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Sources
• Christianity Today
• Decent Films Guide
Total Reviews: 716
Steven D. Greydanus

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     (2002)      "In the movie, fictional director Viktor Taransky has a CGI actress that he bills as flesh and blood; in real life, director Andrew Nichol has a flesh-and-blood actress that he bills as CGI." [movie review]      The Decent Films Guide   
  
A-
     (1954)      Click here to see the review! [movie review]      The Decent Films Guide   
  
B
     (1986)      "To awaken the spiritual hunger for something beyond materialistic, desacrilized modern existence was the burden of Tarkovsky, cinematic poet laureate of the Russian soul." [movie review]      The Decent Films Guide   
  
A-
     (1943)      "One of the best WWII-era WWII movies… a thoroughly entertaining war actioner starring Humphrey Bogart as a tough American sergeant commanding a tank crew in the Libyan desert." [movie review]      The Decent Films Guide   
  
D
     (2002)      "What the director can’t do is make either of Val Kilmer’s two personas interesting or worth caring about." [movie review]      The Decent Films Guide   
  
C-
     (2002)      "Suggests that if Santa can't deliver presents, it means no Christmas. Didn't Dr. Seuss teach us a long time ago that even if you stop the presents, you don't stop Christmas?" [movie review]      The Decent Films Guide   
  
A-
     (1983)      "Engaging, gospel-infused tribute to the black men and women who first began combining the heart and soul of Negro spirituals with the infectious rhythms of jazz and blues." [movie review]      The Decent Films Guide   
  
A+
     (1993)      Click here to see the review! [movie review]      The Decent Films Guide   
  
C
     (2003)      "Almost entertaining enough and harmless enough for a pass… More interesting than the film, perhaps, are the comparisons and contrasts to another current music-themed hit comedy: The Fighting Temptations." [movie review]      The Decent Films Guide   
  
B+
     (1998)      Click here to see the review! [movie review]      The Decent Films Guide   
  
B
     (2003)      "Seabiscuit canters handsomely around the track less like a scrappy race horse than a slightly overfed show horse, playing to the crowd, confident that there's no real competition breathing down its neck. It is right." [movie review]      The Decent Films Guide   
  
B
     (2003)      "Like Hub, [writer-director] McCanlies’s heart is in the right place, but his head could use a little straightening out… a decent but flawed film that had the potential to be a very good one." [movie review]      The Decent Films Guide   
  
B+
     (2002)      "Slesin records these difficult and ambiguous circumstances with clear-eyed sobriety, yet in the end her film remains a testimonial to human goodness." [movie review]      The Decent Films Guide   
  
B+
     (2005)      "Even if you aren't one of the 'Firefly' faithful, Serenity will give you some insight into why other people are." [movie review]      The Decent Films Guide   
  
A-
     (1957)      "Starkly existential, boldly poetic, slow and grim… has haunted film aficionados, baffled and bored college students, inspired innumerable parodists, and challenged both believers and unbelievers for nearly half a century." [movie review]      The Decent Films Guide   
  
C+
     (2000)      "It is, essentially, a goof. A meticulously crafted and exuberantly acted goof, but in the end no more than that." [movie review]      The Decent Films Guide   
  
A-
     (1993)      Click here to see the review! [movie review]      The Decent Films Guide   
  
B-
     (2004)      "A movie with no particular reason to exist, which is not to say that it's all bad… Couples looking for an enjoyable date-night flick could do worse." [movie review]      The Decent Films Guide   
  
A+
     (1953)      "If the Western is the quintessential American mythology, Shane is its great knight-samurai archetype: stern in battle, mild with women and children, siding with the wronged." [movie review]      The Decent Films Guide   
  
C+
     (2003)      "More inspired action nuttiness and brilliant slapstick than all of Jackie’s previous Hollywood buddy movies combined, framed in a story that’s lamer and less funny than almost any of these previous outings." [movie review]      The Decent Films Guide   
  
B
     (2004)      "While it's no Finding Nemo (and isn't trying to be), it's the wackiest, most energetic, and possibly most entertaining effort to date from DreamWorks' CGI animators." [movie review]      The Decent Films Guide   
  
A-
     (2003)      "Glass's pattern of deceit is queasily persuasive; adding Catch Me If You Can psychologizing would only diminish the film's truthfulness, not enhance it." [movie review]      The Decent Films Guide   
  
B
     (1968)      "A curious, at times almost prescient anticipation of the reign of John Paul II, filtered partly through the lens of the Silly Sixties." [movie review]      The Decent Films Guide   
  
A
     (1940)      "Who but Lubitsch could have pulled off such a winning romantic comedy that dares to include, but is not marred by, such tragic undercurrents… adultery, attempted suicide?" [movie review]      The Decent Films Guide   
  
B+
     (2001)      "Sort of like The Princess Bride, if André the Giant had been the hero, and had worn Lou Ferrigno body paint." [movie review]      The Decent Films Guide   
  
