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Sort by RATING      Sort by TITLE/YEAR      Sort by QUOTE      Sort by SOURCE       4/5      S1m0ne (2002)      "Entertaining and provocative enough." [movie review]      eFilmCritic.com       5/5      Safe (1995)      "One of the most mesmerizing and provocative films in recent years." [movie review]      eFilmCritic.com       4/5      Sahara (2005)      "The whole movie is a kick, actually." [movie review]      eFilmCritic.com       5/5      Saint Jack (1979)      "A surprisingly fine and forceful character study." [movie review]      eFilmCritic.com       5/5      Salvador (1986)      "One of Oliver Stone’s best films, and absolutely James Woods’ best performance." [movie review]      eFilmCritic.com       4/5      Saving Face (2005)      "Wu has abundant affection for her characters and a sharp eye for how they interact." [movie review]      eFilmCritic.com       3/5      Saving Private Ryan (1998)      "It's forty minutes of steely violence and two hours of cliche-ridden flab." [movie review]      eFilmCritic.com       3/5      Saw (2004)      "Saw gets by on its mood of industrial dread." [movie review]      eFilmCritic.com       2/5      Saw II (2005)      "The ornate sadism isn't enough to carry our interest this time around." [movie review]      eFilmCritic.com       1/5      Saw III (2006)      "Starts with an interesting premise but quickly squanders it on the usual barely-glimpsed bloodbaths." [movie review]      eFilmCritic.com       1/5      Saw IV (2007)      "Jigsaw is an interesting character with an interesting worldview and an interesting way of carrying out his will. It's too bad the movies themselves aren't worthy of him." [movie review]      eFilmCritic.com       0/5      Saw V (2008)      "The Saw franchise has become a weekend-before-Halloween tradition; ironically, though, it has ceased to be a horror series." [movie review]      eFilmCritic.com       1/5      Say It Isn't So (2001)      "What we have here is a wannabe-outrageous comedy that flirts with the last taboo but then retreats." [movie review]      eFilmCritic.com       5/5      Scarface (1983)      "Pacino, of course, goes way over the top and through the floor on the other side." [movie review]      eFilmCritic.com       2/5      Scary Movie 4 (2006)      "In a quarter of a century who's even going to remember that Tom Cruise went on Oprah's show and made an ass of himself?" [movie review]      eFilmCritic.com       5/5      Schindler's List (1993)      "Spielberg has painted his masterpiece with his own blood." [movie review]      eFilmCritic.com       4/5      School Daze (1987)      "Even with all its flaws, School Daze is worth seeing, because Lee gets into areas no director before had even bothered to come near." [movie review]      eFilmCritic.com       4/5      School of Rock (2003)      "It's another case of independent film artists beating Hollywood at its own game." [movie review]      eFilmCritic.com       4/5      The Score (2001)      "The Score, a competent if nothing-special heist thriller on paper, showcases three generations of acting giants." [movie review]      eFilmCritic.com       2/5      The Scorpion King (2002)      "There are quite a few slow spots, never more so than when we're asked to believe in The Rock and Kelly Hu falling in love." [movie review]      eFilmCritic.com       4/5      Scream (1996)      "Witty, tightly structured, and often effective as a straight horror film." [movie review]      eFilmCritic.com       4/5      Scream 2 (1997)      "Scream 2 is as clever and nerve-wracking as the original; on its own self-referential, crowd-pleasing terms, it's a success." [movie review]      eFilmCritic.com       2/5      Scream 3 (2000)      "The other Scream films were also tricky and convoluted, but I don't remember them playing like the WB version of Murder, She Wrote, as Scream 3 too often does." [movie review]      eFilmCritic.com       4/5      Seabiscuit (2003)      "Seabiscuit is not a work of great art, but it tells its solid story with grace and dignity." [movie review]      eFilmCritic.com       5/5      Searching for Bobby Fischer (1993)      "An intelligently crafted celebration of introspection and decency." [movie review]      eFilmCritic.com       3/5      Secret Window (2004)      "Once again, Depp slouches into a piece of mainstream entertainment and takes every opportunity to amuse himself." [movie review]      eFilmCritic.com       