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Sources
• eFilmCritic.com
Total Reviews: 1192
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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1/5
     (2009)      "Clenches its teeth grimly as it blunders through its overstuffed plot." [movie review]      eFilmCritic.com   
  
4/5
     (2007)      "Plays like the end and the beginning of Japanese cinema: it contradicts itself and contains multitudes." [movie review]      eFilmCritic.com   
  
4/5
     (2009)      "Actually makes its premise work and delivers substantial creeps." [movie review]      eFilmCritic.com   
  
4/5
     (1995)      "Party Girl wouldn't be as beloved without Parker Posey, the jewel in this indie crown." [movie review]      eFilmCritic.com   
  
5/5
     (1996)      "By the time you get to the giant glittering silver shoe floating in the river, you'll know whether The Passion of Darkly Noon is your kind of insanity." [movie review]      eFilmCritic.com   
  
0/5
     (1998)      "Has obviously been made for an audience that has never seen a movie before." [movie review]      eFilmCritic.com   
  
5/5
     (1957)      "Stanley Kubrick's best meditation on war (yes, Full Metal Jacket fans, you heard me)." [movie review]      eFilmCritic.com   
  
1/5
     (2001)      "May be the closest thing to a good movie Michael Bay will ever direct; unfortunately, it's still not very close to a good movie." [movie review]      eFilmCritic.com   
  
4/5
     (1998)      "The movie is fast and warmly generous towards just about everyone on the screen." [movie review]      eFilmCritic.com   
  
1/5
     (2008)      "How can a movie with this premise and this cast be so mercilessly dull and stupid?" [movie review]      eFilmCritic.com   
  
4/5
     (1988)      "This isn't much more than a conscientious TV-movie drama, with a rather maudlin climax, but the performances are solid..." [movie review]      eFilmCritic.com   
  
3/5
     (2008)      "An odd but intermittently pleasing experiment that might lose stoners with its gore and action fans with its glazed, circular weed chat." [movie review]      eFilmCritic.com   
  
4/5
     (1978)      "Effective and enjoyable on all counts, with plenty of campy laughs and in-jokes." [movie review]      eFilmCritic.com   
  
5/5
     (1982)      "The whole movie is shot through with despair and dread; it feels like a prolonged howl of helplessness." [movie review]      eFilmCritic.com   
  
3/5
     (2007)      "Too ugly conceptually to be any fun." [movie review]      eFilmCritic.com   
  
4/5
     (1971)      "Clint's direction is sometimes shaky but usually assured, and he gets a bold performance from Jessica Walter." [movie review]      eFilmCritic.com   
  
5/5
     (2001)      "Nicholson rules over The Pledge with a shaky hand, and that's the source of his power here." [movie review]      eFilmCritic.com   
  
2/5
     (1995)      "Disney's well-meaning solemnity seeps over the characters like spilled ink." [movie review]      eFilmCritic.com   
  
4/5
     (1993)      "Hollywood, in its infinite wisdom, figures it can make better American pulp than the French can. As it turns out, Hollywood is right." [movie review]      eFilmCritic.com   
  
4/5
     (2009)      "An entertaining cerebral chiller." [movie review]      eFilmCritic.com   
  
5/5
     (2009)      "Ponyo towers over this summer of empty toy-related blockbusters. It will end up as one of the best films in American release this year." [movie review]      eFilmCritic.com   
  
2/5
     (1996)      "In all, Jane Campion has pulled off a neat trick here -- she's made a film that makes Henry James' work seem positively giddy." [movie review]      eFilmCritic.com   
  
5/5
     (1993)      "There's a lot to laugh at here. But there's a lot more that's disquieting." [movie review]      eFilmCritic.com   
  
4/5
     (2002)      "A film like this rides on the quality of the acting, and the Brits -- Northam and Ehle -- invest their forbidden love with centuries of fine repressed English tradition." [movie review]      eFilmCritic.com   
  
1/5
     (1998)      "Has something to annoy just about everyone: feminists of either gender, Wiccans, or just people expecting a good movie." [movie review]      eFilmCritic.com   
  
5/5
     (1995)      "A provocative film, with persuasive work by Roache." [movie review]      eFilmCritic.com   
  
4/5
     (1998)      "Primary Colors successfully straddles the line between comedy and tragedy." [movie review]      eFilmCritic.com   
  
3/5
     (1998)      "Hyperactive and visually busy without being much fun." [movie review]      eFilmCritic.com   
  
3/5
     (1997)      "[Stern] may be the master of his domain on the radio, but he doesn't necessarily have a future in movies." [movie review]      eFilmCritic.com   
  
2/5
     (1980)      "By the time the killer fully emerges from the shadows, clad head to toe in black, leaping around like some Filipino ripoff of Spider-Man 3, the game is pretty much lost." [movie review]      eFilmCritic.com   
  
1/5
     (2008)      "Often, fanboys offended by an unsolicited remake of an adored film say "Why don't they remake a bad movie?" Well, they have remade a bad movie, and the result is a worse movie." [movie review]      eFilmCritic.com   
  
5/5
     (1991)      "The performances (especially Weaving's) have a delicacy and a questing, intellectual drive absent from most movies." [movie review]      eFilmCritic.com   
  
3/5
     (1995)      "I like to think that Walken flipped through the script, realized how lame it was, and decided to have some fun anyway." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "If a video game allowed you to do what Tony Jaa does, it would be the bestselling video game in history." [movie review]      eFilmCritic.com   
  
4/5
     (2003)      "Ricci commits fully, driven to bring Wurtzel's demons to life." [movie review]      eFilmCritic.com   
  
2/5
     (1998)      "Psycho doesn't do much for Van Sant, and he doesn't do much for Psycho." [movie review]      eFilmCritic.com   
  
5/5
     (1994)      "Pulp Fiction is great American entertainment, a stylish and foxy comedy of errors." [movie review]      eFilmCritic.com   
  
3/5
     (2002)      "It's clear by now that whatever characterization skill Anderson showed in his lean, mean debut, 1997's Hard Eight, was a fluke." [movie review]      eFilmCritic.com   
  
5/5
     (1985)      "A lot of meanings float around in this outwardly simple fable." [movie review]      eFilmCritic.com   
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