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7/10 |
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(2007) |
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"Provides a well-produced, if not necessarily fresh, version of the apocalyptic scenario, with the most haunting visuals being that of empty New York."
[movie review] |
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Window to the Movies |
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9/10 |
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(2004) |
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"Even as we laugh, we're invited to consider the different approaches to [existentialism], which comes across as the flawed and funny but necessary human pursuit that it is."
[movie review] |
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ReelTalk Movie Reviews |
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9/10 |
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(2007) |
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"I love the idea of this concept as well as the way Haynes carried it out ... I'm Not There always has something to look at, to grasp at, and to think about."
[movie review] |
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Window to the Movies |
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6/10 |
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(2004) |
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"A freshly microwaved mix of Blade Runner and Minority Report topped with a big dollop of cheese."
[movie review] |
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ReelTalk Movie Reviews |
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5/10 |
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(2002) |
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"It has nary an original frame in its digital reel."
[movie review] |
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Window to the Movies |
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5/10 |
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(2006) |
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"If the animation studio Blue Sky has proven anything so far, it's that they're big league visual artists, but frankly pedestrian when it comes to stories."
[movie review] |
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Window to the Movies |
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6/10 |
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(2002) |
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"It could have been more deeply disturbing; instead, it's just shocking."
[movie review] |
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Window to the Movies |
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8/10 |
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(2006) |
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"Even if some of the gags about dumb people start becoming tiresome, it's linked to a sensation of discomfort that should make us legitimately worry about the direction we're headed in."
[movie review] |
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Window to the Movies |
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9/10 |
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(2006) |
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"Idlewild's brazen approach to cinematic entertainment is one of its brightest lights."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2006) |
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"Entertaining in the most elementary of ways -- it just wants to spin a good yarn."
[movie review] |
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Window to the Movies |
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8/10 |
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(2004) |
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"[Documents] a once-in-a-lifetime development of a certain personality type, the result of which isn't as simple to pin down as we'd expect."
[movie review] |
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Window to the Movies |
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10/10 |
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(2003) |
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"After watching everything they go through in the movie, I was reduced to a blubbering mass."
[movie review] |
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Window to the Movies |
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7/10 |
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(2008) |
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"An intriguing mix of situational humor and existential dread, a balancing act of light and dark, memorably executed."
[movie review] |
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Window to the Movies |
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7/10 |
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(2005) |
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"Easily feels predictable, but the movie did such a good job in making me angry with these characters that I began to genuinely pull for them when they started to become better people."
[movie review] |
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Window to the Movies |
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10/10 |
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(2001) |
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"Deeply affected me."
[movie review] |
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Window to the Movies |
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7/10 |
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(2007) |
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"[Jones] makes the father's pride, determination, stubbornness, patriotism, and love extremely, utterly believable, sympathetic, and involving."
[movie review] |
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Window to the Movies |
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8/10 |
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(2006) |
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"The movie is the message, and it's worth seeing."
[movie review] |
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Window to the Movies |
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8/10 |
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(2008) |
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"A lot of fun and, frankly, exactly what one would have expected from a Hulk movie."
[movie review] |
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Window to the Movies |
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10/10 |
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(2004) |
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"Wow. I mean, really -- Wow!"
[movie review] |
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Window to the Movies |
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10/10 |
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(2008) |
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"What was I worried about? Steven Spielberg and his crew haven't missed a beat."
[movie review] |
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Window to the Movies |
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7/10 |
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(2006) |
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"Infamous actually fixes what I didn't like about Capote, yet goes in a direction different from the one I did like in the other film."
[movie review] |
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Window to the Movies |
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8/10 |
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(2003) |
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"Solid character-centric piece that's more interested in psychology than in gritty action sequences."
[movie review] |
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Window to the Movies |
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8/10 |
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(2006) |
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"Every time I think about it, it becomes harder to get it out of my own head."
[movie review] |
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ReelTalk Movie Reviews |
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8/10 |
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(2006) |
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"An assured work that hits most of the right notes, Inside Man updates a genre piece with post 9/11 urgency."
[movie review] |
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Window to the Movies |
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8/10 |
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(2002) |
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"Insomnia is involving. Still, I thought it could have been more."
[movie review] |
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Window to the Movies |
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5/10 |
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(2009) |
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"[Plays] itself as a mystery/thriller with something profound to say at the end, when we've pretty much heard a lot of this already."
[movie review] |
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Window to the Movies |
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7/10 |
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(2005) |
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"A professional piece of Hollywood diversion, asking for credibility in its straightforward-delivered themes and given credibility by its stars."
[movie review] |
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Window to the Movies |
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7/10 |
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(2003) |
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"To anyone who digs anime or Daft Punk's flavor of dance beat ... it could easily be a dazzling delight."
[movie review] |
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Window to the Movies |
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2/10 |
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(2005) |
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"This new movie's got hot bods to spare; it's just too bad they belong to some of the most annoying characters I've seen in the movies all year."
[movie review] |
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Window to the Movies |
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8/10 |
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(2007) |
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"The ultimate destination creates the opportunity for Penn to draw up a summation for his protagonist's journey, and it's a moral that should satisfy those viewers looking for meaning and order."
[movie review] |
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Window to the Movies |
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8/10 |
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(2003) |
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"Very slick and highly entertaining ... but it feels a bit off from the usual Coen fare."
[movie review] |
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Window to the Movies |
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7/10 |
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(2008) |
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"Frontloaded, [but] boasts a great look, abundant humor, and Robert Downey Jr. making the case for middle-aged, flawed superheroes."
[movie review] |
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Window to the Movies |
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8/10 |
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(2003) |
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"Irreversible overdoes things, but the experience of watching it is an unforgettable one."
[movie review] |
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Window to the Movies |
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5/10 |
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(2005) |
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"The Island is this year's I, Robot."
[movie review] |
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Window to the Movies |
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7/10 |
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(2005) |
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"Comes as something of a surprise when its final act actually manages to rally your sympathies. It has Paul Kaye to thank for this."
[movie review] |
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Window to the Movies |
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5/10 |
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(2003) |
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"A light caper movie, with heavy emphasis on the word 'light' -- light plot, light action, light violence, light sex, light humor, light acting."
[movie review] |
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Window to the Movies |
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