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Sources
• eFilmCritic.com
Total Reviews: 1192
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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5/5
     (1997)      "Dizzying and powerful." [movie review]      eFilmCritic.com   
  
2/5
     (2004)      "A fairly routine firefighter drama, with burning-building sequences that more or less all look alike." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "Ignore the critics on this movie. Yeah, I am one. Which means I'm telling you to ignore me, too." [movie review]      eFilmCritic.com   
  
4/5
     (2004)      "Hanks is looser and funnier than he has been in quite some time." [movie review]      eFilmCritic.com   
  
0/5
     (2008)      "This is as stupid, hollow, and irresponsible a movie as any I've seen, and I've seen Ilsa: She-Wolf of the SS." [movie review]      eFilmCritic.com   
  
2/5
     (1995)      "The great performance belongs to Bronson Pinchot as an unhinged yuppie." [movie review]      eFilmCritic.com   
  
1/5
     (2001)      "Even by video-game-movie standards, this is an arrogantly, almost smugly empty and incoherent mess." [movie review]      eFilmCritic.com   
  
5/5
     (2002)      "A fascinating chorus of outrage and sadness, hatred and hope." [movie review]      eFilmCritic.com   
  
2/5
     (1979)      "Demme puts nothing of himself into these paranoid shenanigans -- the movie is all too transparently his attempt to do something bankable." [movie review]      eFilmCritic.com   
  
4/5
          "Well, here's a toxic little item." [movie review]      eFilmCritic.com   
  
5/5
     (1972)      "Craven and company tap into something hot, dark and deep." [movie review]      eFilmCritic.com   
  
2/5
     (2009)      "...just an impersonal Saturday-night revenge flick, of the sort that Michael Haneke's Funny Games (either version) eviscerated and made irrelevant." [movie review]      eFilmCritic.com   
  
2/5
     (1996)      "The film chokes to death on Walter Hill's dusty artistry." [movie review]      eFilmCritic.com   
  
2/5
     (2003)      "The real point of the film seems to be the poster image of a battle-ready Tom Cruise waving a sword and all decked out in gleaming red-and-black samurai armor." [movie review]      eFilmCritic.com   
  
4/5
     (1961)      "The real star of the movie is Sacha Vierny, whose pristine, symmetrical, black-and-white widescreen compositions rank with the great achievements in cinematography." [movie review]      eFilmCritic.com   
  
5/5
     (2003)      "It pulled me in with its friendly, inclusive, nonjudgmental appraisal of human nature." [movie review]      eFilmCritic.com   
  
5/5
     (1995)      "Figgis presents disintegration as a state of grace." [movie review]      eFilmCritic.com   
  
4/5
     (1994)      "There's conviction in this movie, and intelligence." [movie review]      eFilmCritic.com   
  
1/5
     (1987)      "Jami Gertz was, is, and ever shall be one of the most egregious actresses in the history of film." [movie review]      eFilmCritic.com   
  
2/5
     (1998)      "The very definition of a meaningless, mindless summer sequel." [movie review]      eFilmCritic.com   
  
5/5
     (2006)      "A fine, textured study of war, one that considers the strategic side as well as the human side without sacrificing either." [movie review]      eFilmCritic.com   
  
1/5
     (1999)      "Murphy and Lawrence never quite move beyond shtick." [movie review]      eFilmCritic.com   
  
3/5
     (2004)      "As a showcase for Geoffrey Rush, though, Life and Death is more than worthwhile." [movie review]      eFilmCritic.com   
  
5/5
     (2004)      "Wes Anderson creates a highly stylized and peculiar world, which either works for you or it doesn't. It works for me beautifully..." [movie review]      eFilmCritic.com   
  
3/5
     (1998)      "With Life Is Beautiful, the final frontier of schmaltz has been reached." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "Any movie featuring Holly Hunter as a blood-spattered angel, grinning homicidally as she clings to the hood of a speeding car, is just about impossible to dislike." [movie review]      eFilmCritic.com   
  
1/5
     (1991)      "About 90% of the jokes elicit blank, polite stares, not laughs. The film is as raggedy and forlorn as its hero." [movie review]      eFilmCritic.com   
  
2/5
     (2007)      "Plays the same bloated Hollywood strings." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "Accumulates depth and fleshes out its characters." [movie review]      eFilmCritic.com   
  
4/5
     (2000)      "A pleasantly sloppy party that doesn't go on too long." [movie review]      eFilmCritic.com   
  
5/5
     (1995)      "Probably the best and funniest of the mid-’90s crop of movies about making movies." [movie review]      eFilmCritic.com   
  
5/5
     (1998)      "Lovely and understated." [movie review]      eFilmCritic.com   
  
5/5
     (1996)      "The latest chapter in Sayles' ongoing great American novel." [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "Geena Davis is engaging and funny no matter which woman she is." [movie review]      eFilmCritic.com   
  
2/5
     (2005)      "Yields the dispiriting insight that Hollywood can't even make credible rabble-rousing junk any more." [movie review]      eFilmCritic.com   
  
5/5
     (1990)      "One of the better hetero-friendly movies about gays." [movie review]      eFilmCritic.com   
  
4/5
     (2001)      "Jackson ... conjures the most potent major-motion-picture magic in years." [movie review]      eFilmCritic.com   
  
3/5
     (2003)      "A lot of it is just hacking and slashing on a mammoth scale, which is still just hacking and slashing." [movie review]      eFilmCritic.com   
  
5/5
     (2002)      "The battle is one of the best of its kind in film history, a symphony of bloodlust and hopes dashed and restored." [movie review]      eFilmCritic.com   
  
2/5
     (2005)      "The movie ultimately crushes itself in a vise of self-loathing." [movie review]      eFilmCritic.com   
  
4/5
     (2005)      "You don't have to care much about skateboarding (I really don't) to find the movie exhilarating and engaging." [movie review]      eFilmCritic.com   
  
2/5
     (2001)      "During the long sit, we get symbolism lobbed into our laps like a large you-go-girlfriend beach ball." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "Mesmerizing yet cold and remote -- an exotic fish we can't touch." [movie review]      eFilmCritic.com   
  
5/5
     (1985)      "It is, I think, Brooks' masterpiece -- nothing inessential, one great scene after another, just flat-out perfect. Stanley Kubrick was an Albert Brooks fan for a reason." [movie review]      eFilmCritic.com   
  
1/5
     (1998)      "The casting splits you down the middle -- you don't know whether to be grateful that you at least have good actors to watch, or to regret that they're given nothing to do." [movie review]      eFilmCritic.com   
  
5/5
     (2003)      "Working this time with her own story, Coppola lets it relax and breathe, devoting herself to moods and moments." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "Steven Spielberg in his ruthless cat-playing-with-a-mouse mode." [movie review]      eFilmCritic.com   
  
3/5
     (1979)      "Resolutely mainstream; its humor sticks largely to sitcom-level jokes about Jews, sex, drugs, and the Dracula legend." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "A few memorably weird and serious short films inspired by Lovecraft, linked by a strenuously unfunny running bit." [movie review]      eFilmCritic.com   
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