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• eFilmCritic.com
Total Reviews: 1192
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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5/5
     (1995)      "Gilliam has taken on a conventional Hollywood sci-fi thriller with big stars and turned it into his own rough beast." [movie review]      eFilmCritic.com   
  
4/5
     (2004)      "A radiant woman looking like she's having the time of her life makes up for a lot of inconsistencies." [movie review]      eFilmCritic.com   
  
5/5
     (1968)      "Kubrick set out to make "the proverbial good science-fiction film," but he came out the other side with something far more ornery and profound." [movie review]      eFilmCritic.com   
  
3/5
     (2009)      "In the final forty-five minutes the movie starts to feel very long and played-out." [movie review]      eFilmCritic.com   
  
5/5
     (2002)      "Perhaps Lee's most consistently compelling work since Clockers." [movie review]      eFilmCritic.com   
  
4/5
     (2007)      "This sequel takes its predecessor's derivative, remorseless premise and deepens it a bit, though I can't be alone in wondering why this, of all things, should be a franchise." [movie review]      eFilmCritic.com   
  
4/5
     (2007)      "It's not a classic, but it's good blood-spattered fun." [movie review]      eFilmCritic.com   
  
5/5
     (1998)      "Lee's filmmaking ... has the beauty of simplicity and the shadings of compassion." [movie review]      eFilmCritic.com   
  
5/5
     (1953)      "Inexplicably, this marvelous musical fantasy flopped at the box office." [movie review]      eFilmCritic.com   
  
4/5
     (2004)      "The moments that Sandler and Barrymore can steal together are golden." [movie review]      eFilmCritic.com   
  
3/5
     (2006)      "Linklater may have admired the novel -- I do, too -- but that doesn't necessarily make him the ideal director for this material." [movie review]      eFilmCritic.com   
  
4/5
     (2002)      "More successful as a Hugh Grant vehicle than as a Nick Hornby adaptation." [movie review]      eFilmCritic.com   
  
5/5
     (2007)      "This lavish labor of love constantly walks a slender thread between masterpiece and folly, but when all is said and done, it confirms, for me, Taymor's status as a master." [movie review]      eFilmCritic.com   
  
5/5
     (2002)      "It will confound some and inspire others to riff endlessly on its mysteries." [movie review]      eFilmCritic.com   
  
5/5
     (1984)      "Buckaroo Banzai is like decades of escapist pulp filtered through the skeptic's shrug of the mid-'80s." [movie review]      eFilmCritic.com   
  
5/5
     (1973)      "Potheads who watch this will probably check their stash the next morning to see if any of it's gone." [movie review]      eFilmCritic.com   
  
5/5
     (1994)      "Broomfield ends up exploring a world that cares more about money and deals than about life and death." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "As the familiar cat-and-mouse plot unfolded, I let myself enjoy the unapologetic masculine thrills." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "Jeunet and Whedon deliver the alien-attack scenes with a spin and a wink." [movie review]      eFilmCritic.com   
  
5/5
     (1979)      "A must for animation buffs." [movie review]      eFilmCritic.com   
  
4/5
     (1982)      "The movie's tongue-in-bloody-cheek satire of psychobabble sets it apart." [movie review]      eFilmCritic.com   
  
5/5
     (2004)      "A twisty and darkly satisfying comedy that pushes beyond its premise." [movie review]      eFilmCritic.com   
  
5/5
     (1999)      "An elusive and allusive work of art that won't be pinned down easily." [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "Mesmerized by the trademark Mamet gutter poetry, Corrente directs unobtrusively and respectfully." [movie review]      eFilmCritic.com   
  
3/5
     (2007)      "Solidly performed and occasionally intriguing, but it's yet another strangely hollow offering from Ridley Scott." [movie review]      eFilmCritic.com   
  
4/5
     (1999)      "It has likable characters and infectiously funny situations, and that's about all a comedy like this needs." [movie review]      eFilmCritic.com   
  
5/5
     (1981)      "A sprawling and messy work whose flaws are inextricable from its brilliance." [movie review]      eFilmCritic.com   
  
5/5
     (2000)      "One can picture Kubrick handling this material with a similar elegant malevolence." [movie review]      eFilmCritic.com   
  
5/5
     (2003)      "The movie is as unclassifiable as the comic -- neither documentary nor biopic, or maybe both." [movie review]      eFilmCritic.com   
  
5/5
     (1981)      "One of the all-time great horror movies, a pitch-perfect mix of belly laughs and genuine scares." [movie review]      eFilmCritic.com   
  
5/5
     (2007)      "American Zombie works on several levels of satire." [movie review]      eFilmCritic.com   
  
5/5
     (2001)      "Gonzalez Inarritu's sinfully enjoyable epic roars in on a wave of blood, gunshots and dog barks." [movie review]      eFilmCritic.com   
  
4/5
     (1998)      "It's a one-joke movie, but it's an awfully good joke, told here by experts." [movie review]      eFilmCritic.com   
  
4/5
     (2004)      "Some of Anchorman is the kind of giddy, nonsensical stuff that can only emerge from a genuinely deranged comic brain." [movie review]      eFilmCritic.com   
  
4/5
     (1979)      "Entertaining, with a vintage Pacino performance that only occasionally lapses into grandstanding." [movie review]      eFilmCritic.com   
  
4/5
     (1999)      "I enjoyed the relentless gloomy realism, the refusal to put a happy face on McCourt's miserable childhood." [movie review]      eFilmCritic.com   
  
4/5
     (2009)      "...it's fun to watch Tom Hanks hoof it all over Vatican City for two hours, trying to save some cardinal from being licked to death by Illuminati puppies, or whatever..." [movie review]      eFilmCritic.com   
  
5/5
     (2009)      "A great film that I will never, ever subject myself to again." [movie review]      eFilmCritic.com   
  
5/5
     (1995)      "Harsh and gentle, sensual and intellectual, wise-ass and heartfelt -- it's a full package." [movie review]      eFilmCritic.com   
  
4/5
     (1998)      "Appeals to your daydreams when you were a kid and you wondered about the daily physical hassles of an ant." [movie review]      eFilmCritic.com   
  
5/5
     (1979)      "There is greatness in Apocalypse Now, but there is also madness, and they feed off each other." [movie review]      eFilmCritic.com   
  
5/5
     (1997)      "Duvall's integrity and intelligence shine through his movie and his performance." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "There's considerable pleasure in Appaloosa's respect for the undramatic. It doesn't go where you'd expect..." [movie review]      eFilmCritic.com   
  
5/5
     (1998)      "McKellen gives one of the year's great performances." [movie review]      eFilmCritic.com   
  
4/5
     (2007)      "Certainly original, often funny, and occasionally even inspired." [movie review]      eFilmCritic.com   
  
5/5
     (2005)      "Its very about-itself unimportance is what makes it a liberating experience for its own sake." [movie review]      eFilmCritic.com   
  
5/5
     (1999)      "Darker and more intimate than you expect." [movie review]      eFilmCritic.com   
  
5/5
     (1992)      "Raimi approaches this scenario as if someone had given him a deep pail of Magic Markers and told him to draw the ultimate comic book." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "It's the work of two misanthropes in an even worse mood than usual." [movie review]      eFilmCritic.com   
  
3/5
     (2005)      "It's neither graceful nor disgraceful; it just functions and then is over." [movie review]      eFilmCritic.com   
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