4/5      Seed of Chucky (2004)      "A gutbucket farce that works better as a lampoon of Hollywood than as a horror movie." [movie review]      eFilmCritic.com       4/5      September 11 (2003)      "Eminently worth seeing, arguing with, and thinking about." [movie review]      eFilmCritic.com       1/5      Serendipity (2001)      "The goofiest movie Nora Ephron never wrote." [movie review]      eFilmCritic.com       3/5      Serenity (2005)      "For what it is -- viewed as filmmaking in and of itself -- Serenity is tense and smoothly put together." [movie review]      eFilmCritic.com       1/5      Sergeant Pepper's Lonely Hearts Club Band (1978)      "I stared at the screen wondering how anyone thought this could possibly have found an audience, even in the degraded '70s." [movie review]      eFilmCritic.com       4/5      Serial Mom (1994)      "The film may be a bad-boy satirist's mournful acceptance that America has finally become sicker than anything he could dream up." [movie review]      eFilmCritic.com       5/5      Set It Off (1996)      "One of the rare movies sporting great action sequences and a ring of truth." [movie review]      eFilmCritic.com       5/5      Seven (1995)      "The most disquieting and powerful Hollywood thriller in years." [movie review]      eFilmCritic.com       1/5      Seven Years in Tibet (1997)      "After more than an hour of solemn preparation, we get ... Brad Pitt showing a kid how to drive a car and work a radio. Wow." [movie review]      eFilmCritic.com       4/5      Sexy Beast (2001)      "This slight-seeming but trim and absorbing British import deepens in your head the more you chew it over later." [movie review]      eFilmCritic.com       2/5      Sgt. Bilko (1996)      "We've seen it before, almost frame for frame, in every other service comedy, especially Stripes." [movie review]      eFilmCritic.com       2/5      The Shadow (1994)      "What's on the screen is so tired by now that you've seen it before even if this is your introduction to the Shadow." [movie review]      eFilmCritic.com       2/5      Shadow of the Vampire (2000)      "At best, this is a dawdling, toothless riff on a vastly superior film. At worst, it's character assassination." [movie review]      eFilmCritic.com       4/5      Shaft (2000)      "The real appeal of Shaft is its acting teamwork; no '70s blaxploitation movie ever had such an entertaining cast." [movie review]      eFilmCritic.com       5/5      Shakespeare in Love (1998)      "Wastes no time setting itself up as a rowdy, colloquial piece of popular entertainment -- the furthest thing from a fussy biopic of the Bard." [movie review]      eFilmCritic.com       2/5      Shallow Grave (1995)      "At some point, ordinary human compassion must take up the slack. Boyle isn't a zippy enough director to make up for what's missing. No one is." [movie review]      eFilmCritic.com       4/5      Shanghai Knights (2003)      "The movie seems to have been made simply because these guys should get together again." [movie review]      eFilmCritic.com       4/5      Shanghai Noon (2000)      "The movie walks the line between good stupid humor and embarrassing stupid humor, and usually manages to stay on the good side." [movie review]      eFilmCritic.com       4/5      The Shape of Things (2003)      "LaBute gives us a sequence of scathing emotional violence that outdoes anything I've seen this year." [movie review]      eFilmCritic.com       5/5      Shaun of the Dead (2004)      "...not only a loving, teasing homage to the Romero Dead films. It's also a superb zombie film in its own right..." [movie review]      eFilmCritic.com       4/5      The Shawshank Redemption (1994)      "It's an old-school melodrama at heart, sturdy and forthright and upstanding, but without a whisper of complexity or wit." [movie review]      eFilmCritic.com       4/5      She's the One (1996)      "Burns' follow-up to 1995's witty The Brothers McMullen continues his wry examination of Irish machismo and its growing irrelevance in the '90s." [movie review]      eFilmCritic.com       3/5      Shine (1996)      "The movie is really an Oscar sandwich -- stale bread surrounding a big piece of ham: Geoffrey Rush." [movie review]      eFilmCritic.com       5/5      The Shining (1980)      "The Shining is an intense and not always ingratiating experience, a natural bookend to 2001..." [movie review]      eFilmCritic.com

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