 |
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4.5/5 |
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(2009) |
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"A mind-blowing shot of misanthropic, black-comic genius."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
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(2009) |
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"His techniques are so alienating that it's difficult to decide whether we're supposed to feel something for his pretty plastic people."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(1987) |
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"I think we learn much more about Dietrich than we would have if she had submitted to the usual paint-by-numbers, fawning Biography Channel type of film."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
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(2008) |
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"Packs its share of compelling questions."
[movie review] |
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Goatdog's Movies |
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1.5/5 |
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(1954) |
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"A film in which talented, attractive people sing ugly lyrics to beautiful music in other people's beautiful voices amid ugly shot framing and ill-timed cutting."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
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(1939) |
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"A close-to-brilliant comedy-Western ... until the end."
[movie review] |
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Goatdog's Movies |
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4.5/5 |
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(2009) |
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"Everything else [except the Basterds themselves] works so beautifully"
[movie review] |
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Goatdog's Movies |
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3/5 |
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(2009) |
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"It should probably have been apparent to Apatow, well versed in the structure of comedy on film, that it was far too long."
[movie review] |
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Goatdog's Movies |
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4.5/5 |
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(2009) |
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"Many other music docs and concert films can give you an idea of how great a band is live, but how many can truly make you feel like you're in the audience?"
[movie review] |
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Goatdog's Movies |
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2/5 |
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(2009) |
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"The film seems constructed to short-circuit your attempts to invest anything in it."
[movie review] |
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Goatdog's Movies |
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4.5/5 |
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(2009) |
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"The Coppola who was master of the 1970s ... is back, and that should make every cinephile weep with joy"
[movie review] |
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Goatdog's Movies |
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3.5/5 |
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(1933) |
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"A strange, hypnotic blend of a dozen influences."
[movie review] |
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Goatdog's Movies |
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5/5 |
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(1948) |
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"One of Hollywood's, and cinema's, grandest and most emotionally satisfying tales of unrequited love and self-sacrifice."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(1943) |
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"Might have been a truly great collection of numbers without the filler ... but it's definitely worth seeing."
[movie review] |
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Goatdog's Movies |
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4/5 |
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(1973) |
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"A sometimes shocking, sometimes blackly funny, and often disorienting takedown of gangster tropes."
[movie review] |
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Goatdog's Movies |
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3/5 |
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(2009) |
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"I'd actually advise people to buy a ticket, go grab a soy burger, and enter the theater halfway through."
[movie review] |
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Goatdog's Movies |
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4.5/5 |
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(2009) |
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"Built on a love of old movies, on the special camaraderie that exists when you're sitting there in the dark, screaming and laughing with a bunch of strangers."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
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(2009) |
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"Abrams doesn't get the franchise that Roddenberry created."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
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(2009) |
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"The Martinis are not filmmakers, and I wish they had paid more attention in their Production 101 classes."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
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(1983) |
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"A disappointment, especially since it's the last full-tilt concert film of the funniest man in history."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
|
(1942) |
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"One of those comedies one damns by calling it "unsuccessful," even though parts of it work just fine."
[movie review] |
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Goatdog's Movies |
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2/5 |
|
(1955) |
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Click here to see the review!
[movie review] |
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Goatdog's Movies |
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2.5/5 |
|
(1958) |
|
Click here to see the review!
[movie review] |
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Goatdog's Movies |
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4/5 |
|
(2007) |
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"It's optimistic, and maybe it doesn't have a heck of a lot to do with history, but it's a tale well told."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
|
(1927) |
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"Not exactly a horror film, at least by any strict definition. But it is a great deal of fun."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
|
(2008) |
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"Serves as proof that Allen's heart isn't in it anymore."
[movie review] |
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Goatdog's Movies |
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4/5 |
|
(1933) |
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"Surprising for something so mean-spirited to have come so early in the Dream Factory's saga of self-loathing, and even more surprising because it seems so heartfelt."
