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• eFilmCritic.com
Total Reviews: 1192
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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3/5
     (2005)      "The movie nonetheless can't sustain the thin interest of a man's obsession with outlaw fellatio." [movie review]      eFilmCritic.com   
  
2/5
     (1997)      "A depressingly routine slasher film." [movie review]      eFilmCritic.com   
  
2/5
     (2007)      "I wanted it to be gloriously bad, camp-classic bad, and the movie is too ineptly artsy and unpleasant to make it." [movie review]      eFilmCritic.com   
  
5/5
     (1994)      "Despite its ungainly title, Darnell Martin’s debut is a lovely, well-rounded comedy-drama." [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "Erratically paced but generally provocative." [movie review]      eFilmCritic.com   
  
3/5
     (1978)      "The movie does wield crude and considerable power." [movie review]      eFilmCritic.com   
  
5/5
     (1998)      "For all the static bleakness of his movies, Noe does have a sinful sense of play." [movie review]      eFilmCritic.com   
  
3/5
     (2007)      "Perhaps the whole weird, scattershot thing might play better when you can skip-search to your favorite bits." [movie review]      eFilmCritic.com   
  
5/5
     (2000)      "Like a lot of great comedy, I'm the One rises from the ashes of genuine pain while still being funny." [movie review]      eFilmCritic.com   
  
4/5
     (1987)      "A short, sweet, enjoyable comedy, with a winning performance by McCarthy." [movie review]      eFilmCritic.com   
  
2/5
     (2004)      "The movie is at least a bit less annoying than director Alex Proyas' previous two genre attempts." [movie review]      eFilmCritic.com   
  
4/5
     (2002)      "Scrat, easily the runaway star of Ice Age, is a wonderful wordless creation." [movie review]      eFilmCritic.com   
  
5/5
     (2005)      "When a lot of you tell me you want intelligent movies made by adults for adults, you're asking for movies like this one." [movie review]      eFilmCritic.com   
  
5/5
     (1997)      "A rich and elegant drama." [movie review]      eFilmCritic.com   
  
2/5
     (2003)      "A good cast is enacting this fancy rubbish; what drew them to the material besides its self-conscious cleverness is beyond me." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "I look forward to a time when I can safely laugh at Idiocracy, but that time may not come any time soon." [movie review]      eFilmCritic.com   
  
2/5
     (1996)      "These writer-director-actors seem to want to make movies just so they can be cuddly in them." [movie review]      eFilmCritic.com   
  
5/5
     (1969)      "Anyone who was a disaffected teenager can relate to this still-controversial (it looks fairly eerie post-Columbine), never less than fascinating satire." [movie review]      eFilmCritic.com   
  
0/5
     (1974)      "Despite a lot of competition, this is perhaps the most poisonous thing passing itself off as a movie that I've ever seen." [movie review]      eFilmCritic.com   
  
5/5
     (1997)      "Paul Rudnick has written scenes that will go down as classics." [movie review]      eFilmCritic.com   
  
2/5
     (1998)      "Jordan drops his common sense so consistently here that much of In Dreams is fascinating." [movie review]      eFilmCritic.com   
  
1/5
     (1996)      "I will cherish my memory of Chris at the end of In Love and War, bearded and bitter, drinking fiercely and trying very hard to be dark and tormented." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "Has been both exalted as a brilliant satire and scorned as a shallow burp of white male indigestion posing as satire. It's probably a little of both." [movie review]      eFilmCritic.com   
  
4/5
     (2003)      "Should a movie be penalized for failing to be something it never tried or aspired to be? Perhaps the marketing is to blame, or the hype surrounding Meg Ryan's nudity." [movie review]      eFilmCritic.com   
  
4/5
     (1976)      "At best it's a thinking person's XXX flick; at worst it's as repetitive as a porn video." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "It's hard to make a visually compelling narrative out of 100 minutes of a 58-year-old man talking about carbon-dioxide emissions, but director Davis Guggenheim does it." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "The movie is fun enough, and it satisfied me as a lifelong Hulk fan." [movie review]      eFilmCritic.com   
  
2/5
     (1977)      "A rather clunky, atrociously acted potboiler." [movie review]      eFilmCritic.com   
  
5/5
     (2004)      "It re-animates the thrill, not just the nostalgia, of old-school comic books and pulp adventure." [movie review]      eFilmCritic.com   
  
4/5
     (1993)      "It pulls us in on the nudge-nudge-wink-wink strength of its premise, but what it does with that premise is more than Hollywood usually manages." [movie review]      eFilmCritic.com   
  
1/5
     (1996)      "Forget government conspiracies about aliens -- what about the entertainment media's conspiracy to persuade America that this movie doesn't suck?" [movie review]      eFilmCritic.com   
  
5/5
     (2008)      "They'd done it -- "they," of course, being Steven Spielberg, George Lucas, and Harrison Ford. They had brought Indy back to us, our Indy, and they hadn't screwed it up." [movie review]      eFilmCritic.com   
  
5/5
     (1989)      "Connery brings out a vastly appealing dorky-kid side of Ford we haven't seen before in the Indy films, and Ford parries with Connery angrily yet lovingly." [movie review]      eFilmCritic.com   
  
5/5
     (1984)      "...it's cathartic as hell, for Spielberg and for those of us who go for the ride. The mayhem is transporting, inspired, exultant..." [movie review]      eFilmCritic.com   
  
5/5
     (2009)      "...a long, strange pop artifact, studded with instant-classic moments and sealed with a legitimately great image..." [movie review]      eFilmCritic.com   
  
5/5
     (2006)      "It's an abstract jazz riff, it's a painting, it's a monster movie and a musical and a psychodrama and an ellipsis made of black holes." [movie review]      eFilmCritic.com   
  
5/5
     (2007)      "Leave it to the French to make Suspiria look like a '30s drawing-room comedy." [movie review]      eFilmCritic.com   
  
5/5
     (2006)      "[Lee] nails the irritable yet alive soul of New York -- particularly, now, New York post-9/11 -- better than anyone else." [movie review]      eFilmCritic.com   
  
4/5
     (1999)      "It has a buzz of excitement and complexity -- the sense that we're seeing the actual back-room decisions that affect lives." [movie review]      eFilmCritic.com   
  
5/5
     (2002)      "This director has an unerring knack for arresting imagery and disorienting narrative." [movie review]      eFilmCritic.com   
  
1/5
     (1999)      "Yet another spiritual weepie that decries human follies and yet puts a happy face on it all." [movie review]      eFilmCritic.com   
  
3/5
     (2005)      "High-class to a fault, and well-cast in every supporting role ... nevertheless burns with a very low flame." [movie review]      eFilmCritic.com   
  
5/5
     (1994)      "Jordan is a master of poetic, deceptive atmosphere." [movie review]      eFilmCritic.com   
  
4/5
     (2003)      "This is the Coens dabbling in the mainstream, and bending it to their will." [movie review]      eFilmCritic.com   
  
3/5
     (2008)      "It's supposed to be fun, and it is, in spots." [movie review]      eFilmCritic.com   
  
5/5
     (2003)      "Noe is a confrontational master, no question." [movie review]      eFilmCritic.com   
  
3/5
     (2005)      "Actually a fairly decent sci-fi thriller for its first half." [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "Uneven; definitely has its moments." [movie review]      eFilmCritic.com   
  
3/5
     (2003)      "A passable time-waster ... directed with some grace and snap." [movie review]      eFilmCritic.com   
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