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Sources
• Mark Reviews Movies
• Movie Insider
• Movie Reviewing Teens
• UR Chicago Magazine
Total Reviews: 672
Mark Dujsik
Mark Dujsik
Mark Dujsik

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1.5/4
     (2008)      "That the movie can't decide if it wants them to get away with it is even more irritating, but that's probably because I didn't care either way." [movie review]      Mark Reviews Movies   
  
3/4
     (2003)      "First and foremost, The Magdalene Sisters is an important film, a brutal, unwavering exposé on a deplorable crime against women perpetrated by the Irish Catholic Church that went unchecked and unquestioned until 1996." [movie review]      Mark Reviews Movies   
  
3.5/4
     (2001)      "It’s sincere about and with its intentions. This is a movie that comes from years of watching movies--made by movie-lovers for movie-lovers." [movie review]      Mark Reviews Movies   
  
3.5/4
     (2001)      "A quirky, existentialist neo-noir which starts in the direction of a thriller but turns the tables on its setup and heads off into completely unexpected territory." [movie review]      Mark Reviews Movies   
  
4/4
     (2003)      "A grand, intimate epic of warfare at sea." [movie review]      Mark Reviews Movies   
  
2.5/4
     (2005)      "A breezy entertainment -- perhaps too much so." [movie review]      Mark Reviews Movies   
  
3.5/4
     (2003)      "Awkward as it may be, Matchstick Men's conclusion is a comparatively small sin attached to an otherwise superlative character study and comedy of deceit." [movie review]      Mark Reviews Movies   
  
3/4
     (2003)      "If there's one thing The Matrix Reloaded fortifies, it's that the Wachowski brothers are born filmmakers through and through." [movie review]      Mark Reviews Movies   
  
1.5/4
     (2003)      "Thus ends the Matrix trilogy, not even with the dignity of a whimper but with the timid finality of a dull thud." [movie review]      Mark Reviews Movies   
  
3.5/4
     (2002)      "An intelligent and utterly compelling hypothetical question in which scholarly musings and dramatic irony come together to create a powerful, thought-provoking experience." [movie review]      Mark Reviews Movies   
  
1.5/4
     (2003)      "The lesson to learn from The Medallion is that a wire- and computer-assisted Jackie Chan is better than no Jackie Chan but still a bad idea nonetheless." [movie review]      Mark Reviews Movies   
  
3/4
     (2004)      "Does little to alter the formula of the original, but the two films set a nice example of successful use of the concept of theme and variation." [movie review]      Mark Reviews Movies   
  
3/4
     (2007)      "The film is less a kiddie adventure in a futuristic world than it is an absurdist comedy that looks like a kiddie adventure." [movie review]      Mark Reviews Movies   
  
4/4
     (2001)      "A completely engrossing experience that demands and deserves multiple viewings." [movie review]      Mark Reviews Movies   
  
1.5/4
     (2002)      "A cynicism-generator. Suggests a big-budget scrounging for profit in almost every fiber of its being." [movie review]      Mark Reviews Movies   
  
3.5/4
     (2009)      "Hilarious and also sobering." [movie review]      Mark Reviews Movies   
  
1.5/4
     (2007)      "The scare tactics are tried and just as tired as they always are." [movie review]      Mark Reviews Movies   
  
3/4
     (2002)      "A visionary marvel, but it’s lacking a depth in storytelling usually found in anime like this." [movie review]      Mark Reviews Movies   
  
3/4
     (2001)      "The real surprise here are the scenes between Roberts and Gandolfini." [movie review]      Mark Reviews Movies   
  
3.5/5
     (2007)      "Broad in its characterizations and message but subdued in presenting them through a complex plot." [movie review]      UR Chicago Magazine   
  
2.5/4
     (2007)      "Too focused on events, timelines, and connections to find an emotional core to the story." [movie review]      Mark Reviews Movies   
  
2/4
     (2003)      "Without a familiarity with its characters, the movie plays out more like what it is ... than what it pretends to be." [movie review]      Mark Reviews Movies   
  