[movie review] |
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Goatdog's Movies |
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4/5 |
|
(1919) |
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"One of the screen's greatest symbioses of performance and photography."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
|
(1919) |
|
"It's generally a smooth, arch, enjoyable romp."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
|
(1921) |
|
"Wears its Expressionist heritage in a fascinating way."
[movie review] |
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Goatdog's Movies |
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2.5/5 |
|
(1905) |
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"But aside from the historical value ... there's not a lot here to keep one's attention"
[movie review] |
|
Goatdog's Movies |
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3/5 |
|
(1925) |
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"A valuable, moving portrait of an immigrant community that tends to be ignored by mainstream films"
[movie review] |
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Goatdog's Movies |
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2.5/5 |
|
(2008) |
|
"A feature-length elaboration on its own hilarious trailer."
[movie review] |
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Goatdog's Movies |
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3/5 |
|
(1919) |
|
"[About I Don't Want...]: How long would it be before a mainstream Hollywood movie showed the same worldliness about sex."
[movie review] |
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Goatdog's Movies |
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| |
3/5 |
|
(1927) |
|
"The most interesting thing about the film is the elaborate way it interacts with and stands outside the cinema."
[movie review] |
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Goatdog's Movies |
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3.5/5 |
|
(1924) |
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"Has so much momentum and inarguable internal logic that it drags you along, laughing helplessly."
[movie review] |
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Goatdog's Movies |
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5/5 |
|
(1928) |
|
"The film denies us the safe distance between viewer and viewed, and it does this so effectively that its horrors are occurring all around us."
[movie review] |
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Goatdog's Movies |
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| |
4.5/5 |
|
(1959) |
|
"Deceptively simple, heartfelt."
[movie review] |
|
Goatdog's Movies |
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| |
4/5 |
|
(1921) |
|
"[About After Death] Bauer's filmmaking skills exploded in the two years after his first feature."
[movie review] |
|
Goatdog's Movies |
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| |
3/5 |
|
(1973) |
|
"The filmmakers [realize] that they're working within a genre with firmly established conventions are but able to carve out a little niche for themselves."
[movie review] |
|
Goatdog's Movies |
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| |
3/5 |
|
(2008) |
|
"Overall, it's an enjoyable sequel, although not up to the admittedly high--heh--standards of the first installment."
[movie review] |
|
Goatdog's Movies |
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| |
2.5/5 |
|
(1983) |
|
"The film is barely competent, revealing its TV-movie roots in uncertain directorial guidance, technical flubs, [and] a patchwork script."
[movie review] |
|
Goatdog's Movies |
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| |
2.5/5 |
|
(2008) |
|
"From a technical standpoint, Smart People is incredibly lacking"
[movie review] |
|
Goatdog's Movies |
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| |
4/5 |
|
(1962) |
|
"Its politics are abhorrent to me, but my god, it's such a slick, well-crafted thriller ... that I can't hate it"
[movie review] |
|
Goatdog's Movies |
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| |
3/5 |
|
(1945) |
|
"A middle-of-the-pack entry in the series."
[movie review] |
|
Goatdog's Movies |
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| |
0.5/5 |
|
(2007) |
|
"This film's a minor cinematic crime entirely unworthy of my rhymes."
[movie review] |
|
Goatdog's Movies |
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| |
3/5 |
|
(1934) |
|
"Its somewhat unlikely [Best Picture] nomination is neither an embarrassment to the Oscars ... nor a strong credit to the judgment of the Academy."
[movie review] |
|
Goatdog's Movies |
|
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| |
4/5 |
|
(1980) |
|
"The "scary little kid" subgenre has never been scarier or more nihilistic."
[movie review] |
|
Goatdog's Movies |
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|
| |
2.5/5 |
|
(1928) |
|
"A fair-to-middlin' example of that transitional hybrid, the part-talkie."
[movie review] |
|
Goatdog's Movies |
|
|
|
|
| |
4.5/5 |
|
(2008) |
|
"One of the most exciting and frightening sci-fi/horror films of the last decade."
[movie review] |
|
Goatdog's Movies |
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