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Sources
• Goatdog's Movies
• Movie-Vault.com
Total Reviews: 962
Michael W. Phillips, Jr.
Michael W. Phillips, Jr.
Michael W. Phillips, Jr.

NEWS & FEATURES
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3.5/5
     (1933)      "A strange, hypnotic blend of a dozen influences." [movie review]      Goatdog's Movies   
  
3/5
     (1933)      "[Stanwyck is] absolutely stunning, and even if the rest of the film wasn't any good (although it was), she really made it worth watching." [movie review]      Goatdog's Movies   
  
3/5
     (1933)      "Despite the film's lack of momentum toward the end, it's still perfectly watchable, and it's a good window on early Capra." [movie review]      Goatdog's Movies   
  
3.5/5
     (1948)      "An encyclopedia of genre conventions, played out to such a "decadent" extent." [movie review]      Goatdog's Movies   
  
1.5/5
     (2006)      "It's thin stuff, stretched out to nearly two hours by Shyamalan's faith in his own abilities, but not much else." [movie review]      Goatdog's Movies   
  
4/5
     (1938)      "If you can keep from yelling at the screen, you are a better person than I." [movie review]      Goatdog's Movies   
  
2.5/5
     (1998)      "Wouldn't have made it much past the creators' computers had Blair Witch not done so well." [movie review]      Goatdog's Movies   
  
4/5
     (1928)      "A fascinating character study of a "great" man who deserves, but doesn't deserve, his bitter end." [movie review]      Goatdog's Movies   
  
4/5
     (1924)      "I'll make the radical claim that losing around ten minutes would have made the film flawless. But it's almost made up for by that ending..." [movie review]      Goatdog's Movies   
  
3/5
     (1998)      "There are moments of transcendant truth and beauty, surrounded by a film that isn't sure what it wants to do or where to go." [movie review]      Goatdog's Movies   
  
3.5/5
     (2003)      "The Last Samurai's emotions are big and blocky." [movie review]      Goatdog's Movies   
  
3.5/5
     (1995)      "Relentlessly inventive and blackly funny." [movie review]      Goatdog's Movies   
  
4/5
     (1944)      Click here to see the review! [movie review]      Goatdog's Movies   
  
3.5/5
     (2005)      "It's not a Tarantino-esque self-aware pop-culture sideshow, but it knows its roots and is confident enough to sidestep the rules once in a while." [movie review]      Goatdog's Movies   
  
3.5/5
     (1984)      "The widescreen, black and white cinematography is a joy to watch, and Besson is nothing if not an efficient and skilled director." [movie review]      Goatdog's Movies   
  
3/5
     (2001)      "An agreeable trifle, a fairy-tale piece of fluff that is nevertheless fun and funny." [movie review]      Goatdog's Movies   
  
3/5
     (1999)      "There were times when it carried me away." [movie review]      Goatdog's Movies   
  
3.5/5
     (1994)      "Among the most breathtakingly wonderful acts of physical endurance and grace that I have ever seen." [movie review]      Goatdog's Movies   
  
3/5
     (1943)      "Tourneur ... manages to produce RKO's usual heady layer of ominous atmosphere on a minimal budget, but the script's explanation of the attacks ends up letting him down." [movie review]      Goatdog's Movies   
  
5/5
     (1915)      "One of the great masterpieces of the cinema." [movie review]      Goatdog's Movies   
  
5/5
     (1948)      "One of Hollywood's, and cinema's, grandest and most emotionally satisfying tales of unrequited love and self-sacrifice." [movie review]      Goatdog's Movies   
  
4/5
     (1983)      Click here to see the review! [movie review]      Goatdog's Movies   
  
2.5/5
     (1905)      "But aside from the historical value ... there's not a lot here to keep one's attention" [movie review]      Goatdog's Movies   
  
2.5/5
     (2004)      "I admired it more than I liked it, and there was a lot about it that I didn't even admire." [movie review]      Goatdog's Movies   
  
3.5/5
     (1992)      Click here to see the review! [movie review]      Goatdog's Movies   
  
4/5
     (2002)      "A lot of energetic, laugh-out-loud fun, with enough there to keep the adults in the room entertained." [movie review]      Goatdog's Movies   
  
2.5/5
     (1999)      "Sayles cheats the viewer with an ending that might have looked enigmatic on another film, but looks like a cop-out on this one." [movie review]      Goatdog's Movies   
  
4/5
     (1999)      "What looks like an ordinary revenge tale is livened and improved by Stamp's nuanced performance." [movie review]      Goatdog's Movies   
  
3/5
     (1998)      "A mild and entertaining comedy." [movie review]      Goatdog's Movies   
  
3.5/5
     (1944)      "There's something a little comical about Laird Cregar's performance as the Lodger." [movie review]      Goatdog's Movies   
  
3.5/5
     (1940)      "Features beautiful cinematography by Gregg Toland, no-frills direction by [John] Ford, and a great cast." [movie review]      Goatdog's Movies   
  
2/5
     (2005)      "With a movie like this, only laughter can distract you from the pedestrian plot, and I didn't laugh nearly enough." [movie review]      Goatdog's Movies   
  
5/5
     (2001)      "Tolkien's world explodes onto the screen in vibrant, brooding, beautiful life." [movie review]      Goatdog's Movies   
  
4.5/5
     (2003)      "Truly awe-inspiring. If it takes a while to get going, and seems to overstay its welcome with an overlong ending, I forgive it." [movie review]      Goatdog's Movies   
  
4/5
     (2002)      "Jackson ... is at his best when coordinating enormous numbers of people and impressive special effects into a cohesive and stunning whole." [movie review]      Goatdog's Movies   
  
2.5/5
     (1999)      "I see [Figgis's] point, and I appreciate what he tried ... but it left me cold." [movie review]      Goatdog's Movies   
  
5/5
     (2003)      "The best film of 2003." [movie review]      Goatdog's Movies   
  
2.5/5
     (1955)      "William Holden again confirms my belief that he was terrible as a romantic lead." [movie review]      Goatdog's Movies   
  
3.5/5
     (1970)      "Sure, it's a shamelessly manipulative film. But it works, because it creates believable, likeable people, and you cry when terrible things happen to people you like." [movie review]      Goatdog's Movies   
  
3/5
     (1929)      "What started out as a very good film ends up fair-to-middling because the actors aren't up to delivering dialogue that in turn doesn't measure up." [movie review]      Goatdog's Movies   
  
2.5/5
     (2000)      "Might have worked a little better on stage, and with a few different actors." [movie review]      Goatdog's Movies   
  
4.5/5
     (2002)      "I can't think of a bad scene in the entire film." [movie review]      Goatdog's Movies   
  
2/5
     (1997)      "The presentation was lackluster and stilted, and despite the fact that it had a good cast and what might have been an interesting premise, it never really moved me." [movie review]      Goatdog's Movies   
  
3/5
     (2007)      "The best thing about the film is a sweet, slightly damaged performance by Drew Barrymore." [movie review]      Goatdog's Movies   
  
2.5/5
     (1998)      "Right up to the end, which was a lousy cheat ending, I was entranced by the story and the characters." [movie review]      Goatdog's Movies   
  
3.5/5
     (1995)      "A really interesting idea." [movie review]      Goatdog's Movies   
  
2.5/5
     (2009)      "The Martinis are not filmmakers, and I wish they had paid more attention in their Production 101 classes." [movie review]      Goatdog's Movies   
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