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1/10 |
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(2002) |
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"A sorry excuse for a straight-to-video movie, even by the standards of the rest of the sequels."
[movie review] |
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Window to the Movies |
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6/10 |
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(2004) |
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"Garner makes the most of her chance to shine here ... Mark Ruffalo is also charming, and it's their sweetness that gives this otherwise ho-hum flick any distinction."
[movie review] |
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Window to the Movies |
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7/10 |
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(2003) |
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"It's about as lightweight as a cars-and-crime action movie should be."
[movie review] |
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Window to the Movies |
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9/10 |
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(2005) |
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"If there's truth to the theory that the most interesting art is borne from the troubled soul, then 2046 is part of the proof."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2003) |
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"Would likely be a chore to sit through were it not for the novelty of the storytelling technique. There's some top-notch acting here ... which is rewarding in and of itself."
[movie review] |
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Window to the Movies |
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8/10 |
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(2002) |
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"The value of a second chance emerges as a strong element in Lee's film."
[movie review] |
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Window to the Movies |
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9/10 |
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(2003) |
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"Posits the question: who's more dangerous, the flesh-eating zombies or 'civilized' people?"
[movie review] |
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Window to the Movies |
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8/10 |
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(2005) |
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"A lovely little movie that nonetheless feels slight even with its metaphysical subject."
[movie review] |
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Window to the Movies |
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7/10 |
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(2007) |
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"I had two thoughts: (1) this looks really cool -- it's visually composed very well; and (2) it makes me think of a chain-combo from the video game God of War."
[movie review] |
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Window to the Movies |
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9/10 |
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(2007) |
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"A rip-roarin' Western with thrilling gunfights to match its moral tug-of-war, and both Bale and Crowe are terrific."
[movie review] |
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Window to the Movies |
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8/10 |
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(2008) |
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"Better viewed as an illustration of the extreme dynamics of a friendship of personality contrasts than as a movie about illegal abortion or oppressive Communist regimes."
[movie review] |
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Window to the Movies |
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4/10 |
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(2002) |
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"Finds a way to present a light-hearted sexual comic fairy tale, then derails itself with bad romantic comedy fallbacks."
[movie review] |
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Window to the Movies |
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7/10 |
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(2005) |
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"[Carell] makes the most of his chance at the spotlight, and has increased the possibility of his becoming a household name with an effectively funny comedy."
[movie review] |
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Window to the Movies |
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5/10 |
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(2004) |
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"Rarely have the words 'romantic' and 'comedy' felt more unnaturally forced together than in this latest Adam Sandler vehicle."
[movie review] |
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Window to the Movies |
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9/10 |
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(2009) |
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"At last, here's a movie that takes the wimpy, tortured, hopelessly-in-love boys from the other movies and tells them to grow up."
[movie review] |
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Window to the Movies |
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8/10 |
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(2004) |
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"Stylish, funny, and fun to watch (and quite morbid at times), and even offers relevant insight into the conditions created by the Thai economy."
[movie review] |
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Window to the Movies |
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8/10 |
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(2002) |
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"The unique format of the motion picture shows how valuable it can be, for what else can be used to so vividly capture the most important element in a story like this -- its cultural setting?"
[movie review] |
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Window to the Movies |
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6/10 |
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(2006) |
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"An ambitious drug movie that's much less mind-blowing than it could've been."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2001) |
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"Spielberg should thank the heavens that Haley Joel Osment exists. The movie's success entirely depends on his performance, and his performance is incredible."
[movie review] |
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Window to the Movies |
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9/10 |
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(2002) |
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"Both Grant and Hoult carry the movie because they are believable as people -- flawed, assured of the wrong things, and scared to admit how much they may really need the company of others."
[movie review] |
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Window to the Movies |
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9/10 |
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(2002) |
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"Funny and yet depressing, Schmidt's bemused observations of his world made me laugh, but the exposure of that world's lack of warmth made me want to cry."
[movie review] |
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Window to the Movies |
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7/10 |
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(2007) |
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"I'll go ahead and say it: I'm embarrassed by how much I liked this movie."
[movie review] |
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Window to the Movies |
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10/10 |
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(2002) |
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"Great movie. It's hilarious and mind-boggling."
[movie review] |
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Window to the Movies |
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4/10 |
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(2004) |
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"They got to make a movie on a beautiful island; the film itself might just be an afterthought. It feels like one, anyway."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2006) |
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"If there's ever any evidence that originality and predictability aren't necessarily absolute elements by which to judge a movie, Akeelah and the Bee is it."
