 |
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2/5 |
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(2006) |
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"Like a revved-up show and tell: call it show and tell and tell again."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
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(1992) |
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"Miranda Richardson was the best thing about this film."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(1984) |
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"Brilliantly exposes the dark underside of the supposedly happy and benign decade of the 1950s."
[movie review] |
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Goatdog's Movies |
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1.5/5 |
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(1944) |
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"The bad guys ... are indistinguishable except for their hats, and our hero is indistinguishable from the deck furniture."
[movie review] |
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Goatdog's Movies |
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1.5/5 |
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(2003) |
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"The digital effects, including many of the fight scenes, are terrible -- TERRIBLE!!!"
[movie review] |
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Goatdog's Movies |
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3/5 |
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(1998) |
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"Has all the visual punch of ... Terry Gilliam and David Fincher, but lacks the narrative and thematic strength of either of those two."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
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(1974) |
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"It's the wonderful combination of sly humor and intelligence that characterizes Carpenter's best work."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(2005) |
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"Because it's not a festival of horrors, there's time for viewers to notice how well-made it is."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(1965) |
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"If not for Christie's brilliant performance, I would say that this isn't much above a movie of the week."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(1978) |
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"This is George A. Romero's best film."
[movie review] |
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Goatdog's Movies |
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1/5 |
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(2004) |
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"Colossal, cheesy, and meaningless."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
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(1951) |
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Click here to see the review!
[movie review] |
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Goatdog's Movies |
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4.5/5 |
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(1978) |
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"Every shot is suitable for framing."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(1993) |
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"It was hysterically funny at times, but the urge to laugh had to compete with the urge to vomit."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(1937) |
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"It's still a compelling film, and it features a novelty: Humphrey Bogart's name isn't at the top of the credits."
[movie review] |
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Goatdog's Movies |
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2/5 |
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(1947) |
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"[A] deficient noir."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(1988) |
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"Irons deserved an Oscar."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(1975) |
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Click here to see the review!
[movie review] |
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Goatdog's Movies |
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3.5/5 |
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(1951) |
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"The film manages to be suitably hard on the Nazi regime while providing one of the first sympathetic treatments of the German people."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(2001) |
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"Tilda Swinton carries this movie on her capable shoulders, and with a lesser actress in the lead, I am sure that it wouldn't be getting the rave reviews it is."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(1975) |
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Click here to see the review!
[movie review] |
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Goatdog's Movies |
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4/5 |
|
(1991) |
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Click here to see the review!
[movie review] |
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Goatdog's Movies |
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2/5 |
|
(1987) |
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"The film's sole original conceit turns out to be quite silly."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(1955) |
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"A rather straightforward primer on Freudian psychology that was full of some really great noir-influenced shots."
[movie review] |
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Goatdog's Movies |
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4/5 |
|
(2006) |
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"Sweeps us along helplessly, basking in the sheer energy of it all."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
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(1939) |
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"A close-to-brilliant comedy-Western ... until the end."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(1945) |
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"Reveals the masochistic strain in film noir characters, who fume bitterly about their bad luck without ever taking responsibility for their actions."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
|
(1947) |
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"This programmer from RKO has most of the things you'd expect from a low-budget noir, and just enough innovation to please the casual fan."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(1973) |
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"The filmmakers [realize] that they're working within a genre with firmly established conventions are but able to carve out a little niche for themselves."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
|
(2002) |
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"More an Amish reality show than a serious look into the topic."
[movie review] |
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Goatdog's Movies |
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4/5 |
|
(1954) |
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"Everything that you need from a suspense thriller."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(1919) |
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"Notable for its surprisingly modern attitude toward homosexuality."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(1929) |
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"Weighed down by a terribly outdated acting style and leaden direction, but George Arliss's Oscar-winning performance makes it watchable."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(2007) |
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"A smart, efficient little thriller that wears its heredity proudly."
[movie review] |
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Goatdog's Movies |
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4/5 |
|
(1930) |
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"[Shearer] certainly deserved her Oscar for this one."
[movie review] |
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Goatdog's Movies |
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2/5 |
|
(2004) |
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"The biggest laughs come from a cameo, which is never a good sign."
[movie review] |
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Goatdog's Movies |
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4/5 |
|
(1936) |
|
Click here to see the review!
[movie review] |
|
Goatdog's Movies |
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3.5/5 |
|
(2002) |
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"A very entertaining documentary, further proof that a good doc can be as much fun as a fictional film."
[movie review] |
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Goatdog's Movies |
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0.5/5 |
|
(1975) |
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"This is not a good or enjoyable movie, no matter what the hip guy in your film class says."
[movie review] |
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Goatdog's Movies |
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| |
0.5/5 |
|
(2005) |
|
"Only my personal vow never to walk out of a movie kept me in the theater until the end credits."
[movie review] |
|
Goatdog's Movies |
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| |
3.5/5 |
|
(1919) |
|
"It's generally a smooth, arch, enjoyable romp."
[movie review] |
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Goatdog's Movies |
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4/5 |
|
(2001) |
|
"If the film fails on some levels, I would rather watch a film that shoots for the moon and falls short than a film that is happy being average."
[movie review] |
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Goatdog's Movies |
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| |
2.5/5 |
|
(1930) |
|
"A historical relic flawed by miscasting but almost redeemed by an unjustly misunderstood ending."
[movie review] |
|
Goatdog's Movies |
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| |
4.5/5 |
|
(1991) |
|
"This is a perfect example of a situation where a film doesn't have to make sense to be a compelling and wonderful film experience."
[movie review] |
|
Goatdog's Movies |
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| |
2/5 |
|
(1992) |
|
"A template for how to make a bad horror film."
[movie review] |
|
Goatdog's Movies |
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| |
0.5/5 |
|
(2000) |
|
"Unable to add a single new thought or shot to the tired vampire genre."
[movie review] |
|
Goatdog's Movies |
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| |
3/5 |
|
(1936) |
|
"Although it is a marked improvement on the original film, it's still a bit of a snooze, relying too much on forced comedy and not enough on suspense or fright."
[movie review] |
|
Goatdog's Movies |
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| |
4.5/5 |
|
(2009) |
|
"Built on a love of old movies, on the special camaraderie that exists when you're sitting there in the dark, screaming and laughing with a bunch of strangers."
[movie review] |
|
Goatdog's Movies |
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| |
3.5/5 |
|
(1982) |
|
"This isn't your standard costume drama fare."
[movie review] |
|
Goatdog's Movies |
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| |
3/5 |
|
(2004) |
|
"Perhaps [Bertolucci] was ambivalent about his feelings for the time. Perhaps he was just sloppy."
[movie review] |
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Goatdog's Movies |
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