B
     (2004)      "If Pixar's Toy Story movies connect with the inner child in all of us, DreamWorks' Shrek pictures are aimed squarely at our inner adolescent." [movie review]      The Decent Films Guide   
  
C
     (2007)      "Continues the deliberate bad taste that is the franchise’s hallmark, with the usual hit-and-miss results… What’s missing is the heart that leavened the first two films." [movie review]      The Decent Films Guide   
  
B-
     (2002)      "Signs has the heart that was lacking in Unbreakable, but stumbles badly in its treatment of the paranormal, in this case "X-Files" / "Twilight Zone" sci-fi." [movie review]      The Decent Films Guide   
  
A-
     (1991)      "Lecter fascinates us because he embodies qualities that we associate with civilized, reasonable existence, yet he is murderously sociopathic." [movie review]      The Decent Films Guide   
  
A
     (1985)      "By the time the credits roll, we’ve had a whirlwind tour of virtually everything you can do in a Western." [movie review]      The Decent Films Guide   
  
B+
     (2003)      "Handily outdoes [Treasure Planet], with bravura action set pieces, a surprisingly complex romantic triangle, and thoughtful exploration of moral issues and character." [movie review]      The Decent Films Guide   
  
A+
     (1952)      "People who say they don’t like musicals should watch Singin’ in the Rain, and find out how sweet eating one’s words can be." [movie review]      The Decent Films Guide   
  
A-
     (2004)      "God bless Sister Helen Travis, with her foul mouth, black wimple… and irascible, abrasive attitude. She might be a bit crazy… but she's also the best thing that's happened to [her charges] in a long time." [movie review]      The Decent Films Guide   
  
A-
     (1999)      "Much more than a one-trick puzzle movie… the logic holds emotionally and narratively, and Shyamalan brings satisfying closure to all his characters and their sorrows." [movie review]      The Decent Films Guide   
  
B+
     (2004)      "A beguilingly unreal excursion into the imaginative world of another age… must viewing for golden-age Hollywood buffs… impresses without becoming truly engaging." [movie review]      The Decent Films Guide   
  
B-
     (2005)      "Carefully pitched to be watchable by the Breakfast Club generation and their young kids." [movie review]      The Decent Films Guide   
  
B
     (1922)      "Grandma's Boy is an apparently odd choice [for the series], since its somewhat tacked-on comedy makes it one of the least slapstick films in Lloyd's oeuvre." [movie review]      The Decent Films Guide   
  
A-
     (1959)      "Disney's last great fairy tale adaptation for more than thirty years, until Beauty and the Beast… a worthy successor to Snow White and Pinocchio." [movie review]      The Decent Films Guide   
  
D
     (2002)      "Some viewers will find Solaris difficult or dull. My complaint is different: I think it’s dishonest." [movie review]      The Decent Films Guide   
  
B-
     (2009)      "The basic contours of the story do emerge from the ill-advised Hollywood stylings … Does Lopez help Ayers? Does Ayers help Lopez? It's messy." [movie review]      The Decent Films Guide   
  
B+
     (1983)      "Bradbury's tale connects fear and dread to concupiscent desire and disordered regret — fantasies of wealth or women, preoccupation with lost beauty or physical ability." [movie review]      The Decent Films Guide   
  
B+
          "Opts for a broader canvas [than Hotel Rwanda] both in time and space, exchanging a strong dramatic center for increased depth of detail and insight." [movie review]      The Decent Films Guide   
  
A+
     (2003)      "Actions, not words or feelings, are at the center of The Son, Jean-Pierre and Luc Dardenne's challenging, nearly religious parable of humanity, fallenness, and grace." [movie review]      The Decent Films Guide   
  
B+
     (2008)      "After making his feature debut with the rather inspiration-challenged big-screen Hitchhiker's Guide, director Garth Jennings wisely shifts to a more intimate and personal canvas." [movie review]      Christianity Today   
  
A+
     (1943)      "Based on the historical novel by Jewish author Franz Werfel, the beloved classic The Song of Bernadette stands head and shoulders over most religiously themed fare from Hollywood’s golden age." [movie review]      The Decent Films Guide   
  
A+
     (2005)      "One of a very few films that accomplishes one of the rarest and most valuable of cinematic achievements: It makes heroic goodness not just admirable, but attractive and interesting." [movie review]      The Decent Films Guide   
  
A
     (1965)      "Other than The Wizard of Oz, no Hollywood musical is as familiar, reassuring, and beloved of all ages… Andrews anchors the film… her sincerity is absolute." [movie review]      The Decent Films Guide   
  
B
     (2000)      "Where Armageddon merely strutted, Cowboys swaggers. What’s the difference? Style." [movie review]      The Decent Films Guide   
  
B+
     (1960)      "The comparative frankness of the politics, sexuality, and violence, and especially the downbeat third act and memorable finale give it a dramatic heft beyond its predecessors." [movie review]      The Decent Films Guide   
  
A-
     (2003)      "A tribute to old-fashioned virtues of hard work, education, competition — and good spelling in a spellchecker age." [movie review]      The Decent Films Guide   
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