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3.5/5 |
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(1968) |
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"[Streisand gives] a natural, unforced performance, easily one of the three or four best Best Actresses in Oscar history."
[movie review] |
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Goatdog's Movies |
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4.5/5 |
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(2007) |
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"A shockingly assured directorial vision."
[movie review] |
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Goatdog's Movies |
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2/5 |
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(2007) |
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"Deus ex machina ... is the only driving force."
[movie review] |
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Goatdog's Movies |
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2/5 |
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(2007) |
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"Concept: excellent. Setup: intriguing. Execution: well... too many interesting ideas bungled."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
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(2007) |
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"Much of the dialogue sparkles with wit and humanity."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
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(2007) |
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"Defined by grand cinematic gestures that go nowhere."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(2007) |
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"Enchanting for most of its running time."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(1931) |
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"Aside from Cooper's performance, the best thing about the film is its grasp on what it was like to be a kid."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(1925) |
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"The film is remarkable for several reasons, foremost among them the awe-inspiring spectacle of greed in action that is the land rush."
[movie review] |
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Goatdog's Movies |
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2/5 |
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(2007) |
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"The film doesn't know or care who Anwar El-Ibrahimi is outside of how his plight affects the white folks connected with him."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(2007) |
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"The dull, obvious ending doesn't quite erase the successes of the first half, but it's a close one."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(2007) |
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"Literate and convincing."
[movie review] |
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Goatdog's Movies |
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5/5 |
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(2007) |
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"An embodiment of what the digital revolution was supposed to provide but so often doesn't."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
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(2007) |
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"A little like a study of the American Civil War that discusses the Confederacy without mentioning the Union."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
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(1932) |
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"Defined by radical and often unprompted changes in characters' behavior."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(1929) |
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"What started out as a very good film ends up fair-to-middling because the actors aren't up to delivering dialogue that in turn doesn't measure up."
[movie review] |
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Goatdog's Movies |
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2/5 |
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(2007) |
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"An ugly, nasty, self-deluding piece of sadistic trash."
[movie review] |
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Goatdog's Movies |
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5/5 |
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(1968) |
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"There's literally not another film in the world like it."
[movie review] |
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Goatdog's Movies |
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1.5/5 |
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(2007) |
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"Even the funny bits are ruined by overemphasis."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
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(1930) |
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"A historical relic flawed by miscasting but almost redeemed by an unjustly misunderstood ending."
[movie review] |
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Goatdog's Movies |
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4.5/5 |
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(1987) |
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"One of the best sci-fi/action films ever made."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
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(1931) |
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"[Hayes] flogs her big moments until they're dead."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
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(1948) |
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"A grand, sprawling tale of the civilizing of the west."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(2007) |
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"Despite its structural flaws, it often delivers the goods."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(1913) |
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"A timeless melodrama."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(1933) |
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"Literally has everything that makes [the pre-Code era] so magical."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
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(1935) |
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"There's so much going on that it's easy to be distracted into feeling like you've seen something."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(1933) |
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"Of all the crackpot political films to come out of Hollywood ... this is surely the crackpottest, and must really be seen to be believed."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(2007) |
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"The best thing about the film is a sweet, slightly damaged performance by Drew Barrymore."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(2007) |
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"A smart, efficient little thriller that wears its heredity proudly."
[movie review] |
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Goatdog's Movies |
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4.5/5 |
|
(1947) |
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"Attenborough's Pinky is ... one of the scariest noir villains of all time."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(1943) |
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"[Garland and Rooney] seem like old pros at making the plot machinations seem at least a little fresh."
[movie review] |
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Goatdog's Movies |
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2/5 |
|
(2007) |
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"This topic deserved better than America's Most Wanted."
[movie review] |
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Goatdog's Movies |
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4.5/5 |
|
(1952) |
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"One of the best B-movies I've ever seen, and deserves to be better known."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(2007) |
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"It's the execution that matters, and for the most part ... the formula is executed well."
[movie review] |
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Goatdog's Movies |
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1/5 |
|
(1984) |
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"The filmmakers had studied other teen comedies, but not closely enough to pick up any real feeling for their subjects."
[movie review] |
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Goatdog's Movies |
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2/5 |
|
(1939) |
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"There's nothing in this material that calls for [Busby] Berkeley's particular talents."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
|
(1927) |
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"It's immediately apparent why [Clara Bow] was so beloved."
[movie review] |
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Goatdog's Movies |
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2/5 |
|
(2007) |
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"Every complaint that's ever been made about comic books or comic book adaptations is accurate when applied to 300."
[movie review] |
|
Goatdog's Movies |
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2/5 |
|
(1936) |
|
"A mess of shifting tones and casting mistakes."
[movie review] |
|
Goatdog's Movies |
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2.5/5 |
|
(1969) |
|
"It doesn't escape the overproduction trap, not by a long shot."
[movie review] |
|
Goatdog's Movies |
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| |
2.5/5 |
|
(1941) |
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"So intent on packing as many events as possible into a relatively slim 100 minutes that it can't devote enough time to developing any of them."
[movie review] |
|
Goatdog's Movies |
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| |
2.5/5 |
|
(2007) |
|
"So many things go wrong in the film, but the music is intriguing ... certainly food for thought where the rest of the film leaves us starving."
[movie review] |
|
Goatdog's Movies |
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| |
4/5 |
|
(1936) |
|
"A masterpiece of double meaning, pulled off with wit and verve."
[movie review] |
|
Goatdog's Movies |
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| |
3/5 |
|
(1968) |
|
"Only partly successful."
[movie review] |
|
Goatdog's Movies |
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| |
3/5 |
|
(1941) |
|
"[A] dazzling combination of Charles Lang's Oscar-nominated photography and director Henry Hathaway's expert staging of several night battles."
[movie review] |
|
Goatdog's Movies |
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| |
3/5 |
|
(1943) |
|
"There are holes in the scenario big enough to sail a tanker through, but [it] packs enough thrills to smooth over any niggling complaints about plausibility."
[movie review] |
|
Goatdog's Movies |
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| |
1.5/5 |
|
(1944) |
|
"The bad guys ... are indistinguishable except for their hats, and our hero is indistinguishable from the deck furniture."
[movie review] |
|
Goatdog's Movies |
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| |
2/5 |
|
(2006) |
|
"[I]n desperate need of a sense of humor, because only a healthy dollop of To Die For style irony could have saved the material."
[movie review] |
|
Goatdog's Movies |
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| |
2.5/5 |
|
(1955) |
|
"Suffers from staginess, predictability, and an essentially weak heart."
[movie review] |
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Goatdog's Movies |
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