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• Window to the Movies
Total Reviews: 871
Jeffrey Chen

NEWS & FEATURES
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7/10
     (2004)      "If Kidd does enjoy presenting character studies as vehicles for lightweight self-improvement messages, at least he uses messages I can agree with." [movie review]      Window to the Movies   
  
3/10
     (2005)      "Recycled material through and through, and what it offers in the affability of its star is countered with a mean streak of humiliation passed off as humor." [movie review]      Window to the Movies   
  
8/10
     (2006)      "Movies don't elicit sighs from me often, but for The Painted Veil I sigh." [movie review]      ReelTalk Movie Reviews   
  
8/10
     (2006)      "Del Toro's obvious strength here is his forceful vision of a night-time fantasy and his ability to bring that vision to pulsating life." [movie review]      Window to the Movies   
  
8/10
     (2002)      "During the thrilling moments every ounce of suspense earned the right to be there." [movie review]      Window to the Movies   
  
7/10
     (2007)      "Sit back and enjoy the detail-rich visuals while appreciating the unfettered imagination at work in constructing them." [movie review]      ReelTalk Movie Reviews   
  
7/10
     (2007)      "It's like having the sampler plate at a restaurant: it never feels quite like a real meal, yet can be delicious just the same." [movie review]      ReelTalk Movie Reviews   
  
8/10
     (2004)      "I expected to leave my viewing of the film feeling battered and bruised, but instead I felt very peaceful. Seeing the strength required for forgiveness uplifted me." [movie review]      Window to the Movies   
  
3/10
     (2001)      "Pearl Harbor is what you get when you cross Independence Day with Titanic, with the result possessing the good qualities of neither. The movie gave me a stomachache, literally." [movie review]      Window to the Movies   
  
10/10
     (2007)      "A focused tone [puts] you right into the head of its storyteller, where everything about the art augments the initmacy of the teller's thoughts and emotions." [movie review]      ReelTalk Movie Reviews   
  
4/10
     (2003)      "Hogan doesn't know when to start and stop playing down to his audience of children, and so he turns the immature goofiness on and off without warning." [movie review]      ReelTalk Movie Reviews   
  
9/10
     (2003)      "At the core, a gimmick movie, but if all gimmick movies were as well-executed as this, I'd have little reason to complain about them -- ever." [movie review]      Window to the Movies   
  
7/10
     (2002)      "Szpilman's experience on the screen is harrowing, yes, but rarely do we feel like we are inside the man's head ... Otherwise, The Pianist is fine work." [movie review]      Window to the Movies   
  
7/10
     (2003)      "Most of the writing is effectively funny, and Clarkson's performance gives the story's dramatic undercurrent some much needed weight." [movie review]      Window to the Movies   
  
7/10
     (2008)      "I'm happy anyway to see that Green can wield his considerable skill in a completely different form, with the result being such a fun movie." [movie review]      Window to the Movies   
  
3/10
     (2006)      "Martin, as we all know, has fine comic gifts, but he's doing a conscientious impersonation here." [movie review]      Window to the Movies   
  
7/10
     (2007)      "Anytime something suspenseful might be occurring, there's always a joke defusing it somewhere. And every time that happens, it's welcome." [movie review]      Window to the Movies   
  
7/10
     (2006)      "What's most surprising about this sequel ... is how much more serious it feels." [movie review]      Window to the Movies   
  
8/10
     (2003)      "[Tackled] in a way that shows they were interested in putting together a solid piece of entertainment, not just a string of action sequences connected by a bad plot." [movie review]      Window to the Movies   
  
5/10
     (2001)      "Doesn't have the solidity of theme of the 1968 movie. Also ... Burton's version seems to force an ending that is neither thoughtful nor effective." [movie review]      Window to the Movies   
  
8/10
     (2007)      "Its spirit is one of pure entertainment, and its commentary on old grindhouse movies is lovingly satirical." [movie review]      Window to the Movies   
  
4/10
     (2006)      "The way people are disposed of here feels horror-movie gratuitous... Feel that Final Destination glee as a falling man is impaled and then crushed by a flaming elevator." [movie review]      Window to the Movies   
  
7/10
     (2002)      "Can satisfy one's desire to experience a decent love story." [movie review]      Window to the Movies   
  
7/10
     (2002)      "The movie plays up the cartoon's more obvious strength of snazziness while neglecting its less conspicuous writing strength." [movie review]      Window to the Movies   
  
8/10
     (2006)      "An appreciation of artists, albeit a sadder one... perhaps [Altman]'s saying here that the end doesn't have to be bitter -- it can be bittersweet." [movie review]      Window to the Movies   
  
10/10
     (2006)      "A mean and nasty film about men consumed by the goal of triumphing against their competition in the most merciless way." [movie review]      ReelTalk Movie Reviews   
  
6/10
     (2007)      "If anything stands out in this relatively routine take on an old sports standby, it's Terrence Howard." [movie review]      ReelTalk Movie Reviews   
  
9/10
     (2005)      "Adds up to an entertainment that is surprisingly transporting." [movie review]      Window to the Movies   
  
9/10
     (2004)      "You can choose to be fascinated (like I was), or just give up all together. Either way, you gotta admit, these guys have guts." [movie review]      Window to the Movies   
  
7/10
     (2005)      "The kind of screwy indulgence only Brooks could spotlight, and it did occur to me, as I watched it, how much absurd voices like his are missed in today's movies." [movie review]      Window to the Movies   
  
5/10
     (2005)      "A cozy, middlebrow production putting an acting spotlight on Paltrow, surrounded by an unchallenged Hopkins and Jake Gyllenhaal as a liberating love-interest spirit." [movie review]      ReelTalk Movie Reviews   
  
5/10
     (2009)      "Bullock is totally at home in this territory, and she remains fun to watch, but I do wish she would get stronger, possibly more original comedic material." [movie review]      Window to the Movies   
  
8/10
     (2006)      "An Australian western without genre traditions in mind -- instead, their movie explores the complexities of moral relativity." [movie review]      Window to the Movies   
  
6/10
     (2006)      "The editing is wildly haphazard, the story continuity is a mess, and some of the photography is just terrible, but I'll be darned if the movie isn't fun." [movie review]      Window to the Movies   
  
8/10
     (2005)      "Pulse's craft as a dread-fest is superb." [movie review]      Window to the Movies   
  
10/10
     (2002)      "As a singular character study, it's perfect. It's also the year's sweetest movie." [movie review]      Window to the Movies   
  
6/10
     (2004)      "The Punisher's world is a world of pain. That's about the only insight one can take away from this ... [otherwise, it's] not much more than a straightforward revenge movie." [movie review]      Window to the Movies   
  
7/10
     (2006)      "One of those one-man-show movies, practically a vanity project, but Smith continues to employ his charisma and natural ability to earn empathy well." [movie review]      Window to the Movies   
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