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Sources
• Christianity Today
• Decent Films Guide
Total Reviews: 716
Steven D. Greydanus

Article type:      Default Sorting (most recent)
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2.5/4
     (2009)      "Although well-crafted but improbable action set pieces cast Neeson as an essentially indomitable force, the film's emotional force rests on the comparatively persuasive setup." [movie review]      Christianity Today   
  
B+
     (2008)      "Not a Fractured Fairy Tale, not an ironic deconstruction … but a sincere morality tale in a folk storytelling mode, with dark themes to do the Grimm Brothers proud." [movie review]      The Decent Films Guide   
  
C+
     (2004)      Click here to see the review! [movie review]      The Decent Films Guide   
  
C
     (2003)      "In the absence of any larger drama of characters or exploration of moral issues, the horror seems manipulative rather than dramatically justified." [movie review]      The Decent Films Guide   
  
A
     (1956)      "As much a testament and a fixture of traditional American ideals and affections as a courthouse display of the stone tablets, and as weighty and solid." [movie review]      The Decent Films Guide   
  
C+
     (2007)      "Shamelessly rips off interpretive conceits and even specific dramatic beats from The Prince of Egypt." [movie review]      The Decent Films Guide   
  
B-
     (2004)      "Wobbles between plotlines and characters that make emotional sense and ones that don't… remains passably entertaining, but doesn't bear much thinking about afterwards." [movie review]      The Decent Films Guide   
  
B
     (2003)      "Against all odds, a smart, rousing extension of Cameron's paranoid fantasy that not only meshes seamlessly with the past and future continuities of the earlier films, but actually advances the apocalyptic mythology." [movie review]      The Decent Films Guide   
  
C+
     (2008)      "A credible effort to honor the original while contributing something new. Derrickson effectively builds and sustains a sense of thoughtful tension - until the screenplay lets him down." [movie review]      The Decent Films Guide   
  
C
     (2004)      "Santa's home is not a magical fairyland, merely a quaint European-style city with winding cobblestone streets and — I am not making this up — canned Christmas muzak." [movie review]      The Decent Films Guide   
  
A-
     (1956)      "The Searchers's reputation is so widely accepted that it's a surprise to discover that the film, and Wayne's character, are more complex than the reputation suggests." [movie review]      The Decent Films Guide   
  
B+
     (1986)      "Built of fleeting minimalist vignettes, almost snapshots, glimpses of its subject rather than an integral portrait. Is the final explanation from below or from above?" [movie review]      The Decent Films Guide   
  
B
     (2004)      "Reverent, uplifting, straightforward biopic that will be enjoyed by Catholics… lacks the psychological depth and spiritual insight [of] Story of a Soul." [movie review]      The Decent Films Guide   
  
A
     (1924)      "Unprecedented special effects and sets… perhaps the first great achievement of cinematic epic mythopoeia, and the forerunner to the likes of The Lord of the Rings." [movie review]      The Decent Films Guide   
  
B
     (1940)      "Not quite as charming or magical as the original…best are Abu's adventures with Ingram's baleful genie, whose meeting on the beach with Abu is an unforgettable highlight." [movie review]      The Decent Films Guide   
  
B+
     (2007)      "Though not always faithful in small things, Things We Lost is faithful in much. The individual moments are sometimes off, but the large emotional resonances are right." [movie review]      The Decent Films Guide   
  
A-
     (2000)      "A fitting dramatic tribute to the deadly brinksmanship that pulled us back from the edge during the most volatile two weeks of the Cold War." [movie review]      The Decent Films Guide   
  
B-
     (1921)      "Exuberantly embraces the melodramatic absurdities of Dumas's moral universe [though] Don Q Son of Zorro did better with this kind of sophisticated European intrigue." [movie review]      The Decent Films Guide   
  
B
     (2005)      "A raucous danse macabre in jumping jazz rhythms… and, perhaps most surprisingly, a touching portrait of tragedy, doomed love, empathy, and sacrifice." [movie review]      The Decent Films Guide   
  
D
     (2002)      "Pitiful entertainment, succeeding neither as spectacle, as action-adventure, or as love story." [movie review]      The Decent Films Guide   
  
C-
     (1997)      "Perhaps the most melancholy thing about Titanic is its celebration of romantic ideals to the exclusion of such self-denying virtues as honor, duty, and heroism." [movie review]      The Decent Films Guide   
  
A
     (1942)      "The famed "Lubitsch touch," whatever it really was, was never put to a more formidable test… the last hour is satiric perfection." [movie review]      The Decent Films Guide   
  