[movie review] |
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Window to the Movies |
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4/10 |
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(2004) |
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"Even if a 'realistic' approach had to be taken, better to show the roots of such legends, rather than spend so much time making them ordinary."
[movie review] |
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Window to the Movies |
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4/10 |
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(2003) |
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"I got the feeling [Reiner] auto-piloted himself through this project; so much of it is corny and panders to its target audience."
[movie review] |
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Window to the Movies |
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5/10 |
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(2001) |
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"Had a chance to be a joyous celebration of this special athlete, but for much of the running time the atmosphere was funereal."
[movie review] |
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Window to the Movies |
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2/10 |
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(2004) |
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"Took a premise rife with potential and created perhaps the most boring story possible to accomodate the two sci-fi races."
[movie review] |
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Window to the Movies |
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4/10 |
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(2006) |
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"Possesses what any attempted 'prestige picture' should dread: a conspicuous sense of self-importance."
[movie review] |
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Window to the Movies |
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8/10 |
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(2003) |
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"Isn't likely to win over the romance audiences who look for fluffy distractions ... [but] will please those who like their relationship movies honest, realistic, and understated."
[movie review] |
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Window to the Movies |
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8/10 |
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(2001) |
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"'Cute' is the primary word to describe this film."
[movie review] |
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Window to the Movies |
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5/10 |
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(2001) |
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"Disappointment comes from the sense that the picture started off with the promise of being something different, maybe even something scathing, but then settles for something rather routine."
[movie review] |
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Window to the Movies |
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7/10 |
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(2006) |
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"If the comedy didn't have its fair share of moments, it could easily be seen as failure; fortunately, a handful of game actors ... saves it as something that's mostly enjoyable."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2007) |
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"Sure we've seen this sort of thing before. But every time we see it, we're entertained."
[movie review] |
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Window to the Movies |
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7/10 |
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(2001) |
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"It's all about sex again, but, like the first movie, it handles it with a sense of balance between the lewdness and the awkwardness of the subject."
[movie review] |
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Window to the Movies |
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10/10 |
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(2003) |
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"Makes a good case for the constructiveness of working out the questions, issues, and problems one faces in life through the output of art."
[movie review] |
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Window to the Movies |
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4/10 |
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(2003) |
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"Not only is Stifler taking over this [movie], he's also engaging in one ridiculous experience after another, most of them humiliating."
[movie review] |
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Window to the Movies |
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8/10 |
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(2001) |
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"The biggest strength of Amores Perros is its display of humanity at its worst when it is driven by primal attachments."
[movie review] |
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Window to the Movies |
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6/10 |
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(2004) |
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"Isn't as strong as Dodgeball or Starsky and Hutch primarily because the satire inherent in these flicks isn't paid as much attention to this time around."
[movie review] |
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Window to the Movies |
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7/10 |
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(2004) |
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"If you loved the show, you'll likely love the movie; if you detest the show, you'll hate the movie. Personally, I fall closer to the middle."
[movie review] |
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Window to the Movies |
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9/10 |
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(2003) |
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"Goldsworthy's approach to his art speaks volumes to me ... [his] works find their value in the changing moments of their existence."
[movie review] |
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Window to the Movies |
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6/10 |
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(2001) |
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"Viewers are going to feel pretty cheated if they walked in hoping to bite their nails and then left realizing they should've brought a hanky instead."
[movie review] |
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Window to the Movies |
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6/10 |
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(2009) |
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"Comes across as a less contemplative, more motion-driven version of its predecessor, The Da Vinci Code."
[movie review] |
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Window to the Movies |
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5/10 |
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(2003) |
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"Nothing in the film comes close to the glorious potential its poster teases us with, featuring Sandler and Nicholson, forehead to forehead, screaming at each other."
[movie review] |
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Window to the Movies |
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8/10 |
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(2003) |
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"The Animatrix may be commercial in its purpose, but it's also rapturously artistic in its execution."
[movie review] |
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Window to the Movies |
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3/10 |
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(2006) |
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"These aren't characters, these are character templates, and the story they've been cut-and-pasted into couldn't be more cornball."
[movie review] |
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Window to the Movies |
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10/10 |
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(1977) |
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"I love how honest this movie is. It's raw, it's awkward, and it's ugly, but it's all right there and right on."
[movie review] |
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Window to the Movies |
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5/10 |
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(2006) |
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"If we have to use insects to teach the value of cooperation, how about switching to bees for a change?"
[movie review] |
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Window to the Movies |
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6/10 |
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(2002) |
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"An uplifting drama ... What Antwone Fisher isn't, however, is original."
[movie review] |
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Window to the Movies |
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