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Other Info
Sources
• Goatdog's Movies
• Movie-Vault.com
Total Reviews: 962
Michael W. Phillips, Jr.
Michael W. Phillips, Jr.
Michael W. Phillips, Jr.

NEWS & FEATURES
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3.5/5
     (2006)      "One of the best of a sub-genre I'm going to christen 'warror': war horror films." [movie review]      Goatdog's Movies   
  
4/5
     (2002)      "Philip Noyce's direction is elegant and unforced, willing to let his admirable leads and the harsh beauty of the country speak for themselves." [movie review]      Goatdog's Movies   
  
3/5
     (1977)      "Chambers acquits herself well, and Cronenberg is nothing less than competent." [movie review]      Goatdog's Movies   
  
3/5
     (1928)      "It's effortless entertainment, a good, solid, late silent film." [movie review]      Goatdog's Movies   
  
2.5/5
     (1942)      "Parts of it are tender and beautiful, but other parts are overplayed, maudlin, and about as subtle as a clunk on the head or a taxi across the sternum." [movie review]      Goatdog's Movies   
  
3/5
     (2004)      "Feels like it's trying to cover too much ground." [movie review]      Goatdog's Movies   
  
3.5/5
     (1998)      "Doesn't have a lot of narrative flow, but that is ok, since the segments are funny and smartly satirical." [movie review]      Goatdog's Movies   
  
3.5/5
     (2008)      "Packs its share of compelling questions." [movie review]      Goatdog's Movies   
  
5/5
     (1954)      "A stellar film." [movie review]      Goatdog's Movies   
  
3.5/5
     (2005)      "This film ... reminds us that [Craven]'s one of the real masters of horror." [movie review]      Goatdog's Movies   
  
3.5/5
     (1948)      "A grand, sprawling tale of the civilizing of the west." [movie review]      Goatdog's Movies   
  
5/5
     (1948)      "One of the most beautiful and heartbreaking films I have ever seen." [movie review]      Goatdog's Movies   
  
2.5/5
     (1991)      Click here to see the review! [movie review]      Goatdog's Movies   
  
2/5
     (2007)      "The film doesn't know or care who Anwar El-Ibrahimi is outside of how his plight affects the white folks connected with him." [movie review]      Goatdog's Movies   
  
3.5/5
     (1965)      "A fascinating if slow-moving study of the onset of madness." [movie review]      Goatdog's Movies   
  
2.5/5
     (2000)      "One of the most nihilistic films I have ever seen." [movie review]      Goatdog's Movies   
  
0.5/5
     (2002)      "I would say that chaos ensues, but it started the minute the opening credits started to roll, so 'ensuing' is not very helpful. Chaos reigns." [movie review]      Goatdog's Movies   
  
2.5/5
     (2004)      "It's not good, but it's enjoyable on a purely visceral level. It is an improvement over the first film in every possible factor." [movie review]      Goatdog's Movies   
  
3/5
     (1943)      "Might have been a truly great collection of numbers without the filler ... but it's definitely worth seeing." [movie review]      Goatdog's Movies   
  
0.5/5
     (1936)      "In many, many ways, this is not a good movie." [movie review]      Goatdog's Movies   
  
2.5/5
     (1983)      "A disappointment, especially since it's the last full-tilt concert film of the funniest man in history." [movie review]      Goatdog's Movies   
  
5/5
     (1979)      "I don't think I've ever laughed so hard at a stand-up act, and I don't think I've ever learned so much about comedic influences in one sitting." [movie review]      Goatdog's Movies   
  
3/5
     (2005)      "It's worth a look; maybe there's more to Georges's blank slate than can be gleaned on one viewing, and the beginning and end of the film are worth the price of admission." [movie review]      Goatdog's Movies   
  
4.5/5
     (1954)      "Possibly the best heist noir ever made." [movie review]      Goatdog's Movies   
  
0.5/5
     (2005)      "Just about as bad as the first film was. If anything, it's a little stupider." [movie review]      Goatdog's Movies   
  
4.5/5
     (1998)      "It hit something primal in me, turning me into a quivering ball of nerves; my 'fight or flight' switch was turned to flight and then broken off." [movie review]      Goatdog's Movies   
  
3.5/5
     (2002)      "It makes for interesting drama, but at times the Cruel Hand of Fate is a little much." [movie review]      Goatdog's Movies   
  
2/5
     (2000)      "Made the huge mistake of making the supporting, even marginal, characters a heck of a lot more interesting than the leads." [movie review]      Goatdog's Movies   
  
2.5/5
     (2005)      "Far more interested in yelling 'look what we can do!' than in developing any of its characters or livening up its recycled story." [movie review]      Goatdog's Movies   
  
2.5/5
     (1992)      "I didn't like the film, but it's one that I won't be able to stop thinking about." [movie review]      Goatdog's Movies   
  
3/5
     (1936)      "[It] doesn't hold a candle to Franco Zeffirelli's nearly flawless 1968 version, but it [is] the best Shakespeare film before Laurence Olivier started making them." [movie review]      Goatdog's Movies   
  
4/5
     (1998)      "What carries the film is the style, which is fast, furious, and impeccably paced." [movie review]      Goatdog's Movies   
  
3.5/5
     (1959)      "Probably the best acting Harvey ever did." [movie review]      Goatdog's Movies   
  
3/5
     (1948)      "The supposedly invisible editing is more of a distraction than being really innovative." [movie review]      Goatdog's Movies   
  
2.5/5
     (1955)      "Anna Magnani shines ... but the stagebound feel of the film, and especially some wretched overacting by Burt Lancaster, almost sink it." [movie review]      Goatdog's Movies   
  
4.5/5
     (1968)      Click here to see the review! [movie review]      Goatdog's Movies   
  
2.5/5
     (1942)      "Rogers seemed lost." [movie review]      Goatdog's Movies   
  
4.5/5
     (2001)      "It's not that often that a movie comes along that satisfies on so many levels." [movie review]      Goatdog's Movies   
  
3.5/5
     (1951)      "Mostly I sat amazed at Astaire's dancing." [movie review]      Goatdog's Movies   
  
4/5
     (1935)      "What I can't understand is why this film ... isn't beloved as one of the all-time great comedies." [movie review]      Goatdog's Movies   
  
3/5
     (1999)      Click here to see the review! [movie review]      Goatdog's Movies   
  
3/5
     (2004)      "The real strength of the film is in its performances, led by Keiko Matsuzaka as the aging prostitute." [movie review]      Goatdog's Movies   
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