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 1.5/4 |
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(2008) |
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"That the movie can't decide if it wants them to get away with it is even more irritating, but that's probably because I didn't care either way."
[movie review] |
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Mark Reviews Movies |
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 3/4 |
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(2003) |
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"First and foremost, The Magdalene Sisters is an important film, a brutal, unwavering exposé on a deplorable crime against women perpetrated by the Irish Catholic Church that went unchecked and unquestioned until 1996."
[movie review] |
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Mark Reviews Movies |
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 3.5/4 |
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(2001) |
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"It’s sincere about and with its intentions. This is a movie that comes from years of watching movies--made by movie-lovers for movie-lovers."
[movie review] |
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Mark Reviews Movies |
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 3.5/4 |
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(2001) |
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"A quirky, existentialist neo-noir which starts in the direction of a thriller but turns the tables on its setup and heads off into completely unexpected territory."
[movie review] |
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Mark Reviews Movies |
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 4/4 |
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(2003) |
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"A grand, intimate epic of warfare at sea."
[movie review] |
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Mark Reviews Movies |
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 2.5/4 |
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(2005) |
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"A breezy entertainment -- perhaps too much so."
[movie review] |
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Mark Reviews Movies |
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 3.5/4 |
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(2003) |
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"Awkward as it may be, Matchstick Men's conclusion is a comparatively small sin attached to an otherwise superlative character study and comedy of deceit."
[movie review] |
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Mark Reviews Movies |
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 3/4 |
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(2003) |
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"If there's one thing The Matrix Reloaded fortifies, it's that the Wachowski brothers are born filmmakers through and through."
[movie review] |
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Mark Reviews Movies |
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 1.5/4 |
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(2003) |
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"Thus ends the Matrix trilogy, not even with the dignity of a whimper but with the timid finality of a dull thud."
[movie review] |
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Mark Reviews Movies |
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 3.5/4 |
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(2002) |
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"An intelligent and utterly compelling hypothetical question in which scholarly musings and dramatic irony come together to create a powerful, thought-provoking experience."
[movie review] |
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Mark Reviews Movies |
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 1.5/4 |
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(2003) |
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"The lesson to learn from The Medallion is that a wire- and computer-assisted Jackie Chan is better than no Jackie Chan but still a bad idea nonetheless."
[movie review] |
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Mark Reviews Movies |
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 3/4 |
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(2004) |
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"Does little to alter the formula of the original, but the two films set a nice example of successful use of the concept of theme and variation."
[movie review] |
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Mark Reviews Movies |
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 3/4 |
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(2007) |
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"The film is less a kiddie adventure in a futuristic world than it is an absurdist comedy that looks like a kiddie adventure."
[movie review] |
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Mark Reviews Movies |
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 4/4 |
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(2001) |
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"A completely engrossing experience that demands and deserves multiple viewings."
[movie review] |
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Mark Reviews Movies |
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 1.5/4 |
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(2002) |
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"A cynicism-generator. Suggests a big-budget scrounging for profit in almost every fiber of its being."
[movie review] |
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Mark Reviews Movies |
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 3.5/4 |
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(2009) |
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"Hilarious and also sobering."
[movie review] |
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Mark Reviews Movies |
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 1.5/4 |
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(2007) |
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"The scare tactics are tried and just as tired as they always are."
[movie review] |
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Mark Reviews Movies |
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 3/4 |
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(2002) |
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"A visionary marvel, but it’s lacking a depth in storytelling usually found in anime like this."
[movie review] |
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Mark Reviews Movies |
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 3/4 |
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(2001) |
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"The real surprise here are the scenes between Roberts and Gandolfini."
[movie review] |
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Mark Reviews Movies |
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 3.5/5 |
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(2007) |
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"Broad in its characterizations and message but subdued in presenting them through a complex plot."
[movie review] |
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UR Chicago Magazine |
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 2.5/4 |
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(2007) |
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"Too focused on events, timelines, and connections to find an emotional core to the story."
[movie review] |
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Mark Reviews Movies |
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 2/4 |
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(2003) |
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"Without a familiarity with its characters, the movie plays out more like what it is ... than what it pretends to be."
[movie review] |
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Mark Reviews Movies |
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 3.5/4 |
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(2004) |
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"A testament to Eastwood's ability to tell a story and find the human truth at its core."
[movie review] |
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Mark Reviews Movies |
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 4/4 |
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(2002) |
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"Quite possibly [Spielberg's] darkest, coldest, most socially pertinent, subversive, and reactionary film to date."
