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3/5 |
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(1937) |
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"The film doesn't pack any surprises, but ... there's sometimes a happy reassurance that comes from watching a movie you know won't surprise you."
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3/5 |
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(1951) |
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"The film's finest moments come at the very beginning."
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3/5 |
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(2001) |
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"Entertaining, and it managed to surprise me one and only one time, which is more than most buddy cop movies manage"
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2/5 |
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(1979) |
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"It aims at screwball comedy and falls on its face."
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4.5/5 |
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(1968) |
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"Works best if viewed as a symphony."
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3/5 |
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(2003) |
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"This is an actors' film, and the fragmentation takes away from the power of the performances."
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3.5/5 |
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(2002) |
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"Despite its failings and its admittedly untrustworthy account of the events it portrays ... and it often achieves great poignancy and humor."
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4.5/5 |
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(2003) |
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"A crafty reworking of familiar themes for a new generation."
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2/5 |
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(2007) |
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"Concept: excellent. Setup: intriguing. Execution: well... too many interesting ideas bungled."
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2/5 |
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(2007) |
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"Every complaint that's ever been made about comic books or comic book adaptations is accurate when applied to 300."
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5/5 |
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(1959) |
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"This bleak ending, with Antoine turning to stare into the camera, is among the most famous shots in cinema history, and for good reason."
[movie review] |
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3.5/5 |
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(1933) |
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"The strength of a musical is its songs, and this film had a mixed bag."
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4/5 |
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(1941) |
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"[Humanizing the Nazis is] an extremely effective technique, and it makes for an extremely effective film."
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2/5 |
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(2009) |
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"The film seems constructed to short-circuit your attempts to invest anything in it."
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3.5/5 |
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(2002) |
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"If the part is not much of a mental or emotional stretch for him, [Eminem] acquits himself well enough for me to want to see him in other films."
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0/5 |
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(2005) |
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"Dreary and pointless, drainingly so, and for a movie that consists basically of sex, rock 'n' roll, and drugs (in approximate order of frequency), that's pretty pathetic."
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4/5 |
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(2001) |
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"A sometimes uncomfortable, often brilliant and visionary blending of ... two vastly different styles."
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2/5 |
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(2007) |
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"This topic deserved better than America's Most Wanted."
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4/5 |
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(2002) |
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"Grant has never been better, nor has he ever looked better."
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1.5/5 |
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(2002) |
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"Two hours of Alexander Payne encouraging the audience to congratulate themselves on how smart they are."
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3.5/5 |
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(1951) |
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"The Network of the newspaper age."
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2.5/5 |
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(1933) |
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"Worth watching only for fans of the genre... its staginess and bullet-point delivery make it less complex and less rewarding than other antiwar films of the 1930s."
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3.5/5 |
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(1948) |
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"Zinnemann shows a knack for suspense and moral ambiguity that he unfortunately abandoned in his later Oscar-mongering prestige pictures."
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2.5/5 |
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(2002) |
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"Oh, I got it, all right. Maybe a little too well."
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3.5/5 |
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(1994) |
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"The casting of the film was a stroke of genius."
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3/5 |
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(2000) |
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"If you liked the 1960s cartoon series upon which this film is based, you'll like this film."
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4/5 |
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(1939) |
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"The perfect blend of mystery and comedy, showing off the series's potential for both."
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4.5/5 |
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(2000) |
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"What made this movie so wonderful was the little details."
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4/5 |
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(1973) |
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"Features one of the strangest and most impressive performances in film history."
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3.5/5 |
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(1966) |
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"The real strength, and the reason to see it, is the great performances from everyone involved."
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2.5/5 |
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(1929) |
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"Hampered by almost universally bad acting and the obvious onus of converting from silent to sound in mid-production."
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1.5/5 |
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(1935) |
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"The flaws stand out like bad lawn jockeys."
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2/5 |
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(2004) |
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"Alien Vs. Predator was boring, which is the greatest crime a filmmaker can commit when making a movie like this."
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5/5 |
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(2000) |
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"The best film of the year."
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3/5 |
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(1996) |
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"You only get a hint of how great the source material is."
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4.5/5 |
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(1977) |
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"The mood and visuals of the film carry you away from nagging questions about the plot."
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4/5 |
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(1999) |
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"This hilarious, touching film is even more wonderful because it's real."
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2.5/5 |
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(2001) |
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"It's basically talking heads, shot on video and edited somewhat haphazardly."
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4/5 |
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(2001) |
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"It is a raw, intermittently brilliant film that heralds a sort of renaissance in Mexican film."
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4/5 |
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(2004) |
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"If you don't like Will Ferrell, I don't understand you. I mean, this movie might just change your mind."
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4/5 |
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(1945) |
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"I absolutely loved this film. It's like musical cotton candy, a feast of great songs and dance numbers and bright colors."
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3.5/5 |
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(1995) |
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"I enjoyed it, even if it creeped me out quite a bit."
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2/5 |
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(1936) |
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"Certainly doesn't hold up very well for modern viewers."
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4.5/5 |
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(1969) |
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"A fascinating picture of bureaucratic drudgery, even in the middle of war and occupation."
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1.5/5 |
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(1956) |
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"This is the worst film to win the Best Picture Oscar."
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2.5/5 |
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(1931) |
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"One of those prestige pics from decades past that make you wonder exactly what all the fuss was about."
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3/5 |
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(1997) |
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"The film does a pretty good job of both recreating the world of 17th century art and of avoiding too much historical anachronism."
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4/5 |
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(1950) |
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"Solid, entertaining film noir."
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4/5 |
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(1976) |
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"A good late-night movie, tense enough to keep you looking over your shoulder but corny enough to provide fodder for endless jokes."
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2/5 |
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(2005) |
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"It is not effective as a suspense film. Aside from one or two sequences, it doesn't work at all."
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