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Total Reviews: 871
Jeffrey Chen

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6/10
     (2006)      "Since the movie does its job well in playing out its formulas, it becomes an effective endorphin rush at the time." [movie review]      Window to the Movies   
  
7/10
     (2003)      "I like what it's trying to do -- use a ghost story surface to tell a tale of guilt, blame, and madness -- but was disappointed in the conventional tactics it used." [movie review]      Window to the Movies   
  
8/10
     (2002)      "Talk to Her is excellent movie-making and much of it is wondrous, but my conscience won't allow me to be devoted to unconditionally singing its praises." [movie review]      Window to the Movies   
  
8/10
     (2006)      "This Will Ferrell vehicle ... is essentially chucking javelins at good ol' American redneckery." [movie review]      Window to the Movies   
  
2/10
     (2002)      "Created with the effort it would take to cut three pages out of a magazine and stapling them together to form your own magazine." [movie review]      Window to the Movies   
  
6/10
     (2005)      "Another needless Disney sequel, but it also happens to be animated pretty decently." [movie review]      Window to the Movies   
  
6/10
     (2004)      "I love Latifah, who almost does the job here, and that's probably the highest compliment I can pay Taxi." [movie review]      ReelTalk Movie Reviews   
  
9/10
     (2008)      "A comprehensive movie, an everything-you-wanted-to-know-but-were-afraid-to-ask film, engaging, paced well, informative, and professionally polished." [movie review]      Window to the Movies   
  
7/10
     (2004)      "What works best involves scenes in which the visuals and humor are allowed to stick their heads out of the cage of convention." [movie review]      Window to the Movies   
  
8/10
     (2004)      "I haven't laughed myself to tears in a while, but this movie made it happen... doesn't quite hold itself together all the way through, otherwise it might've been a slam dunk." [movie review]      Window to the Movies   
  
7/10
     (2004)      "Spielberg seems to be letting the audience know that he's not trying to be terribly serious this time, so just sit back and enjoy the show." [movie review]      Window to the Movies   
  
4/10
     (2003)      "They made a clone, but left behind the soul -- T3 is T2 without the heart, spirit, and humanity." [movie review]      Window to the Movies   
  
5/10
     (2009)      "It neither adds to nor subtracts from the mythology. And with Judgment Day upon us, there's no more tension, nothing compelling left to explore." [movie review]      Window to the Movies   
  
6/10
     (2003)      "The new movie isn't bad -- not bad at all -- it's just not very Texas Chainsaw Massacre-ish." [movie review]      ReelTalk Movie Reviews   
  
7/10
     (2006)      "[Tends] to overstate itself -- both in its concerns and its humor. Eckhart, though, consistently brings the movie to the viewer's level." [movie review]      ReelTalk Movie Reviews   
  
4/10
     (2008)      "Its elements are actually quite typical of a syndicated cartoon series, aimed mostly at the young'uns and contributing pretty much nothing to the Star Wars mythos." [movie review]      Window to the Movies   
  
4/10
     (2008)      "Has a simplistic environmental concern, presented with sensationalist sensibilities and, perhaps worse, given an even more simplistic resolution." [movie review]      Window to the Movies   
  
7/10
     (2004)      "Good work for the sake of good work -- it delivers something I'll readily admit is enjoyable, but not easily embraceable." [movie review]      Window to the Movies   
  
10/10
     (2007)      "No lesson needs to be learned here, but observations can and should be noted because we're so rarely fed such coldly realistic characters." [movie review]      ReelTalk Movie Reviews   
  
6/10
     (2003)      "Can be admired for the truths it manages to expose, but it can't shake off the cheap feel of its horror movie tactics." [movie review]      Window to the Movies   
  
6/10
     (2002)      "As [the characters] get more depressed, the story gets more tiresome, especially as it continues to mount a conspicuous effort to be profound." [movie review]      Window to the Movies   
  
8/10
     (2006)      "A handy summary piece for many of the complaints about the MPAA over the years." [movie review]      Window to the Movies   
  
