration of the extreme dynamics of a friendship of personality contrasts than as a movie about illegal abortion or oppressive Communist regimes."
[movie review] |
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Window to the Movies |
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7/10 |
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(2005) |
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"[Carell] makes the most of his chance at the spotlight, and has increased the possibility of his becoming a household name with an effectively funny comedy."
[movie review] |
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Window to the Movies |
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9/10 |
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(2009) |
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"At last, here's a movie that takes the wimpy, tortured, hopelessly-in-love boys from the other movies and tells them to grow up."
[movie review] |
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Window to the Movies |
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8/10 |
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(2004) |
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"Stylish, funny, and fun to watch (and quite morbid at times), and even offers relevant insight into the conditions created by the Thai economy."
[movie review] |
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Window to the Movies |
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8/10 |
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(2002) |
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"The unique format of the motion picture shows how valuable it can be, for what else can be used to so vividly capture the most important element in a story like this -- its cultural setting?"
[movie review] |
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Window to the Movies |
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8/10 |
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(2001) |
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"Spielberg should thank the heavens that Haley Joel Osment exists. The movie's success entirely depends on his performance, and his performance is incredible."
[movie review] |
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Window to the Movies |
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9/10 |
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(2002) |
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"Both Grant and Hoult carry the movie because they are believable as people -- flawed, assured of the wrong things, and scared to admit how much they may really need the company of others."
[movie review] |
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Window to the Movies |
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9/10 |
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(2002) |
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"Funny and yet depressing, Schmidt's bemused observations of his world made me laugh, but the exposure of that world's lack of warmth made me want to cry."
[movie review] |
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Window to the Movies |
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7/10 |
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(2007) |
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"I'll go ahead and say it: I'm embarrassed by how much I liked this movie."
[movie review] |
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Window to the Movies |
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10/10 |
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(2002) |
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"Great movie. It's hilarious and mind-boggling."
[movie review] |
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Window to the Movies |
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8/10 |
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(2006) |
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"If there's ever any evidence that originality and predictability aren't necessarily absolute elements by which to judge a movie, Akeelah and the Bee is it."
[movie review] |
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Window to the Movies |
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8/10 |
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(2003) |
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"Isn't likely to win over the romance audiences who look for fluffy distractions ... [but] will please those who like their relationship movies honest, realistic, and understated."
[movie review] |
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Window to the Movies |
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8/10 |
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(2001) |
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"'Cute' is the primary word to describe this film."
[movie review] |
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Window to the Movies |
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7/10 |
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(2006) |
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"If the comedy didn't have its fair share of moments, it could easily be seen as failure; fortunately, a handful of game actors ... saves it as something that's mostly enjoyable."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2007) |
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"Sure we've seen this sort of thing before. But every time we see it, we're entertained."
[movie review] |
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Window to the Movies |
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7/10 |
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(2001) |
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"It's all about sex again, but, like the first movie, it handles it with a sense of balance between the lewdness and the awkwardness of the subject."
[movie review] |
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Window to the Movies |
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10/10 |
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(2003) |
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"Makes a good case for the constructiveness of working out the questions, issues, and problems one faces in life through the output of art."
[movie review] |
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Window to the Movies |
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8/10 |
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(2001) |
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"The biggest strength of Amores Perros is its display of humanity at its worst when it is driven by primal attachments."
[movie review] |
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Window to the Movies |
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7/10 |
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(2004) |
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"If you loved the show, you'll likely love the movie; if you detest the show, you'll hate the movie. Personally, I fall closer to the middle."
[movie review] |
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Window to the Movies |
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9/10 |
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(2003) |
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"Goldsworthy's approach to his art speaks volumes to me ... [his] works find their value in the changing moments of their existence."
[movie review] |
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Window to the Movies |
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6/10 |
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(2009) |
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"Comes across as a less contemplative, more motion-driven version of its predecessor, The Da Vinci Code."
[movie review] |
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Window to the Movies |
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8/10 |
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(2003) |
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"The Animatrix may be commercial in its purpose, but it's also rapturously artistic in its execution."
[movie review] |
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Window to the Movies |
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10/10 |
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(1977) |
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"I love how honest this movie is. It's raw, it's awkward, and it's ugly, but it's all right there and right on."
[movie review] |
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Window to the Movies |
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7/10 |
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(2009) |
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"You'll learn nothing new here about chasing the dream, but this non-fiction story may convince you to make room in your heart to appreciate the combination of earnestness and doggedness that some people maintain."
[movie review] |
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ReelTalk Movie Reviews |
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6/10 |
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(2006) |
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"Gibson's film entertains without leaving the stronger impression of scope it had the intention and potential to do."
[movie review] |
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ReelTalk Movie Reviews |
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9/10 |
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(2005) |
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"For anyone who can take it, this is one of the smartest and funniest movies of this year."
[movie review] |
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ReelTalk Movie Reviews |
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7/10 |
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(2004) |
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"Trippy, goofy, and nearly senseless concoction [is] one of the more entertaining cases of 'What-in-the-heck?' out there."
[movie review] |
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Window to the Movies |
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8/10 |
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(1994) |
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"Leave it to Wong Kar Wai to take a straightforward martial arts tale and weave its characters into one of his movies about soul-searching, love, isolation, and longing."
[movie review] |
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Window to the Movies |
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8/10 |
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(1994) |
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"[Wong's fans] should have no trouble navigating the amorphous, dreamy threads of either version of Ashes of Time."
[movie review] |
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ReelTalk Movie Reviews |
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9/10 |
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(2007) |
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"A slow roast of a movie that seals in all the flavors."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2001) |
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"It carries with it the spirit of those old science fiction stories."
[movie review] |
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Window to the Movies |
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8/10 |
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(2007) |
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"Atonement's main strength is its flow, and its cinematic techniques are able to both bolster the flow and occasionally distract from it."
[movie review] |
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ReelTalk Movie Reviews |
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9/10 |
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(2001) |
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"No movie before this one literally made me quake."
[movie review] |
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Window to the Movies |
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6/10 |
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(2007) |
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"Its almost desperate earnestness actually turns out to be its greatest appeal -- August Rush does believe in fairy tales, it does it does it does!"
[movie review] |
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Window to the Movies |
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6/10 |
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(2008) |
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"It's a bit overloaded, though I love Luhrmann's obvious enthusiasm."
[movie review] |
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Window to the Movies |
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10/10 |
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(2004) |
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"Sees the portrait of a man as the illustration of the strongest facets of his personality, not the recounting of important events in his life."
[movie review] |
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ReelTalk Movie Reviews |
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9/10 |
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(2007) |
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"This is a really wrenching film, and all the better for it."
[movie review] |
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Window to the Movies |
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6/10 |
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(2009) |
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"The good acting provides an example of what might make this kind of formula work, but it's quite an uphill battle when one can see the scripted situations acting as comic fallbacks."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2006) |
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"At the simplest level, the movie is several dramas told effectively, and processing the emotions in its most dramatic moments may be the best reward in watching it."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2004) |
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"The best thing about Pedro Almodóvar movies is how you can never tell where they're going."
[movie review] |
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Window to the Movies |
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8/10 |
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(2002) |
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"Strongest when just letting us watch the people, this movie showcases the barbershop as a kind of roundtable of ideas being exchanged among social classes and generations."
[movie review] |
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Window to the Movies |
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8/10 |
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(2004) |
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"Sullivan clearly has his own ideas, but wisely uses the established characters to flesh them out instead of making them act out of character for his purposes."
[movie review] |
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Window to the Movies |
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