B+
     (1945)      "[Bogey & Bacall's] onscreen chemistry is palpable, all but overshadowing the fictional back story that made Rick and Ilsa's dance in Casablanca so memorable." [movie review]      The Decent Films Guide   
  
A
     (1935)      "The quintessential Fred-and-Ginger vehicle… typically escapist Depression-era fare… [but] whenever Fred and Ginger are in motion, the magic is timeless." [movie review]      The Decent Films Guide   
  
C+
     (2001)      "Isn’t the delicacy that Eat Drink Man Woman was… But on the level of comfort food this remake is enjoyable enough." [movie review]      The Decent Films Guide   
  
A-
     (2004)      "Forget Cast Away. Forget Alive. Touching the Void may be the most harrowing, dazzling, haunting survival story ever filmed." [movie review]      The Decent Films Guide   
  
A
     (1995)      "Moviemaking alchemy — a breathtakingly perfect blend of wide-eyed childhood wonder and wry adult humor, yesteryear nostalgia and eye-popping novelty." [movie review]      The Decent Films Guide   
  
A+
     (1999)      "Pixar's gold standard for storytelling sophistication… not only their best all-around film, but one of the best films ever made, period." [movie review]      The Decent Films Guide   
  
2.5/4
     (2007)      "Trade needed to be the United 93 of the human trafficking crisis. It's closer to being the World Trade Center." [movie review]      The Decent Films Guide   
  
A
     (1965)      "How do you weigh the cultural heritage of a nation against the value of human life? A wholly persuasive, intelligent thiller crisply directed by Frankenheimer." [movie review]      The Decent Films Guide   
  
C-
     (2001)      "Abruptly shifts gears, switching from character-driven issue-oriented thriller to formula action-driven cop flick." [movie review]      The Decent Films Guide   
  
A+
     (1948)      "Riveting, downbeat, and surprising, a gripping adventure and one of Hollywood's most resonant morality tales… a smart, remorseless story of gold, greed, guns, and guile." [movie review]      The Decent Films Guide   
  
B+
     (2002)      "By following its story as closely as they have, the filmmakers have retained much of what made the novel a classic." [movie review]      The Decent Films Guide   
  
A
     (1978)      "A gentle Catholic counterpoint to angry Marxist peasant cinema… acutely aware of harsh economic and social injustices, but devoid of violent revolutionary spirit." [movie review]      The Decent Films Guide   
  
B
     (2004)      "Not a story of heroes and villians, of good triumphing over evil, but of flawed, selfish men locked in a deadly struggle in which there can be no winners, only losers." [movie review]      The Decent Films Guide   
  
A-
     (1998)      "A deceptively simple fairy tale; a hilariously subversive satire… and finally an elegant parable about truth and happiness with evocative religious resonances." [movie review]      The Decent Films Guide   
  
A-
     (2006)      "Hood avigates this mine field with sure instincts… He doesn't tell, but shows; his characters never become too lucid or articulate, avoiding the danger of didacticism or moralizing." [movie review]      The Decent Films Guide   
  
B
     (2002)      "Together with this spring’s The Rookie, Tuck Everlasting represents Walt Disney Pictures’ best work in years." [movie review]      The Decent Films Guide   
  
C+
     (2002)      "Yet another flawed but serviceable vehicle for Jackie Chan’s unique style of action comedy." [movie review]      The Decent Films Guide   
  
B+
     (1934)      "Often credited as the first screwball comedy… an acerbic satire of show-business ego and superficiality." [movie review]      The Decent Films Guide   
  
C
     (2008)      "Is there something darker: an unhealthy fascination with unwholesome relationships and bad boys, perhaps mixed with a Nightingale/Stockholm-syndrome desire to "save" them?" [movie review]      The Decent Films Guide   
  
2/4
     (2009)      "Uncritical celebration of that overwrought, obsessive passion that is the hallmark of immaturity, that subordinates all sense of one's own identity and readily leaps to suicidal impulses and fantasies." [movie review]      Christianity Today   
  
A
     (2004)      "Deeply humane… a bittersweet, eloquent tribute to a man who is bent but not crushed beneath the weight of his various competing duties." [movie review]      The Decent Films Guide   
  
B+
     (2004)      "Annaud's skill and subtlety elevate what is basically a fable-like throwback to the sort of live-action features Disney made in the 50s... so far the year's best family film." [movie review]      The Decent Films Guide   
  
C+
     (2002)      Click here to see the review! [movie review]      The Decent Films Guide   
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