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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE       5/10      G.I. Joe: The Rise of Cobra (2009)      "Light entertainment with little to call memorable ... but at least therein exists some detectable evidence that the filmmakers had a soft spot for G.I. Joe and simply wanted to deliver its essence to the screen." [movie review]      Window to the Movies       6/10      Gangs of New York (2002)      "Without a strongly-told story, Gangs of New York feels more like an over-stuffed history lesson." [movie review]      Window to the Movies       6/10      Garden State (2004)      "A decent film and an ambitious directorial debut for star Braff, but the movie struck me in just such a way that I was able to see the gears turning and the seams being sewn." [movie review]      Window to the Movies       2/10      Garfield the Movie (2004)      "In a way, it's the perfect representation of Garfield. A bland comic strip inspires a bland movie." [movie review]      ReelTalk Movie Reviews       7/10      George A. Romero's Diary of the Dead (2008)      "The urgency of the [first-person] perspective plus the general sense of hopelessness for humanity add up to a sense of despair." [movie review]      Window to the Movies       8/10      George A. Romero's Land of the Dead (2005)      "It's really nice to see him with a budget... Romero's gone and made the zombie version of Metropolis." [movie review]      Window to the Movies       4/10      Georgia Rule (2007)      "The casting almost feels like some kind of cruel joke on Lohan." [movie review]      ReelTalk Movie Reviews       8/10      Gerry (2003)      "Can hit or miss, depending on whether or not you are engaged by its hypnotic visuals, and whether or not the feelings it evokes from you are interesting, memorable, or intense." [movie review]      Window to the Movies       5/10      Get Smart (2008)      "The main characters themselves -- Max and Agent 99 -- and their relationship receive a rather disappointing stock treatment that lacks creativity." [movie review]      Window to the Movies       8/10      Ghost in the Shell 2: Innocence (2004)      "Innocence is nothing if not ambitious, and that is its best trait -- it wants to hash out ideas first and provide action second." [movie review]      ReelTalk Movie Reviews       5/10      Ghost Rider (2007)      "Ghost Rider as a whole adopts Cage's personality, which means it's watchable but seems to be kidding around a lot." [movie review]      Window to the Movies       5/10      Ghost Ship (2002)      "I didn't get the impression the movie was trying very hard to be frightening." [movie review]      Window to the Movies       9/10      Ghost World (2001)      "A sympathetic, poignant portrait of a girl who is going through a confusing and hurtful time." [movie review]      Window to the Movies       6/10      The Gift (2001)      "The execution really goes through the motions, and all the standard thriller tricks are used." [movie review]      Window to the Movies       8/10      Gigantic (A Tale of Two Johns) (2003)      "Loaded with insider goodies ... I, for one, was quite excited to actually see ... the phone-answering machine that is the 'They Might Be Giants Dial-a-Song Service.'" [movie review]      Window to the Movies       4/10      The Girl Next Door (2004)      "The formula is so conspicuous it's practically written up on the screen as the movie is playing, and little else compensates for that." [movie review]      Window to the Movies       8/10      Girl with a Pearl Earring (2003)      "Like a painting come to life... the whole thing looks exquisite." [movie review]      Window to the Movies       7/10      The Girlfriend Experience (2009)      "A curious snapshot of urban America during a particular pressured time; it doesn't have a generally nice view of people, but a frankness about the film's subject drives it -- when the chips are down, it's all about business." [movie review]      ReelTalk Movie Reviews       7/10      Gladiator (2000)      "Would've made for an extremely marvelous picture were it not for the fact that it falls victim to a worn storyline." [movie review]      Window to the Movies       7/10      Glass: A Portrait of Philip in Twelve Parts (2008)      "Doesn't necessarily reveal the insight behind the composer's unique brand of music so much as display the working mode of a passionate artist." [movie review]      ReelTalk Movie Reviews       4/10      Goal! (2006)      "At the end ... you'll be buried by that big ball of cliches, wondering how the movie squandered its potential, its viewers' faith in the story, and all of its credibility." [movie review]      Window to the Movies       5/10      The Golden Compass (2007)      "So much of the movie is just explanatory and expository dialogues and monologues. New characters, new concepts = more explanations. And lots of backstories." [movie review]      Window to the Movies       8/10      Gone Baby Gone (2007)      "Better than the debuts of most actors-turned-directors in that it contains vision and perspective as opposed to concentrating mostly on performances" [movie review]      Window to the Movies       6/10      The Good German (2006)      "Technically, it's a marvel, but as a soulful viewing experience, it's a muddle." [movie review]      Window to the Movies       5/10      The Good Girl (2002)      "Wraps itself in the guise of a dark and quirky comedy, but it isn't as quirky as it thinks it is and its comedy is generally mean-spirited." [movie review]      Window to the Movies       10/10      Good Night. And, Good Luck (2005)      "A piece of urgent nostalgia." [movie review]      Window to the Movies       6/10      The Good Shepherd (2006)      "The movie remains only academically involving." [movie review]      ReelTalk Movie Reviews       5/10      A Good Year (2006)      "One could do worse than to please one's eyes with the pictures here, but that may be as far as any stimulation goes." [movie review]      ReelTalk Movie Reviews       8/10      Gosford Park (2001)      "The whodunnit aspect is not the meat of the movie. It is instead the characters themselves and their personal affairs, hang-ups, and peculiarities that make the film interesting to watch." [movie review]      Window to the Movies       6/10      Gran Torino (2008)      "Tricky territory, but surprisingly the whole thing comes off as disarming." [movie review]      Window to the Movies       7/10      The Great Debaters (2007)      "A predictable but sturdy genre offering." [movie review]      ReelTalk Movie Reviews       10/10      Grindhouse (2007)      "It's the juxtaposition of Grindhouse's main parts that makes the whole work as well as it does." [movie review]      ReelTalk Movie Reviews       10/10      Grizzly Man (2005)      "A psychological smorgasbord." [movie review]      Window to the Movies       8/10      The Ground Truth (2006)      "An exposé every concerned U.S. citizen should see." [movie review]      Window to the Movies       7/10      The Grudge (2004)      "Some folks in the U.S. ... convinced Shimizu to direct a Hollywood-funded remake. The result is actually an improvement." [movie review]      Window to the Movies       7/10      Guess Who (2005)      "Light on its feet while being sly about how it dances around the social issue at hand." [movie review]      Window to the Movies

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