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Sources
• eFilmCritic.com
Total Reviews: 1192
Rob Gonsalves
Rob Gonsalves
Rob Gonsalves

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5/5
     (2007)      "...It doesn't take long for this supposedly 'conventional' Cronenberg outing to announce its place in his portfolio. It begins with blood and slime..." [movie review]      eFilmCritic.com   
  
4/5
     (2001)      "Steve Railsback gives us probably the definitive cinematic Gein, and the movie is eminently worthwhile for him alone." [movie review]      eFilmCritic.com   
  
3/5
     (1994)      "It's refreshing to see Burton in a relatively upbeat mood, but he picked the wrong story to give an optimistic spin." [movie review]      eFilmCritic.com   
  
3/5
     (2006)      "Edmond is presented as the cold truth, but it's really just the truth of how the masculinist Mamet feels." [movie review]      eFilmCritic.com   
  
2/5
     (1999)      "EdTV isn't bad enough to get angry about, but it's a mundane and toothless satire." [movie review]      eFilmCritic.com   
  
2/5
     (1975)      "What makes the movie less offensive than you might assume -- its total detachment from its characters -- also makes it a tough sit." [movie review]      eFilmCritic.com   
  
4/5
     (2002)      "The best giant-spider movie I've seen in quite some time." [movie review]      eFilmCritic.com   
  
5/5
     (1999)      "The script, based on a Tom Perrotta novel, is tight and elegant." [movie review]      eFilmCritic.com   
  
3/5
     (2005)      "What's missing in this Elektra is a certain sense of play and imagination." [movie review]      eFilmCritic.com   
  
4/5
     (2005)      "Watts fans will, of course, want to see Ellie Parker regardless of what I or anyone else say about it." [movie review]      eFilmCritic.com   
  
5/5
     (1980)      "Each section of the film has a stand-out sequence that inspires hyperbole like 'best ever.'" [movie review]      eFilmCritic.com   
  
4/5
     (1999)      "Part of the degraded charm of End of Days is its buffet-table derivative approach." [movie review]      eFilmCritic.com   
  
2/5
     (2001)      "Flatulent hero-worship of a man played by a tired-looking actor who deserves funkier roles." [movie review]      eFilmCritic.com   
  
5/5
     (1996)      "The sand seems to drench the actors in deep golden light; the sky is a rich, muted blue, like a still and suspended sea." [movie review]      eFilmCritic.com   
  
4/5
     (1999)      "Gets by well enough on style and star chemistry and the basic allure of watching a tightly-planned caper unfold." [movie review]      eFilmCritic.com   
  
4/5
     (2002)      "An engaging ride, with some quicksilver moves." [movie review]      eFilmCritic.com   
  
2/5
     (1996)      "It's the sort of plot you've seen so many times before that you forget exactly where you've seen it before, though you know it probably worked better then." [movie review]      eFilmCritic.com   
  
4/5
     (2000)      "An example of Hollywood entertainment done with finesse and compassion, the way it always should be but so often isn't." [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "Escape from L.A. finds Carpenter in a playful mood." [movie review]      eFilmCritic.com   
  
5/5
     (1981)      "Its influence cannot be understated." [movie review]      eFilmCritic.com   
  
3/5
     (1971)      "Passable entertainment, but it's no fun watching the likable, witty Cornelius and Zira become hairy martyrs." [movie review]      eFilmCritic.com   
  
5/5
     (2004)      "Kaufman and Gondry bring out all the weirdness of the premise, sometimes eliciting disbelieving laughter, sometimes taking us to odd, chilly places." [movie review]      eFilmCritic.com   
  
1/5
     (1994)      "Despite a promising start, Cowgirls is one of the most boring movies of all time, a ridiculous stew of mysticism, flat satire, and whimsy." [movie review]      eFilmCritic.com   
  
3/5
     (1996)      "I doubt any director could have made a good movie from Andrew Lloyd Webber's baffling and shallow musical." [movie review]      eFilmCritic.com   
  
1/5
     (2001)      "Part of the problem with Evolution -- aside from the fact that it isn't really very funny -- is that it's mostly jaded; there's very little gee-whiz, almost no awe." [movie review]      eFilmCritic.com   
  
4/5
     (1997)      "A good little comedy with a string of winning performances." [movie review]      eFilmCritic.com   
  
2/5
     (1996)      "It finally gives us what Hollywood has been threatening for years, the movie nobody was waiting for: Airport '96." [movie review]      eFilmCritic.com   
  
5/5
     (1999)      "[Cronenberg is] a laughing existentialist here, a philosopher who sees the comedy in disorientation." [movie review]      eFilmCritic.com   
  
2/5
     (2005)      "A glum and undistinguished drama -- it's certainly nothing so crass as a horror movie, despite the spooky come-on of the marketing." [movie review]      eFilmCritic.com   
  
2/5
     (1990)      "I'll call it a noble failure." [movie review]      eFilmCritic.com   
  
1/5
     (2004)      "Most of the movie feels nothing like an Exorcist film." [movie review]      eFilmCritic.com   
  
4/5
     (2000)      "The movie's eerie quietude is gone." [movie review]      eFilmCritic.com   
  
3/5
     (2009)      "It's not a bad film -- it runs smoothly, creates an environment and a mood. But fans of Judge's previous work might do well to scale their expectations back." [movie review]      eFilmCritic.com   
  
4/5
     (1996)      "If it's never as scary or provocative as it means to be, at least it's straightforward and satisfying." [movie review]      eFilmCritic.com   
  
3/5
     (2008)      "Neither a good movie nor a bad movie, The Eye is just ... a movie, sitting there unnecessarily." [movie review]      eFilmCritic.com   
  
4/5
     (2003)      "Made me jump a bunch of times, and seriously creeped me out at least three times." [movie review]      eFilmCritic.com   
  
5/5
     (1999)      "Like all Kubrick's films, this one will take time, and multiple viewings, to yield up its full meaning and resonance." [movie review]      eFilmCritic.com   
  
5/5
     (1959)      "A classic of twisted gothic enchantment." [movie review]      eFilmCritic.com   
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