[movie review] |
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Mark Reviews Movies |
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 3.5/5 |
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(2008) |
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"Director Bharat Nalluri keeps the misunderstandings and ruses of Miss Pettigrew Lives for a Day going at a quick tempo."
[movie review] |
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UR Chicago Magazine |
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 1.5/4 |
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(2001) |
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"An unfunny movie with small flashes of inspiration that really just turns into a big mess."
[movie review] |
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Mark Reviews Movies |
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 3.5/4 |
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(2001) |
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"An intense drama that trusts its characters and lets them move freely amongst themselves and react honestly to the situations in which life places them."
[movie review] |
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Mark Reviews Movies |
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 3.5/4 |
|
(2001) |
|
"A wonderfully imaginative and very funny film that shows not only another leap in technology for [Pixar] but also an impressive maturation of their storytelling abilities."
[movie review] |
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Mark Reviews Movies |
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 2.5/4 |
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(2002) |
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"I believe Silberling had the best intentions here, but he just doesn’t have the restraint to fully realize them."
[movie review] |
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Mark Reviews Movies |
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 1.5/4 |
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(2009) |
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"The lesson, I guess, is that it really sucks being a mom, but it's also incredibly unrewarding."
[movie review] |
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Mark Reviews Movies |
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 3/4 |
|
(2002) |
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"Not about scares but a mood in which an ominous, pervasive, and unknown threat lurks just below the proceedings and adds an almost constant mindset of suspense."
[movie review] |
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Mark Reviews Movies |
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 4/4 |
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(2001) |
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"A daring and audacious film that may not only awaken the movie musical, but that will also place itself among the best films of this year."
[movie review] |
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Mark Reviews Movies |
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 2/4 |
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(2007) |
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"The shtick has gotten old."
[movie review] |
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Mark Reviews Movies |
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 3/4 |
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(2007) |
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"Reminiscent of Patricia Highsmith's Ripley novels, and that is flattering praise."
[movie review] |
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Mark Reviews Movies |
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 2.5/4 |
|
(2002) |
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"There’s a sense of genuine, naive good will accompanying the material that almost, but not quite, makes up for the far more than occasional lapses of successful comedy."
[movie review] |
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Mark Reviews Movies |
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| |
 1.5/4 |
|
(2007) |
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"The few and far between chuckles and an amusing performance from Amy Poehler only keep it from being a painfully unfunny experience."
[movie review] |
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Mark Reviews Movies |
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 3/4 |
|
(2001) |
|
"A surreal nightmare--darkly realized and frequently disturbing."
[movie review] |
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Mark Reviews Movies |
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| |
 2.5/4 |
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(2001) |
|
"The problem with The Mummy Returns is that it tries to qualify the need for a sequel with an extraordinarily unnecessary amount of plot."
[movie review] |
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Mark Reviews Movies |
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 4/4 |
|
(2005) |
|
"Devastating in its vision of political strife concentrated down to its fundamental human core."
[movie review] |
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Mark Reviews Movies |
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| |
 2.5/4 |
|
(2002) |
|
"The movie’s major and most devastating flaw is its reliance on formula, though, and it’s quite enough to lessen the overall impact the movie could have had."
[movie review] |
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Mark Reviews Movies |
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| |
 3/4 |
|
(2007) |
|
"As sweet and likeable as its title is bland."
[movie review] |
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Mark Reviews Movies |
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| |
 1.5/4 |
|
(2001) |
|
"Did I mention there are fight sequences? They are by far the best part of this movie, but even they disappoint."
[movie review] |
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Mark Reviews Movies |
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| |
 2/4 |
|
(2002) |
|
"When Vardalos tries to pass one-joke stereotypes and situations as revelatory characterizations and experiences, it simply doesn’t achieve anything noteworthy."
[movie review] |
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Mark Reviews Movies |
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| |
 0/4 |
|
(2002) |
|
"It's a despicable, vile piece of garbage and proof positive that the MPAA ratings board is a worthless entity, devoid of any logic and reason."
[movie review] |
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Mark Reviews Movies |
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| |
 2/4 |
|
(2003) |
|
"An apprehensive cross between an elegiac tone poem of loss, an ever-twisting murder mystery, and a character study revolving around the regret of lost innocence, Mystic River tries to be all of these things and ends up falling short on all counts."
[movie review] |
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Mark Reviews Movies |
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