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• eFilmCritic.com
Total Reviews: 1192
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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5/5
     (1997)      "The dramatic scenes have emotional gravity, while the exhilarating action sequences defy gravity." [movie review]      eFilmCritic.com   
  
4/5
     (1999)      "A crappy teen horror movie, but in director Robert Rodriguez's hands it's at least agreeably crappy." [movie review]      eFilmCritic.com   
  
4/5
     (2004)      "Isn't quite the bullseye Moore's supporters are hoping for and Bush's supporters are dreading." [movie review]      eFilmCritic.com   
  
3/5
     (1993)      "A crude, cathartic rant that both condemns and exploits modern paranoia." [movie review]      eFilmCritic.com   
  
1/5
     (1996)      "More ugly and depressing than haunting or suspenseful." [movie review]      eFilmCritic.com   
  
4/5
     (2005)      "The film is affable enough, though nothing much seems to be at stake." [movie review]      eFilmCritic.com   
  
2/5
     (1994)      "More interesting as a cinema footnote than as actual cinema; it sets modest entertainment goals for itself and flunks those." [movie review]      eFilmCritic.com   
  
4/5
     (2007)      "I have read many of the legitimate criticisms of this sequel, and I agree with them, and I do not care." [movie review]      eFilmCritic.com   
  
4/5
     (2002)      "An obsessive triumph of design and tribute, beautifully acted ... but this stuff was somehow more fun in the '50s." [movie review]      eFilmCritic.com   
  
5/5
     (1996)      "The best movie heroine in years." [movie review]      eFilmCritic.com   
  
5/5
     (1998)      "Years from now, it will be reappraised as a misunderstood masterpiece. Well, this is one American critic who's not waiting until years from now." [movie review]      eFilmCritic.com   
  
1/5
     (2002)      "Watching Feardotcom is often like being splashed with sewage by a Super-Soaker." [movie review]      eFilmCritic.com   
  
4/5
     (1989)      "I'm glad I bought it, I'm glad I saw it, and I'm glad Solondz moved beyond it." [movie review]      eFilmCritic.com   
  
5/5
     (2006)      "Becomes sedate and spiritual without losing its power." [movie review]      eFilmCritic.com   
  
4/5
     (1967)      "Infectiously silly vampire farce that’s a lot more elegant than it had to be." [movie review]      eFilmCritic.com   
  
1/5
     (1996)      "One bad screenwriting decision after another; it could be taught in film school as an example of what to avoid." [movie review]      eFilmCritic.com   
  
4/5
     (1975)      "How does one follow up a legendary affront to decency? In John Waters' case, he moved on." [movie review]      eFilmCritic.com   
  
2/5
     (1992)      "The film, as it progresses, begins to seem like Reiner's own military exercise -- all professional polish, no soul." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "It's a triumph of form over content, but it's a stunning triumph." [movie review]      eFilmCritic.com   
  
3/5
     (1999)      "May also be yet another example of a book that was just fine as a book -- that didn't need to be made into a film." [movie review]      eFilmCritic.com   
  
4/5
     (2006)      "Amusing (and, at 72 minutes, in and out of there fast), with a diabolically dweeby performance by Melik Malkasian." [movie review]      eFilmCritic.com   
  
4/5
     (2001)      "Worth it for Leary fans who want to see him stretch a bit." [movie review]      eFilmCritic.com   
  
1/5
     (2009)      "This series has clearly run out of ideas. The deaths are tired." [movie review]      eFilmCritic.com   
  
2/5
     (2006)      "This one regresses the series to what Roger Ebert, back in the splatter-film '80s, dubbed the Dead Teenager genre." [movie review]      eFilmCritic.com   
  
4/5
     (1978)      "Probably one of the most naked psychodramas of its decade." [movie review]      eFilmCritic.com   
  
2/5
     (1995)      "There's something sick about a Camelot movie in which the point of the great Arthur's death is to bring the lovers together in a guilt-free union." [movie review]      eFilmCritic.com   
  
5/5
     (1991)      "It's Gilliam's most relaxed and heartfelt filmmaking, with a new respect for human frailty and actors' moments." [movie review]      eFilmCritic.com   
  
5/5
     (1980)      "Taken solely as a pop wedge of cheese, it's beautifully realized. As for the empty-headed dialogue and the puerile plot, isn't it obvious those are both part of the point?" [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "Entertainment for the whole dysfunctional family." [movie review]      eFilmCritic.com   
  
4/5
     (1984)      "Footloose wasn't exactly a critical fave, but it didn't try to be hip and it had a relatively light touch, with recognizable human beings on the screen." [movie review]      eFilmCritic.com   
  
3/5
     (1999)      "For Love of the Game is painless, but it's also pompous and pious about baseball in a way that doesn't mean much to a non-fan like me." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "Good low-calorie fun." [movie review]      eFilmCritic.com   
  
2/5
     (2004)      "Who wants to see -- or remember -- a wildly implausible thriller that's also grim and humorless?" [movie review]      eFilmCritic.com   
  
5/5
     (1997)      "Quite aside from being perhaps the most elaborate prank in Jackson's career to date (or since), Forgotten Silver is a brilliant piece of moviemaking." [movie review]      eFilmCritic.com   
  
5/5
     (1994)      "Its flaws don't do it any great harm; it's as comforting as an afternoon nap, but also as refreshing." [movie review]      eFilmCritic.com   
  
5/5
     (2006)      "It's a simple story told with Zen directness, its fingers deep in the age-old questions, its eyes and ears wide open to the sensual potential of cinema." [movie review]      eFilmCritic.com   
  
2/5
     (1995)      "Begins with two awful segments, which you'll want to fast-forward past to get to the third and fourth segments." [movie review]      eFilmCritic.com   
  
3/5
     (1981)      "Accomplished and sometimes exciting ... but by and large unsatisfying." [movie review]      eFilmCritic.com   
  
2/5
     (2002)      "Feels like Sling Blade rewritten at a crawl by Stephen King." [movie review]      eFilmCritic.com   
  
4/5
     (2003)      "It's a cleverly wrapped gift to me and every horror fan like me, and I feel nothing but affection for it." [movie review]      eFilmCritic.com   
  
2/5
     (2005)      "As an excuse to examine urban malaise at novel length, this premise works; as a film drama, it feels both overlong and sketchy." [movie review]      eFilmCritic.com   
  
5/5
     (1996)      "One of the most stubbornly original and electrifying films not only of 1996, but of the '90s, period." [movie review]      eFilmCritic.com   
  
5/5
     (1999)      "It works on its own snarly, baroque terms." [movie review]      eFilmCritic.com   
  
2/5
     (2000)      "If you see the movie, ask yourself what would be the most upbeat ending possible; you'll see it all and more." [movie review]      eFilmCritic.com   
  
5/5
     (2002)      "Taymor brings all of her artist's compassion to bear on a subject that deserves it." [movie review]      eFilmCritic.com   
  
1/5
     (2009)      "Sometimes you just want a pizza. But what if you're served a pizza with no cheese and half the slices gone? This Friday the 13th fails at being even fun trash." [movie review]      eFilmCritic.com   
  
3/5
     (2006)      "Holofcener's anecdotal narrative doesn't give us much purchase on any of the characters." [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "Every frame drips with Jackson's moviemaking fever." [movie review]      eFilmCritic.com   
  
4/5
     (2001)      "Somehow, the movie taps into the book's uncanny implication that the very air is charged with malevolent ancient spirits..." [movie review]      eFilmCritic.com   
  
4/5
     (2008)      "Langella, of course, warrants the attention paid." [movie review]      eFilmCritic.com   
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