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• eFilmCritic.com
Total Reviews: 1192
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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5/5
     (1993)      "Cronenberg no longer needs slimy parasites or exploding heads; the human heart's ability to fool itself is frightening and bizarre enough." [movie review]      eFilmCritic.com   
  
5/5
     (1971)      "Macbeth is dark, malignant, shot through with the most upsetting and gut-wrenching violence you will ever see in a major-studio release." [movie review]      eFilmCritic.com   
  
4/5
     (2007)      "Though bored at times by the repetitive artlessness of the gore ... I was entertained by the movie's sheer heedless hunger for the junk it's chewing up and spitting out." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "Fiercely personal and unique." [movie review]      eFilmCritic.com   
  
4/5
     (1993)      "A terrific little comedy, as well as a showcase for screenwriter Richard Price’s incomparable ear for dialogue." [movie review]      eFilmCritic.com   
  
4/5
     (1985)      "Great goofy fun." [movie review]      eFilmCritic.com   
  
4/5
     (1939)      "Stewart is touching as a man who feels completely powerless to provide for his wife or to improve his standing." [movie review]      eFilmCritic.com   
  
3/5
     (1993)      "Has anyone else noticed the apparent subtext that black men are unstable and unreliable, and only a white man can be sensitive to a black woman's needs?" [movie review]      eFilmCritic.com   
  
5/5
     (1995)      "An eloquent, many-sided study of the effects of absolute power." [movie review]      eFilmCritic.com   
  
5/5
     (2003)      "This is a riveting piece of drama about a forgotten slice of history, no matter what the esteemed movie critics at the Vatican say about it." [movie review]      eFilmCritic.com   
  
3/5
     (1999)      "Magnolia is a mess, but it's somehow encouraging: It takes a gifted director to make a movie this extravagantly foolish." [movie review]      eFilmCritic.com   
  
5/5
     (1992)      "The point of Lee's engrossing, scathing epic ... is that as long as racism lives, the spirit of Malcolm will -- must -- live." [movie review]      eFilmCritic.com   
  
4/5
     (1995)      "Almost everyone has lively things to say, the topics usually centering on the Kevin Smith triumvirate of sex, comics, and movies." [movie review]      eFilmCritic.com   
  
5/5
     (1993)      "This is an original, a stark and (sorry) biting work far more complex, both stylistically and thematically, than first meets the eye." [movie review]      eFilmCritic.com   
  
3/5
     (1998)      "Verges on unconscious parody." [movie review]      eFilmCritic.com   
  
5/5
     (1999)      "A teeming, fast-paced spin through a particularly strange show-biz life." [movie review]      eFilmCritic.com   
  
1/5
     (1997)      "You have to be a Bill Murray fan, or in an especially generous mood, to find The Man Who Knew Too Little more than mildly amusing." [movie review]      eFilmCritic.com   
  
5/5
     (2001)      "Thornton does wonders within the tabula rasa of words and gestures he's limited to." [movie review]      eFilmCritic.com   
  
4/5
     (2005)      "A decent and diverting piece of work from perhaps the hardest-working man in movies." [movie review]      eFilmCritic.com   
  
5/5
     (2004)      "Demme's filmmaking has lost none of its jazz." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "If this trilogy finishes up strong, this middle portion may come to be seen as the weakest, though it's still forceful and intimate in the von Trier manner." [movie review]      eFilmCritic.com   
  
5/5
     (1986)      "Eminently worthy and stylish." [movie review]      eFilmCritic.com   
  
4/5
     (1980)      "Seen today, the movie has more in common with the grungy Times Square aesthetic of Abel Ferrara than with the multitudes of slasher flicks that followed it." [movie review]      eFilmCritic.com   
  
4/5
     (1966)      "Aggressively bizarre but fascinating." [movie review]      eFilmCritic.com   
  
2/5
     (2005)      "It's a rather offensively human-centered approach to what should be a mystifying and beautiful experience." [movie review]      eFilmCritic.com   
  
0/5
     (2003)      "Marci X is the kind of terrible movie I'm almost glad I've seen, because this decade probably won't bring a worse movie than this." [movie review]      eFilmCritic.com   
  
3/5
     (1964)      "Punishingly long and, despite the professionalism on all levels, not especially moving or interesting" [movie review]      eFilmCritic.com   
  
5/5
     (1988)      "Everything in it is wonderfully right." [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "Burton is at his funniest when the Martians are zapping away like brats playing a video game." [movie review]      eFilmCritic.com   
  
5/5
     (1978)      "The best Romero movie you've never seen." [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "Mary Reilly will undoubtedly leave many people cold, but I snuggled into its bleakness." [movie review]      eFilmCritic.com   
  
2/5
     (1994)      "A weirdly muddled and embarrassingly over-the-top fiasco." [movie review]      eFilmCritic.com   
  
3/5
     (1998)      "Crisp and competent and often witty, but it only does what it's supposed to do; it's never quite inspired or exhilarating..." [movie review]      eFilmCritic.com   
  
5/5
     (2003)      "It's an undeniably square, throwback movie, but there's no major crime in making 'em like they used to, and doing it this elegantly." [movie review]      eFilmCritic.com   
  
4/5
     (2005)      "Brosnan's work as a monster who'd like to become human, but has no idea how, is painfully funny." [movie review]      eFilmCritic.com   
  
3/5
     (1999)      "The paranoid details of the premise are thoroughly worked out; the characters and motives, much less so." [movie review]      eFilmCritic.com   
  
3/5
     (2003)      "Between the money scenes, we get characters standing at attention and burping prophecies and deep thoughts at each other." [movie review]      eFilmCritic.com   
  
2/5
     (2003)      "Some of this stuff is just cheesy in the same way it's been cheesy in dozens of cheaper, less cultish films." [movie review]      eFilmCritic.com   
  
5/5
     (2003)      "Proves that fresh new work can be done in the horror genre if the director follows his or her own shadowy muse." [movie review]      eFilmCritic.com   
  
4/5
     (2000)      "Consistently filthy and funny, with the Farrellys' usual attention to disability that will surely be misread as insensitivity to disability." [movie review]      eFilmCritic.com   
  
4/5
     (2004)      "It announces the arrival of Tina Fey into the ranks of smart screenwriters." [movie review]      eFilmCritic.com   
  
4/5
     (1998)      "Long but never boring, spiritual but never soggy, this is the brand of big entertainment Hollywood is best at but so rarely does right these days." [movie review]      eFilmCritic.com   
  
4/5
     (2000)      "Owes about 55 percent of its charm to De Niro, who can be hilarious just sitting there." [movie review]      eFilmCritic.com   
  
5/5
     (1980)      "Some great, reverberant moments." [movie review]      eFilmCritic.com   
  
5/5
     (2001)      "The film is cool, contemplative, a puzzle movie in which you see the finished puzzle right up front and then watch as it disassembles itself." [movie review]      eFilmCritic.com   
  
3/5
     (1997)      "Just a collection of sketches in which Jones and Smith run into farcical E.T.s." [movie review]      eFilmCritic.com   
  
1/5
     (2002)      "About the most uninspired rehash of a popular hit I've ever seen." [movie review]      eFilmCritic.com   
  
4/5
     (2005)      "Brings on a variety of eloquent voices from both the fanbase and the gods of metal themselves." [movie review]      eFilmCritic.com   
  
5/5
     (1927)      "It's a masterpiece, but it's not a sane movie. It's gloriously bonkers." [movie review]      eFilmCritic.com   
  
3/5
     (2001)      "It just sits there, doing nothing that a competent made-for-cable movie with C-list stars couldn't do." [movie review]      eFilmCritic.com   
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