 |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
(1989) |
|
"Of course, Woo’s established strength is the shootout. Characteristically they exhibit each party’s strengths: the hero’s agility, the enemy’s numbers, and the formidable ratio between them."
[movie review] |
|
Not Coming to a Theater Near You |
|
|
|
|
| |
|
|
(1946) |
|
"Hemingway’s short only hints at a complexity, and the film does well to manifest such a depth."
[movie review] |
|
Not Coming to a Theater Near You |
|
|
|
|
| |
|
|
(1964) |
|
"Without pretension The Killers occupies its genre and welcomes each convention. It comes, however, late, and such conventions are worn for their familiarity."
[movie review] |
|
Not Coming to a Theater Near You |
|
|
|
|
| |
|
|
(1933) |
|
"Film is an agent of imagination, and King Kong demonstrates this with remarkable technical proficiency and innovation..."
[movie review] |
|
Not Coming to a Theater Near You |
|
|
|
|
| |
|
|
(2007) |
|
"[The subjects] may be a curious sort of renown, but by the end you are enraptured in their struggle to declare and maintain it."
[movie review] |
|
Not Coming to a Theater Near You |
|
|
|
|
| |
|
|
(1996) |
|
"It is a futile claim to make that Kissed is less about necrophilia than it is about the nature of obsession and addiction. Though this is a perennial (and often generic) theme in film, in Kissed it is uniquely characterizing."
[movie review] |
|
Not Coming to a Theater Near You |
|
|
|
|
| |
|
|
(2007) |
|
"Because its central character is a meticulously architected dude, Knocked Up is a contrived male fantasy."
[movie review] |
|
Not Coming to a Theater Near You |
|
|