9/10
     (2006)      "[Hou's] work gains significance due to his specifically tying this theme of love to Taiwan in particular, as opposed to just proposing a general essay on love." [movie review]      Window to the Movies   
  
10/10
     (2005)      "A rebuke to the current 3-D computer animated takeover of the field, and what a beautiful rebuke it is. " [movie review]      Window to the Movies   
  
4/10
     (2002)      "This new movie is an eye-candy spectacular but it's seriously lacking in the meaning department." [movie review]      Window to the Movies   
  
7/10
     (2007)      "Although it may not win points for total originality, TMNT makes good use of proven techniques." [movie review]      ReelTalk Movie Reviews   
  
8/10
     (2003)      "Journey of a gifted character ... may work so well that you might not mind its gloriously sappy finale. I'll admit it -- I was tearing up at the end." [movie review]      Window to the Movies   
  
7/10
     (2004)      "A sweet little melodrama of deep, personal wounds being treated by dashes of holiday miracles, and it's enough to bring a smile to one's face." [movie review]      Window to the Movies   
  
6/10
     (2001)      "English-language Mexican-family version of Ang Lee's Eat Drink Man Woman doesn't duplicate the subtleties of the original." [movie review]      Window to the Movies   
  
8/10
     (2004)      "Illustrates the inherent human instinct to self-preserve." [movie review]      Window to the Movies   
  
9/10
     (2000)      "Hits home because of what it is portraying ... the drug war feels ultimately futile, but its victims and consequences can not be ignored." [movie review]      Window to the Movies   
  
9/10
     (2001)      "Larger than life ... a classic tale of good vs. evil." [movie review]      Window to the Movies   
  
6/10
     (2005)      "TransAmerica is a road movie with a transexual twist, but it pretty much leaves it at that." [movie review]      Window to the Movies   
  
4/10
     (2007)      "Bay's direction ultimately bothered me less than the messy screenplay. As an old-school fan, I was quite disappointed though not necessarily offended." [movie review]      ReelTalk Movie Reviews   
  
4/10
     (2009)      "If you took a still shot of one of them in the middle of an action sequence, you'd need to think for about a second or two to really understand what you're looking at. The visual design of these Transformers appears decidedly uncinematic." [movie review]      ReelTalk Movie Reviews   
  
8/10
     (2002)      "Tackles action with the enthusiastic glee of boys who like to dream up impossible scenarios and commit them to film." [movie review]      Window to the Movies   
  
6/10
     (2005)      "Things are a little bit too much this time, though -- to say all elements are exaggerated would be a gross understatement." [movie review]      Window to the Movies   
  
6/10
     (2002)      "Although Disney follows its standard formula in this animated adventure, it feels more forced than usual." [movie review]      Window to the Movies   
  
9/10
     (2003)      "Feels like a cross between '60's Disney cartoon movies and Yellow Submarine. No, even that description is too simplistic." [movie review]      Window to the Movies   
  
7/10
     (2006)      "Turns into a lampoon of the filmmaking process, which has its share of highly funny moments but otherwise feels like territory well-tread." [movie review]      ReelTalk Movie Reviews   
  
7/10
     (2008)      "Stiller's parody of Hollywood opportunism and insecurities is fairly lacerating, but perhaps could've been more so had not the whole thing been played so broadly." [movie review]      Window to the Movies   
  
8/10
     (2005)      "The division of the two halves is pronounced and disruptive ... but the filmmaking is assured and focused, reaching for abstraction and poetry." [movie review]      Window to the Movies   
  
8/10
     (2004)      "Blustery acting, big battle sequences, and lots of 'sweeping epic' shots, and there you have it -- Troy, a mainstream film depiction of The Iliad, at last." [movie review]      Window to the Movies   
  
5/10
     (2002)      "Boring and meandering." [movie review]      Window to the Movies   
  
6/10
     (2006)      "Our protagonist may want to give the appearance of being heartless, but the script is stacked against him." [movie review]      ReelTalk Movie Reviews   
  
5/10
     (2008)      "For a piece about forbidden lust/love, it's not very tortured." [movie review]      Window to the Movies   
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