3.5/4
     (2004)      "A testament to Eastwood's ability to tell a story and find the human truth at its core." [movie review]      Mark Reviews Movies   
  
4/4
     (2002)      "Quite possibly [Spielberg's] darkest, coldest, most socially pertinent, subversive, and reactionary film to date." [movie review]      Mark Reviews Movies   
  
3.5/5
     (2008)      "Director Bharat Nalluri keeps the misunderstandings and ruses of Miss Pettigrew Lives for a Day going at a quick tempo." [movie review]      UR Chicago Magazine   
  
1.5/4
     (2001)      "An unfunny movie with small flashes of inspiration that really just turns into a big mess." [movie review]      Mark Reviews Movies   
  
3.5/4
     (2001)      "An intense drama that trusts its characters and lets them move freely amongst themselves and react honestly to the situations in which life places them." [movie review]      Mark Reviews Movies   
  
3.5/4
     (2001)      "A wonderfully imaginative and very funny film that shows not only another leap in technology for [Pixar] but also an impressive maturation of their storytelling abilities." [movie review]      Mark Reviews Movies   
  
2.5/4
     (2002)      "I believe Silberling had the best intentions here, but he just doesn’t have the restraint to fully realize them." [movie review]      Mark Reviews Movies   
  
1.5/4
     (2009)      "The lesson, I guess, is that it really sucks being a mom, but it's also incredibly unrewarding." [movie review]      Mark Reviews Movies   
  
3/4
     (2002)      "Not about scares but a mood in which an ominous, pervasive, and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense." [movie review]      Mark Reviews Movies   
  
4/4
     (2001)      "A daring and audacious film that may not only awaken the movie musical, but that will also place itself among the best films of this year." [movie review]      Mark Reviews Movies   
  
2/4
     (2007)      "The shtick has gotten old." [movie review]      Mark Reviews Movies   
  
3/4
     (2007)      "Reminiscent of Patricia Highsmith's Ripley novels, and that is flattering praise." [movie review]      Mark Reviews Movies   
  
2.5/4
     (2002)      "There’s a sense of genuine, naive good will accompanying the material that almost, but not quite, makes up for the far more than occasional lapses of successful comedy." [movie review]      Mark Reviews Movies   
  
1.5/4
     (2007)      "The few and far between chuckles and an amusing performance from Amy Poehler only keep it from being a painfully unfunny experience." [movie review]      Mark Reviews Movies   
  
3/4
     (2001)      "A surreal nightmare--darkly realized and frequently disturbing." [movie review]      Mark Reviews Movies   
  
2.5/4
     (2001)      "The problem with The Mummy Returns is that it tries to qualify the need for a sequel with an extraordinarily unnecessary amount of plot." [movie review]      Mark Reviews Movies   
  
4/4
     (2005)      "Devastating in its vision of political strife concentrated down to its fundamental human core." [movie review]      Mark Reviews Movies   
  
2.5/4
     (2002)      "The movie’s major and most devastating flaw is its reliance on formula, though, and it’s quite enough to lessen the overall impact the movie could have had." [movie review]      Mark Reviews Movies   
  
3/4
     (2007)      "As sweet and likeable as its title is bland." [movie review]      Mark Reviews Movies   
  
1.5/4
     (2001)      "Did I mention there are fight sequences? They are by far the best part of this movie, but even they disappoint." [movie review]      Mark Reviews Movies   
  
2/4
     (2002)      "When Vardalos tries to pass one-joke stereotypes and situations as revelatory characterizations and experiences, it simply doesn’t achieve anything noteworthy." [movie review]      Mark Reviews Movies   
  
0/4
     (2002)      "It's a despicable, vile piece of garbage and proof positive that the MPAA ratings board is a worthless entity, devoid of any logic and reason." [movie review]      Mark Reviews Movies   
  
2/4
     (2003)      "An apprehensive cross between an elegiac tone poem of loss, an ever-twisting murder mystery, and a character study revolving around the regret of lost innocence, Mystic River tries to be all of these things and ends up falling short on all counts." [movie review]      Mark Reviews Movies   
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