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Sources
• eFilmCritic.com
Total Reviews: 1192
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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1/5
     (1997)      "A rabid piece of militaristic pulp with a crucial and commercially shrewd difference: The hero, the soft clay to be molded into a steely instrument of death, is a woman." [movie review]      eFilmCritic.com   
  
5/5
     (1999)      "An enormously entertaining pop-culture ride." [movie review]      eFilmCritic.com   
  
5/5
     (2006)      "The more you identify with these guys, the more your laughter may be tempered with 'Ouch.'" [movie review]      eFilmCritic.com   
  
2/5
     (2002)      "Why did Scorsese spend three decades thirsting to make this movie? It's nowhere clear on the screen." [movie review]      eFilmCritic.com   
  
5/5
     (1978)      "An unforgettable mood piece about human loneliness." [movie review]      eFilmCritic.com   
  
5/5
     (1997)      "At least as stunning as Blade Runner or Brazil." [movie review]      eFilmCritic.com   
  
0/5
     (1999)      "Do the filmmakers think we're morons? We're certainly treated as such, right from the beginning." [movie review]      eFilmCritic.com   
  
5/5
     (2005)      "With a master's control, Romero sets his characters in motion and against each other." [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "A feat of metaphor and rhetoric." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "An affable pile-up of action-comedy climaxes." [movie review]      eFilmCritic.com   
  
5/5
     (1999)      "One of the coolest movies to come down the pike in years." [movie review]      eFilmCritic.com   
  
4/5
     (2007)      "Bad fun if you're in the right mood, and a large part of the credit goes to Nicolas Cage." [movie review]      eFilmCritic.com   
  
4/5
     (2002)      "The movie has few surprises for lifelong horror fans, but it'll keep them (or us -- I count myself in their number) happily diverted for just under 90 minutes." [movie review]      eFilmCritic.com   
  
5/5
     (2001)      "If more people appreciated stories like this, movies and comic books would be better off." [movie review]      eFilmCritic.com   
  
3/5
     (1956)      "Entertaining in a big-movie way, but very, very long; many scenes are expendable." [movie review]      eFilmCritic.com   
  
2/5
     (2001)      "Who would have thought Sam Raimi could have made a film in which the dead are harmless, even helpful?" [movie review]      eFilmCritic.com   
  
4/5
     (2003)      "I can't call Gigli a misunderstood masterwork, but I'm not ashamed to say I enjoyed it." [movie review]      eFilmCritic.com   
  
5/5
     (2001)      "Successfully operates on dual levels -- as a horror movie and as a study of two sisters." [movie review]      eFilmCritic.com   
  
0/5
     (2004)      "If it had been a porn film, at least it would've been made by people with some insight into the adult-film milieu, as opposed to people with insight into nothing." [movie review]      eFilmCritic.com   
  
4/5
     (1999)      "Meaty roles for an eager young female ensemble. On that level, and on several others, the movie triumphs." [movie review]      eFilmCritic.com   
  
2/5
     (2000)      "If a gladiator film doesn't work as spectacle or as bloodthirsty action, what's left? Drama? It's dead on that level, too..." [movie review]      eFilmCritic.com   
  
4/5
     (1999)      "A better-than-average Tarantinoid piece of cotton candy." [movie review]      eFilmCritic.com   
  
3/5
     (1978)      "Go Tell the Spartans is a competent war film, to be sure, but there's no directorial commitment, no vision." [movie review]      eFilmCritic.com   
  
5/5
     (1998)      "A parable worthy of Mary Shelley herself." [movie review]      eFilmCritic.com   
  
1/5
     (1998)      "A great lumbering beast that has no personality, has size but no power." [movie review]      eFilmCritic.com   
  
5/5
     (1954)      "...surprisingly solemn and bitter. It is explicitly a post-Hiroshima nightmare writ large..." [movie review]      eFilmCritic.com   
  
4/5
     (1995)      "A likable attempt at a teen-girl variation on a Huck Finn-style adventure." [movie review]      eFilmCritic.com   
  
4/5
     (1995)      "Fast and light." [movie review]      eFilmCritic.com   
  
4/5
     (2000)      "Comfortably cheesy -- a real beer-and-pizza movie." [movie review]      eFilmCritic.com   
  
4/5
     (1980)      "A fascinating public act of career seppuku." [movie review]      eFilmCritic.com   
  
4/5
     (2005)      "Scrupulously journalistic, sometimes to its credit, sometimes to its deficit as a movie." [movie review]      eFilmCritic.com   
  
3/5
     (1988)      "This is a movie for masochists." [movie review]      eFilmCritic.com   
  
3/5
     (2008)      "The movie would be nowhere, absolutely nowhere, without Clint Eastwood." [movie review]      eFilmCritic.com   
  
3/5
     (1979)      "Two-dimensional and minor." [movie review]      eFilmCritic.com   
  
4/5
     (1999)      "Dotted with many fine moments, clotted with a few flabby ones." [movie review]      eFilmCritic.com   
  
5/5
     (2008)      "It's safe to say that this is a game-changing performance by Drew Barrymore." [movie review]      eFilmCritic.com   
  
4/5
     (1976)      "Borderline exploitative. But the stark power of the dual portrait can't be denied." [movie review]      eFilmCritic.com   
  
3/5
     (2007)      "The trailers for grindhouse movies were always better than the films themselves. Sadly, the same is true of Grindhouse." [movie review]      eFilmCritic.com   
  
5/5
     (1997)      "One of 1997's best films, and certainly the funniest and freshest." [movie review]      eFilmCritic.com   
  
5/5
     (2006)      "Sobering." [movie review]      eFilmCritic.com   
  
2/5
     (2004)      "...just cannibalizes itself, exploiting Japanese spirituality for a few Saturday-night shocks..." [movie review]      eFilmCritic.com   
  
1/5
     (2006)      "These films are popular with teenagers who haven't seen it all before, who don't see every jump scare coming a mile off." [movie review]      eFilmCritic.com   
  
2/5
     (2005)      "Here's a comedy premised on racial unease, and it's too timid to uncork actual racial humor." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "Directors have been hailed as visionaries for less." [movie review]      eFilmCritic.com   
  
3/5
     (2003)      "Would feel a lot emptier without the lively actors populating it." [movie review]      eFilmCritic.com   
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