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9/10 |
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(2003) |
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"Hip, unrestrained, and silly all at once, Kal Ho Naa Ho is an example of earnest, unfettered exuberance."
[movie review] |
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Window to the Movies |
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2/10 |
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(2003) |
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"... Has no potential to be anything other than a bad movie. It really has no reason to exist ... Where could you go with this premise?"
[movie review] |
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Window to the Movies |
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8/10 |
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(2006) |
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"Moby Dick with a progressive spin."
[movie review] |
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Window to the Movies |
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8/10 |
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(2002) |
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"The audience can't tell where the embellishing is, nor should it care -- the portrait Evans paints is involving and entertaining."
[movie review] |
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Window to the Movies |
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10/10 |
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(2003) |
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"A movie of confident, professional showmanship; it uses the screen as a conduit to directly transfer the enthusiasm its creator feels to the audience, delivering giddy energy."
[movie review] |
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Window to the Movies |
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9/10 |
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(2004) |
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"Many sumptuous ingredients, perhaps more than necessary, ultimately and surprisingly delivering an operatic tale of the unstoppable force of motherhood."
[movie review] |
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ReelTalk Movie Reviews |
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3/10 |
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(2004) |
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"'The untold true story that inspired the legend' shouldn't be [just a] generic ancient combat epic."
[movie review] |
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Window to the Movies |
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10/10 |
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(2005) |
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"This is what it means to go to the theater and watch a big movie made with love, care, and intelligence."
[movie review] |
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Window to the Movies |
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8/10 |
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(2007) |
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"Thankfully The King of Kong plays it straight and let's the players speak for themselves. In this case, the filmmakers may be giving their subjects just enough rope, as the saying goes."
[movie review] |
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ReelTalk Movie Reviews |
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5/10 |
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(2007) |
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"It's all very wish-fulfillment stuff, but the gratification doesn't end up feeling deep."
[movie review] |
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Window to the Movies |
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6/10 |
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(2005) |
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"Plain-faced moralizing... It's at once bold and dumbed down."
[movie review] |
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ReelTalk Movie Reviews |
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7/10 |
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(2004) |
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"Reminder of how human sexuality cannot be fully controlled [as well] as a thoughtful depiction of Kinsey's work."
[movie review] |
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Window to the Movies |
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8/10 |
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(2005) |
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"Goes for [snarky postmodernism] immediately, then, to my surprise, deftly pulls it off."
[movie review] |
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Window to the Movies |
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4/10 |
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(2001) |
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"Overloaded with plot where it doesn't need any ... Its latter acts detract from a movie that could have stood up for itself with its funny irreverance."
[movie review] |
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Window to the Movies |
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9/10 |
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(2007) |
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"[Apatow] makes these basic situations as humane and as funny as you'd expect, and he makes it look effortless."
[movie review] |
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Window to the Movies |
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9/10 |
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(2005) |
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"Chow knows what his audience wants, and what that audience wants appears to be utter comedic insanity."
[movie review] |
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Window to the Movies |
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7/10 |
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(2008) |
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"A pleasant surprise. It avoids easy targets and actually bases its humor in its performances."
[movie review] |
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Window to the Movies |
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8/10 |
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(1964) |
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"They're not likely to scare you outright, but hopefully you too can appreciate the craft and artistry with which they are told."
[movie review] |
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Window to the Movies |
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